TARSILA DO AMARAL: AN ART CHOICE
Autor(a) principal: | |
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Data de Publicação: | 2007 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Travessias (Cascavel. Online) |
Texto Completo: | https://e-revista.unioeste.br/index.php/travessias/article/view/2722 |
Resumo: | Tarsila Amaral is one of the first and foremost names of Brazilian Art. While very known, few are aware of her exuberant life, full of vibrant events that, through her life choices, became a precious collection of the more significant paintings of all times. This paper introduces some facts about Tarsila´s life and how they were transformed into art, under the viewpoint of Psychoanalysis. Her intense lovers, the losses and the outstanding participation in the "Modernista" Movement, are reviewed and seasoned with psychoanalitic concepts of “drive” and “sublimation”, in the lessons of Freud and Lacan - propellers of artistic creation. Tarsila was passion and inspiration for writers, painters, politicians and poets, but independently she built her magnificent work and her own style to create and live, proceeding, as Lacan would say, the logic of the fantasy. |
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TARSILA DO AMARAL: AN ART CHOICETARSILA DO AMARAL: UMA ESCOLHA PELA ARTETarsila AmaralCriação artísticaPulsão e sublimação.Tarsila Amaral is one of the first and foremost names of Brazilian Art. While very known, few are aware of her exuberant life, full of vibrant events that, through her life choices, became a precious collection of the more significant paintings of all times. This paper introduces some facts about Tarsila´s life and how they were transformed into art, under the viewpoint of Psychoanalysis. Her intense lovers, the losses and the outstanding participation in the "Modernista" Movement, are reviewed and seasoned with psychoanalitic concepts of “drive” and “sublimation”, in the lessons of Freud and Lacan - propellers of artistic creation. Tarsila was passion and inspiration for writers, painters, politicians and poets, but independently she built her magnificent work and her own style to create and live, proceeding, as Lacan would say, the logic of the fantasy.Tarsila Amaral foi um dos mais importantes nomes da arte brasileira. Embora muito conhecida, poucos sabem sobre sua exuberante vida, plena de acontecimentos vigorosos que, mediante escolhas de vida da pintora, se transformaram em belíssimos quadros. O presente trabalho traz alguns fatos da vida de Tarsila e como foram transformados em arte, sob o olhar da Psicanálise. Seus amores intensos, as perdas e a brilhante participação do Movimento Modernista são revistos e pontuados com os conceitos psicanalíticos de “pulsão” e “sublimação” como os motores propulsores da criação artística. Tarsila foi paixão e inspiração de escritores, pintores, políticos e poetas, mas foi por conta própria que edificou seu magnífico trabalho e estilo próprio de criar e viver, seguindo, como diria Lacan, a lógica da fantasia.Unioeste2007-12-11info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://e-revista.unioeste.br/index.php/travessias/article/view/2722Travessias; Vol. 1 No. 1 (2007)Travessias; Vol. 1 Núm. 1 (2007)Travessias; v. 1 n. 1 (2007)1982-5935reponame:Travessias (Cascavel. Online)instname:Universidade Estadual do Oeste do Paraná (Unioeste)instacron:Unioesteporhttps://e-revista.unioeste.br/index.php/travessias/article/view/2722/2113Copyright (c) 2007 Autores mantêm os direitos autorais e concedem à revista o direito de primeira publicação, com o trabalho simultaneamente licenciado sob CC-BY-NC-SA 4.0 que permite o compartilhamento do trabalho com indicação da autoria e publicação inicial nesta revistahttps://creativecommons.org/licenses/by-nc-sa/4.0info:eu-repo/semantics/openAccessBonow, Maria Elizabeth2021-05-25T09:16:43Zoai:ojs.e-revista.unioeste.br:article/2722Revistahttps://e-revista.unioeste.br/index.php/travessiasPUBhttps://e-revista.unioeste.br/index.php/travessias/oairevista.travessias@unioeste.br1982-59351982-5935opendoar:2021-05-25T09:16:43Travessias (Cascavel. Online) - Universidade Estadual do Oeste do Paraná (Unioeste)false |
dc.title.none.fl_str_mv |
TARSILA DO AMARAL: AN ART CHOICE TARSILA DO AMARAL: UMA ESCOLHA PELA ARTE |
title |
TARSILA DO AMARAL: AN ART CHOICE |
spellingShingle |
TARSILA DO AMARAL: AN ART CHOICE Bonow, Maria Elizabeth Tarsila Amaral Criação artística Pulsão e sublimação. |
title_short |
TARSILA DO AMARAL: AN ART CHOICE |
title_full |
TARSILA DO AMARAL: AN ART CHOICE |
title_fullStr |
TARSILA DO AMARAL: AN ART CHOICE |
title_full_unstemmed |
TARSILA DO AMARAL: AN ART CHOICE |
title_sort |
TARSILA DO AMARAL: AN ART CHOICE |
author |
Bonow, Maria Elizabeth |
author_facet |
Bonow, Maria Elizabeth |
author_role |
author |
dc.contributor.author.fl_str_mv |
Bonow, Maria Elizabeth |
dc.subject.por.fl_str_mv |
Tarsila Amaral Criação artística Pulsão e sublimação. |
topic |
Tarsila Amaral Criação artística Pulsão e sublimação. |
description |
Tarsila Amaral is one of the first and foremost names of Brazilian Art. While very known, few are aware of her exuberant life, full of vibrant events that, through her life choices, became a precious collection of the more significant paintings of all times. This paper introduces some facts about Tarsila´s life and how they were transformed into art, under the viewpoint of Psychoanalysis. Her intense lovers, the losses and the outstanding participation in the "Modernista" Movement, are reviewed and seasoned with psychoanalitic concepts of “drive” and “sublimation”, in the lessons of Freud and Lacan - propellers of artistic creation. Tarsila was passion and inspiration for writers, painters, politicians and poets, but independently she built her magnificent work and her own style to create and live, proceeding, as Lacan would say, the logic of the fantasy. |
publishDate |
2007 |
dc.date.none.fl_str_mv |
2007-12-11 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://e-revista.unioeste.br/index.php/travessias/article/view/2722 |
url |
https://e-revista.unioeste.br/index.php/travessias/article/view/2722 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://e-revista.unioeste.br/index.php/travessias/article/view/2722/2113 |
dc.rights.driver.fl_str_mv |
https://creativecommons.org/licenses/by-nc-sa/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
https://creativecommons.org/licenses/by-nc-sa/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Unioeste |
publisher.none.fl_str_mv |
Unioeste |
dc.source.none.fl_str_mv |
Travessias; Vol. 1 No. 1 (2007) Travessias; Vol. 1 Núm. 1 (2007) Travessias; v. 1 n. 1 (2007) 1982-5935 reponame:Travessias (Cascavel. Online) instname:Universidade Estadual do Oeste do Paraná (Unioeste) instacron:Unioeste |
instname_str |
Universidade Estadual do Oeste do Paraná (Unioeste) |
instacron_str |
Unioeste |
institution |
Unioeste |
reponame_str |
Travessias (Cascavel. Online) |
collection |
Travessias (Cascavel. Online) |
repository.name.fl_str_mv |
Travessias (Cascavel. Online) - Universidade Estadual do Oeste do Paraná (Unioeste) |
repository.mail.fl_str_mv |
revista.travessias@unioeste.br |
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1798044912818585600 |