Critique and recognition: the struggle for identity in media culture
Autor(a) principal: | |
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Data de Publicação: | 2019 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por eng |
Título da fonte: | Matrizes (Online) |
Texto Completo: | https://www.revistas.usp.br/matrizes/article/view/148793 |
Resumo: | This article analyzes the controversial interactions about the film Vazante and the play Gisberta, in which identitary groups related to black and transsexual people, respectively, criticized the way they were represented in those fictions. From the theory of recognition by Axel Honneth, it aims to understand the emergence of those forms of social struggle in media culture. This study analyzes the collective semantics and the way it expresses the feelings of injustice related to the narratives. The struggle highlights different claims, which refer to both the cultural inclusion and the autonomy of fiction and propose relations between narrative and society that challenge the current media criticism. |
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Critique and recognition: the struggle for identity in media cultureCrítica e reconhecimento: lutas identitárias na cultura midiáticaRecognitioncultural criticismcollective identityReconhecimentocrítica culturalidentidade coletivaThis article analyzes the controversial interactions about the film Vazante and the play Gisberta, in which identitary groups related to black and transsexual people, respectively, criticized the way they were represented in those fictions. From the theory of recognition by Axel Honneth, it aims to understand the emergence of those forms of social struggle in media culture. This study analyzes the collective semantics and the way it expresses the feelings of injustice related to the narratives. The struggle highlights different claims, which refer to both the cultural inclusion and the autonomy of fiction and propose relations between narrative and society that challenge the current media criticism.Este artigo analisa interações polêmicas sobre o filme Vazante e a peça Gisberta, em que grupos identitários vinculados a pessoas negras e transexuais, respectivamente, criticaram o modo como foram representados nessas ficções. A partir da teoria de reconhecimento em Axel Honneth, busca-se compreender a emergência dessas formas de luta social na cultura midiática. Para isso, examinam-se a semântica coletiva e o modo como ela organiza e expressa os sentimentos de injustiça em face dessas narrativas. Os embates evidenciam diferentes reivindicações, que se referem tanto à inclusão cultural como à autonomia da ficção, e propõem relações entre narrativa e sociedade que desafiam a crítica midiática atual.Universidade de São Paulo. Escola de Comunicações e Artes, Programa de Pós-Graduação em Ciências da Comunicação2019-04-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/pdfhttps://www.revistas.usp.br/matrizes/article/view/14879310.11606/issn.1982-8160.v13i1p149-167MATRIZes; v. 13 n. 1 (2019); 149-167MATRIZes; Vol. 13 No 1 (2019); 149-167MATRIZes; V. 13 N. 1 (2019); 149-167MATRIZes; Vol. 13 No. 1 (2019); 149-167MATRIZes; Vol. 13 Núm. 1 (2019); 149-1671982-81601982-2073reponame:Matrizes (Online)instname:Universidade de São Paulo (USP)instacron:USPporenghttps://www.revistas.usp.br/matrizes/article/view/148793/152967https://www.revistas.usp.br/matrizes/article/view/148793/152968Copyright (c) 2019 Matrizeshttp://creativecommons.org/licenses/by-nc-sa/4.0info:eu-repo/semantics/openAccessSerelle, MarcioSena, Ercio2020-06-01T14:32:44Zoai:revistas.usp.br:article/148793Revistahttps://www.revistas.usp.br/matrizesPUBhttps://www.revistas.usp.br/matrizes/oaimatrizes@usp.br1982-81601982-2073opendoar:2023-01-12T16:39:35.579404Matrizes (Online) - Universidade de São Paulo (USP)false |
dc.title.none.fl_str_mv |
Critique and recognition: the struggle for identity in media culture Crítica e reconhecimento: lutas identitárias na cultura midiática |
title |
Critique and recognition: the struggle for identity in media culture |
spellingShingle |
Critique and recognition: the struggle for identity in media culture Serelle, Marcio Recognition cultural criticism collective identity Reconhecimento crítica cultural identidade coletiva |
title_short |
Critique and recognition: the struggle for identity in media culture |
title_full |
Critique and recognition: the struggle for identity in media culture |
title_fullStr |
Critique and recognition: the struggle for identity in media culture |
title_full_unstemmed |
Critique and recognition: the struggle for identity in media culture |
title_sort |
Critique and recognition: the struggle for identity in media culture |
author |
Serelle, Marcio |
author_facet |
Serelle, Marcio Sena, Ercio |
author_role |
author |
author2 |
Sena, Ercio |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Serelle, Marcio Sena, Ercio |
dc.subject.por.fl_str_mv |
Recognition cultural criticism collective identity Reconhecimento crítica cultural identidade coletiva |
topic |
Recognition cultural criticism collective identity Reconhecimento crítica cultural identidade coletiva |
description |
This article analyzes the controversial interactions about the film Vazante and the play Gisberta, in which identitary groups related to black and transsexual people, respectively, criticized the way they were represented in those fictions. From the theory of recognition by Axel Honneth, it aims to understand the emergence of those forms of social struggle in media culture. This study analyzes the collective semantics and the way it expresses the feelings of injustice related to the narratives. The struggle highlights different claims, which refer to both the cultural inclusion and the autonomy of fiction and propose relations between narrative and society that challenge the current media criticism. |
publishDate |
2019 |
dc.date.none.fl_str_mv |
2019-04-30 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.usp.br/matrizes/article/view/148793 10.11606/issn.1982-8160.v13i1p149-167 |
url |
https://www.revistas.usp.br/matrizes/article/view/148793 |
identifier_str_mv |
10.11606/issn.1982-8160.v13i1p149-167 |
dc.language.iso.fl_str_mv |
por eng |
language |
por eng |
dc.relation.none.fl_str_mv |
https://www.revistas.usp.br/matrizes/article/view/148793/152967 https://www.revistas.usp.br/matrizes/article/view/148793/152968 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2019 Matrizes http://creativecommons.org/licenses/by-nc-sa/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2019 Matrizes http://creativecommons.org/licenses/by-nc-sa/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf application/pdf |
dc.publisher.none.fl_str_mv |
Universidade de São Paulo. Escola de Comunicações e Artes, Programa de Pós-Graduação em Ciências da Comunicação |
publisher.none.fl_str_mv |
Universidade de São Paulo. Escola de Comunicações e Artes, Programa de Pós-Graduação em Ciências da Comunicação |
dc.source.none.fl_str_mv |
MATRIZes; v. 13 n. 1 (2019); 149-167 MATRIZes; Vol. 13 No 1 (2019); 149-167 MATRIZes; V. 13 N. 1 (2019); 149-167 MATRIZes; Vol. 13 No. 1 (2019); 149-167 MATRIZes; Vol. 13 Núm. 1 (2019); 149-167 1982-8160 1982-2073 reponame:Matrizes (Online) instname:Universidade de São Paulo (USP) instacron:USP |
instname_str |
Universidade de São Paulo (USP) |
instacron_str |
USP |
institution |
USP |
reponame_str |
Matrizes (Online) |
collection |
Matrizes (Online) |
repository.name.fl_str_mv |
Matrizes (Online) - Universidade de São Paulo (USP) |
repository.mail.fl_str_mv |
matrizes@usp.br |
_version_ |
1797051315183943680 |