From teaching image to image teaching

Detalhes bibliográficos
Autor(a) principal: Leandro, Anita
Data de Publicação: 2001
Tipo de documento: Artigo
Idioma: por
Título da fonte: Comunicação & Educação (Online)
Texto Completo: https://www.revistas.usp.br/comueduc/article/view/36974
Resumo: The author discusses the need to establish dialogue with the great movies and produce educational films and videos that in and of themselves are a learning space on images in movement. Two essential practices in a day and age in which the images, ever so much more present in the educational processes, teach, paradoxically, increasingly less. The article highlights the fact that, largely, education has been appropriating itself of images in movement as if it were in search of a supplementary technology to sustain the educational processes that already exist without such images being transformed, in their essence, based on the contact with the new object. In Brazil, thus far, no discipline directly connected to the study of movies and audiovisual work was created in grade schools, elementary schools and high schools aiming a new education for observation. Sometimes, teachers of the Portuguese language do try, using comparative literature, to bridge over to cinema. But these are localized initiatives, which unfortunately have been unable, for example, to account for the dimension that is both ethical and aesthetical that could answer the following question: "What is an image?" To the author, as long as it is not possible to answer this simple, but fundamental question, we are condemned to visual illiteracy, to the policy of good intentions, turning images into a proper teaching tool, but without this leading us to a true praxis of audiovisual or cinema, a praxis that would question the image's teaching capabilities.
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spelling From teaching image to image teachingDa imagem pedagógica à pedagogia da imagempedagogia da imagemimagem e educaçãocinema e educaçãoimage teachingimage and educationcinema and educationThe author discusses the need to establish dialogue with the great movies and produce educational films and videos that in and of themselves are a learning space on images in movement. Two essential practices in a day and age in which the images, ever so much more present in the educational processes, teach, paradoxically, increasingly less. The article highlights the fact that, largely, education has been appropriating itself of images in movement as if it were in search of a supplementary technology to sustain the educational processes that already exist without such images being transformed, in their essence, based on the contact with the new object. In Brazil, thus far, no discipline directly connected to the study of movies and audiovisual work was created in grade schools, elementary schools and high schools aiming a new education for observation. Sometimes, teachers of the Portuguese language do try, using comparative literature, to bridge over to cinema. But these are localized initiatives, which unfortunately have been unable, for example, to account for the dimension that is both ethical and aesthetical that could answer the following question: "What is an image?" To the author, as long as it is not possible to answer this simple, but fundamental question, we are condemned to visual illiteracy, to the policy of good intentions, turning images into a proper teaching tool, but without this leading us to a true praxis of audiovisual or cinema, a praxis that would question the image's teaching capabilities.A autora discute a necessidade de se estabelecer um diálogo com as grandes obras cinematográficas e produzir filmes e vídeos educativos que sejam eles próprios um espaço de aprendizagem sobre a imagem em movimento. Duas práticas essenciais numa época em que as imagens, cada vez mais presentes nos processos educativos, ensinam, paradoxalmente, cada vez menos. O artigo salienta que, via de regra, a educação vem se apropriando da imagem em movimento como quem busca uma tecnologia suplementar para a sustentação de processos educativos já existentes, sem que estes sejam transformados na sua essência a partir do contato com aquele novo objeto. No Brasil, até o momento, nenhuma disciplina diretamente ligada ao estudo do cinema e do audiovisual foi criada nas escolas de ensino fundamental e médio com vistas a uma nova educação do olhar. Quando muito, professores de Português tentam, através da literatura comparada, fazer uma ponte com o cinema. Mas são iniciativas localizadas, que infelizmente não conseguiriam, por exemplo, dar conta da dimensão ao mesmo tempo ética e estética que encerra a questão "o que é uma imagem?". Para a autora, enquanto não se puder responder a esta questão simples, mas fundamental, estaremos condenados ao analfabetismo visual, à política da boa intenção, fazendo da imagem uma utilização pedagógica, certo, mas