The Community and expropriation: alterity paths in Pedro Costa’s cinema

Detalhes bibliográficos
Autor(a) principal: Costa Júnior, Edson Pereira da
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: por
eng
Título da fonte: Matrizes (Online)
Texto Completo: https://www.revistas.usp.br/matrizes/article/view/159569
Resumo: The paper discuss the modes of alterity evidenced by the structural elements of Ossos (1997), No quarto da Vanda (2000) and Juventude em marcha (2006), directed by Pedro Costa. In describing and analyzing the film forms chosen to construct bridges between the bodies, valuing the constant exposure to the other, we try to present how the cinema of Costa constitutes a community intrinsic to the expropriation. The article chooses a comparative bias between Costa’s films and those of filmmakers who influenced him, such as John Ford and Yasujiro Ozu, in addition to the brief reference to works by Van Gogh and Courbet, artists who share visual motives and, we believe, a common social sensitivity to the director.
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spelling The Community and expropriation: alterity paths in Pedro Costa’s cinemaA comunidade na expropriação: modos de alteridade no cinema de Pedro CostaComunidadefigura humanacinemaPedro Costacommunityhuman figurecinemaPedro CostaThe paper discuss the modes of alterity evidenced by the structural elements of Ossos (1997), No quarto da Vanda (2000) and Juventude em marcha (2006), directed by Pedro Costa. In describing and analyzing the film forms chosen to construct bridges between the bodies, valuing the constant exposure to the other, we try to present how the cinema of Costa constitutes a community intrinsic to the expropriation. The article chooses a comparative bias between Costa’s films and those of filmmakers who influenced him, such as John Ford and Yasujiro Ozu, in addition to the brief reference to works by Van Gogh and Courbet, artists who share visual motives and, we believe, a common social sensitivity to the director.O artigo discute os modos de alteridade evidenciados pelos elementos estruturais de Ossos (1997), No quarto da Vanda (2000) e Juventude em marcha (2006), de Pedro Costa. Ao descrever e analisar as formas fílmicas escolhidas para construir vias de acesso entre os corpos em cena, valorizando a constante exposição ao outro, busca-se apresentar como o cinema do realizador português constitui uma comunidade intrínseca à expropriação. O artigo opta por um viés comparatista entre os filmes de Costa e os de cineastas que o influenciaram, como John Ford e Yasujiro Ozu; para além da breve consulta a obras de Van Gogh e Gustave Courbet, artistas que compartilham motivos visuais e, acreditamos, uma sensibilidade social comum com o diretor.Universidade de São Paulo. Escola de Comunicações e Artes, Programa de Pós-Graduação em Ciências da Comunicação2020-05-07info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/pdfhttps://www.revistas.usp.br/matrizes/article/view/15956910.11606/issn.1982-8160.v14i1p267-288MATRIZes; v. 14 n. 1 (2020); 267-288MATRIZes; Vol. 14 No 1 (2020); 267-288MATRIZes; V. 14 N. 1 (2020); 267-288MATRIZes; Vol. 14 No. 1 (2020); 267-288MATRIZes; Vol. 14 Núm. 1 (2020); 267-2881982-81601982-2073reponame:Matrizes (Online)instname:Universidade de São Paulo (USP)instacron:USPporenghttps://www.revistas.usp.br/matrizes/article/view/159569/160698https://www.revistas.usp.br/matrizes/article/view/159569/160699Copyright (c) 2020 Matrizeshttp://creativecommons.org/licenses/by-nc-sa/4.0info:eu-repo/semantics/openAccessCosta Júnior, Edson Pereira da2020-05-31T19:40:15Zoai:revistas.usp.br:article/159569Revistahttps://www.revistas.usp.br/matrizesPUBhttps://www.revistas.usp.br/matrizes/oaimatrizes@usp.br1982-81601982-2073opendoar:2023-01-12T16:39:37.560795Matrizes (Online) - Universidade de São Paulo (USP)false
