Dramaturgy of adaptation, epic theater and anthropomorphization of animals in ‘Juan Darién’ (2015) by Mauricio Kartun
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Tipo de documento: | Artigo |
Idioma: | spa |
Título da fonte: | Caracol (São Paulo. Online) |
Texto Completo: | https://www.revistas.usp.br/caracol/article/view/181499 |
Resumo: | Within the dramatic production of Mauricio Kartun, Juan Darién (2015) is analyzed as a dramaturgy of adaptation of the homonymous story by Horacio Quiroga included in his book The Desert (1924). This dramatic text is located in Kartun’s work and the main rewriting operations are characterized, with the aim of specifying a politics of difference. Finally, this article focuses on the development of the anthropomorphization of the serpent character and on his transformation into a narrator-presenter (in the manner of the Brechtian epic theater) and character-delegate. |
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Dramaturgy of adaptation, epic theater and anthropomorphization of animals in ‘Juan Darién’ (2015) by Mauricio KartunDramaturgia de adaptación, teatro épico y antropomorfización de animales en Juan Darién (2015), de Mauricio KartunHoracio QuirogaReescrituraCuentoTeatroPolítica de la diferenciaHoracio QuirogaRewritingStoryTheaterPolitics of differenceWithin the dramatic production of Mauricio Kartun, Juan Darién (2015) is analyzed as a dramaturgy of adaptation of the homonymous story by Horacio Quiroga included in his book The Desert (1924). This dramatic text is located in Kartun’s work and the main rewriting operations are characterized, with the aim of specifying a politics of difference. Finally, this article focuses on the development of the anthropomorphization of the serpent character and on his transformation into a narrator-presenter (in the manner of the Brechtian epic theater) and character-delegate.Dentro de la producción dramática de Mauricio Kartun, se analiza Juan Darién (2015), dramaturgia de adaptación del cuento homónimo de Horacio Quiroga incluido en su libro El desierto (1924). Se ubica este texto dramático en la obra de Kartun y se caracterizan las principales operaciones de reescritura, con el objetivo de precisar una política de la diferencia. Finalmente, se focaliza en el desarrollo de la antropomorfización del personaje de la serpiente y en su transformación en narrador-presentador (a la manera del teatro épico brechtiano) y personaje-delegado.Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas2021-11-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdftext/xmlhttps://www.revistas.usp.br/caracol/article/view/18149910.11606/issn.2317-9651.i22p48-72Caracol; Núm. 22 (2021): (jul-dic 2021) Dossier: El teatro en español del siglo XXI; 48-72Caracol; n. 22 (2021): (jul-dez 2021) Dossiê: El teatro en español del siglo XXI; 48-722317-96512178-1702reponame:Caracol (São Paulo. Online)instname:Universidade de São Paulo (USP)instacron:USPspahttps://www.revistas.usp.br/caracol/article/view/181499/176781https://www.revistas.usp.br/caracol/article/view/181499/184900Copyright (c) 2021 Jorge Dubattihttp://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessDubatti, Jorge2021-11-01T17:53:15Zoai:revistas.usp.br:article/181499Revistahttp://www.revistas.usp.br/caracol/indexPUBhttp://www.revistas.usp.br/caracol/oairevista.caracol@usp.br||2317-96512178-1702opendoar:2021-11-01T17:53:15Caracol (São Paulo. Online) - Universidade de São Paulo (USP)false |
dc.title.none.fl_str_mv |
Dramaturgy of adaptation, epic theater and anthropomorphization of animals in ‘Juan Darién’ (2015) by Mauricio Kartun Dramaturgia de adaptación, teatro épico y antropomorfización de animales en Juan Darién (2015), de Mauricio Kartun |
title |
Dramaturgy of adaptation, epic theater and anthropomorphization of animals in ‘Juan Darién’ (2015) by Mauricio Kartun |
spellingShingle |
Dramaturgy of adaptation, epic theater and anthropomorphization of animals in ‘Juan Darién’ (2015) by Mauricio Kartun Dubatti, Jorge Horacio Quiroga Reescritura Cuento Teatro Política de la diferencia Horacio Quiroga Rewriting Story Theater Politics of difference |
title_short |
Dramaturgy of adaptation, epic theater and anthropomorphization of animals in ‘Juan Darién’ (2015) by Mauricio Kartun |
title_full |
Dramaturgy of adaptation, epic theater and anthropomorphization of animals in ‘Juan Darién’ (2015) by Mauricio Kartun |
title_fullStr |
Dramaturgy of adaptation, epic theater and anthropomorphization of animals in ‘Juan Darién’ (2015) by Mauricio Kartun |
title_full_unstemmed |
Dramaturgy of adaptation, epic theater and anthropomorphization of animals in ‘Juan Darién’ (2015) by Mauricio Kartun |
title_sort |
Dramaturgy of adaptation, epic theater and anthropomorphization of animals in ‘Juan Darién’ (2015) by Mauricio Kartun |
author |
Dubatti, Jorge |
author_facet |
Dubatti, Jorge |
author_role |
author |
dc.contributor.author.fl_str_mv |
Dubatti, Jorge |
dc.subject.por.fl_str_mv |
Horacio Quiroga Reescritura Cuento Teatro Política de la diferencia Horacio Quiroga Rewriting Story Theater Politics of difference |
topic |
Horacio Quiroga Reescritura Cuento Teatro Política de la diferencia Horacio Quiroga Rewriting Story Theater Politics of difference |
description |
Within the dramatic production of Mauricio Kartun, Juan Darién (2015) is analyzed as a dramaturgy of adaptation of the homonymous story by Horacio Quiroga included in his book The Desert (1924). This dramatic text is located in Kartun’s work and the main rewriting operations are characterized, with the aim of specifying a politics of difference. Finally, this article focuses on the development of the anthropomorphization of the serpent character and on his transformation into a narrator-presenter (in the manner of the Brechtian epic theater) and character-delegate. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-11-01 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.usp.br/caracol/article/view/181499 10.11606/issn.2317-9651.i22p48-72 |
url |
https://www.revistas.usp.br/caracol/article/view/181499 |
identifier_str_mv |
10.11606/issn.2317-9651.i22p48-72 |
dc.language.iso.fl_str_mv |
spa |
language |
spa |
dc.relation.none.fl_str_mv |
https://www.revistas.usp.br/caracol/article/view/181499/176781 https://www.revistas.usp.br/caracol/article/view/181499/184900 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2021 Jorge Dubatti http://creativecommons.org/licenses/by-nc/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2021 Jorge Dubatti http://creativecommons.org/licenses/by-nc/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf text/xml |
dc.publisher.none.fl_str_mv |
Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas |
publisher.none.fl_str_mv |
Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas |
dc.source.none.fl_str_mv |
Caracol; Núm. 22 (2021): (jul-dic 2021) Dossier: El teatro en español del siglo XXI; 48-72 Caracol; n. 22 (2021): (jul-dez 2021) Dossiê: El teatro en español del siglo XXI; 48-72 2317-9651 2178-1702 reponame:Caracol (São Paulo. Online) instname:Universidade de São Paulo (USP) instacron:USP |
instname_str |
Universidade de São Paulo (USP) |
instacron_str |
USP |
institution |
USP |
reponame_str |
Caracol (São Paulo. Online) |
collection |
Caracol (São Paulo. Online) |
repository.name.fl_str_mv |
Caracol (São Paulo. Online) - Universidade de São Paulo (USP) |
repository.mail.fl_str_mv |
revista.caracol@usp.br|| |
_version_ |
1797231606853795840 |