sem que isso nos leve a uma verdadeira práxis do audiovisual ou do cinema, uma práxis que questionaria a pedagogia da própria imagemUniversidade de São Paulo. Escola de Comunicações e Artes2001-08-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.usp.br/comueduc/article/view/3697410.11606/issn.2316-9125.v0i21p29-36Comunicação & Educação; n. 21 (2001): Teatro brasileiro, Escola e televisão, Educação para os meios; 29-36Comunicação & Educação; No. 21 (2001): Teatro brasileiro, Escola e televisão, Educação para os meios; 29-36Comunicação & Educação; Núm. 21 (2001): Teatro brasileiro, Escola e televisão, Educação para os meios; 29-362316-91250104-6829reponame:Comunicação & Educação (Online)instname:Universidade de São Paulo (USP)instacron:USPporhttps://www.revistas.usp.br/comueduc/article/view/36974/39696Leandro, Anitainfo:eu-repo/semantics/openAccess2015-10-02T14:28:00Zoai:revistas.usp.br:article/36974Revistahttp://www.revistas.usp.br/comueducPUBhttps://www.revistas.usp.br/comueduc/oaicomueduc@usp.br2316-91250104-6829opendoar:2023-01-13T10:35:41.538763Comunicação & Educação (Online) - Universidade de São Paulo (USP)false
dc.title.none.fl_str_mv From teaching image to image teaching
Da imagem pedagógica à pedagogia da imagem
title From teaching image to image teaching
spellingShingle From teaching image to image teaching
Leandro, Anita
pedagogia da imagem
imagem e educação
cinema e educação
image teaching
image and education
cinema and education
title_short From teaching image to image teaching
title_full From teaching image to image teaching
title_fullStr From teaching image to image teaching
title_full_unstemmed From teaching image to image teaching
title_sort From teaching image to image teaching
author Leandro, Anita
author_facet Leandro, Anita
author_role author
dc.contributor.author.fl_str_mv Leandro, Anita
dc.subject.por.fl_str_mv pedagogia da imagem
imagem e educação
cinema e educação
image teaching
image and education
cinema and education
topic pedagogia da imagem
imagem e educação
cinema e educação
image teaching
image and education
cinema and education
description The author discusses the need to establish dialogue with the great movies and produce educational films and videos that in and of themselves are a learning space on images in movement. Two essential practices in a day and age in which the images, ever so much more present in the educational processes, teach, paradoxically, increasingly less. The article highlights the fact that, largely, education has been appropriating itself of images in movement as if it were in search of a supplementary technology to sustain the educational processes that already exist without such images being transformed, in their essence, based on the contact with the new object. In Brazil, thus far, no discipline directly connected to the study of movies and audiovisual work was created in grade schools, elementary schools and high schools aiming a new education for observation. Sometimes, teachers of the Portuguese language do try, using comparative literature, to bridge over to cinema. But these are localized initiatives, which unfortunately have been unable, for example, to account for the dimension that is both ethical and aesthetical that could answer the following question: "What is an image?" To the author, as long as it is not possible to answer this simple, but fundamental question, we are condemned to visual illiteracy, to the policy of good intentions, turning images into a proper teaching tool, but without this leading us to a true praxis of audiovisual or cinema, a praxis that would question the image's teaching capabilities.
publishDate 2001
dc.date.none.fl_str_mv 2001-08-30
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.usp.br/comueduc/article/view/36974
10.11606/issn.2316-9125.v0i21p29-36
url https://www.revistas.usp.br/comueduc/article/view/36974
identifier_str_mv 10.11606/issn.2316-9125.v0i21p29-36
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistas.usp.br/comueduc/article/view/36974/39696
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade de São Paulo. Escola de Comunicações e Artes
publisher.none.fl_str_mv Universidade de São Paulo. Escola de Comunicações e Artes
dc.source.none.fl_str_mv Comunicação & Educação; n. 21 (2001): Teatro brasileiro, Escola e televisão, Educação para os meios; 29-36
Comunicação & Educação; No. 21 (2001): Teatro brasileiro, Escola e televisão, Educação para os meios; 29-36
Comunicação & Educação; Núm. 21 (2001): Teatro brasileiro, Escola e televisão, Educação para os meios; 29-36
2316-9125
0104-6829
reponame:Comunicação & Educação (Online)
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instname_str Universidade de São Paulo (USP)
instacron_str USP
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reponame_str Comunicação & Educação (Online)
collection Comunicação & Educação (Online)
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