dc.title.none.fl_str_mv The Community and expropriation: alterity paths in Pedro Costa’s cinema
A comunidade na expropriação: modos de alteridade no cinema de Pedro Costa
title The Community and expropriation: alterity paths in Pedro Costa’s cinema
spellingShingle The Community and expropriation: alterity paths in Pedro Costa’s cinema
Costa Júnior, Edson Pereira da
Comunidade
figura humana
cinema
Pedro Costa
community
human figure
cinema
Pedro Costa
title_short The Community and expropriation: alterity paths in Pedro Costa’s cinema
title_full The Community and expropriation: alterity paths in Pedro Costa’s cinema
title_fullStr The Community and expropriation: alterity paths in Pedro Costa’s cinema
title_full_unstemmed The Community and expropriation: alterity paths in Pedro Costa’s cinema
title_sort The Community and expropriation: alterity paths in Pedro Costa’s cinema
author Costa Júnior, Edson Pereira da
author_facet Costa Júnior, Edson Pereira da
author_role author
dc.contributor.author.fl_str_mv Costa Júnior, Edson Pereira da
dc.subject.por.fl_str_mv Comunidade
figura humana
cinema
Pedro Costa
community
human figure
cinema
Pedro Costa
topic Comunidade
figura humana
cinema
Pedro Costa
community
human figure
cinema
Pedro Costa
description The paper discuss the modes of alterity evidenced by the structural elements of Ossos (1997), No quarto da Vanda (2000) and Juventude em marcha (2006), directed by Pedro Costa. In describing and analyzing the film forms chosen to construct bridges between the bodies, valuing the constant exposure to the other, we try to present how the cinema of Costa constitutes a community intrinsic to the expropriation. The article chooses a comparative bias between Costa’s films and those of filmmakers who influenced him, such as John Ford and Yasujiro Ozu, in addition to the brief reference to works by Van Gogh and Courbet, artists who share visual motives and, we believe, a common social sensitivity to the director.
publishDate 2020
dc.date.none.fl_str_mv 2020-05-07
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.usp.br/matrizes/article/view/159569
10.11606/issn.1982-8160.v14i1p267-288
url https://www.revistas.usp.br/matrizes/article/view/159569
identifier_str_mv 10.11606/issn.1982-8160.v14i1p267-288
dc.language.iso.fl_str_mv por
eng
language por
eng
dc.relation.none.fl_str_mv https://www.revistas.usp.br/matrizes/article/view/159569/160698
https://www.revistas.usp.br/matrizes/article/view/159569/160699
dc.rights.driver.fl_str_mv Copyright (c) 2020 Matrizes
http://creativecommons.org/licenses/by-nc-sa/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Matrizes
http://creativecommons.org/licenses/by-nc-sa/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv Universidade de São Paulo. Escola de Comunicações e Artes, Programa de Pós-Graduação em Ciências da Comunicação
publisher.none.fl_str_mv Universidade de São Paulo. Escola de Comunicações e Artes, Programa de Pós-Graduação em Ciências da Comunicação
dc.source.none.fl_str_mv MATRIZes; v. 14 n. 1 (2020); 267-288
MATRIZes; Vol. 14 No 1 (2020); 267-288
MATRIZes; V. 14 N. 1 (2020); 267-288
MATRIZes; Vol. 14 No. 1 (2020); 267-288
MATRIZes; Vol. 14 Núm. 1 (2020); 267-288
1982-8160
1982-2073
reponame:Matrizes (Online)
instname:Universidade de São Paulo (USP)
instacron:USP
instname_str Universidade de São Paulo (USP)
instacron_str USP
institution USP
reponame_str Matrizes (Online)
collection Matrizes (Online)
repository.name.fl_str_mv Matrizes (Online) - Universidade de São Paulo (USP)
repository.mail.fl_str_mv matrizes@usp.br
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