TARSILA DO AMARAL: AN ART CHOICE

Detalhes bibliográficos
Autor(a) principal: Bonow, Maria Elizabeth
Data de Publicação: 2007
Tipo de documento: Artigo
Idioma: por
Título da fonte: Travessias (Cascavel. Online)
Texto Completo: https://e-revista.unioeste.br/index.php/travessias/article/view/2722
Resumo: Tarsila Amaral is one of the first and foremost names of Brazilian Art. While very known, few are aware of her exuberant life, full of vibrant events that, through her life choices, became a precious collection of the more significant paintings of all times. This paper introduces some facts about Tarsila´s life and how they were transformed into art, under the viewpoint of Psychoanalysis. Her intense lovers, the losses and the outstanding participation in the "Modernista" Movement, are reviewed and seasoned with psychoanalitic concepts of “drive” and “sublimation”, in the lessons of Freud and Lacan - propellers of artistic creation. Tarsila was passion and inspiration for writers, painters, politicians and poets, but independently she built her magnificent work and her own style to create and live, proceeding, as Lacan would say, the logic of the fantasy.
id Unioeste-1_c0b6db1dc7a3553852dc4b028fa39079
oai_identifier_str oai:ojs.e-revista.unioeste.br:article/2722
network_acronym_str Unioeste-1
network_name_str Travessias (Cascavel. Online)
repository_id_str
spelling TARSILA DO AMARAL: AN ART CHOICETARSILA DO AMARAL: UMA ESCOLHA PELA ARTETarsila AmaralCriação artísticaPulsão e sublimação.Tarsila Amaral is one of the first and foremost names of Brazilian Art. While very known, few are aware of her exuberant life, full of vibrant events that, through her life choices, became a precious collection of the more significant paintings of all times. This paper introduces some facts about Tarsila´s life and how they were transformed into art, under the viewpoint of Psychoanalysis. Her intense lovers, the losses and the outstanding participation in the "Modernista" Movement, are reviewed and seasoned with psychoanalitic concepts of “drive” and “sublimation”, in the lessons of Freud and Lacan - propellers of artistic creation. Tarsila was passion and inspiration for writers, painters, politicians and poets, but independently she built her magnificent work and her own style to create and live, proceeding, as Lacan would say, the logic of the fantasy.Tarsila Amaral foi um dos mais importantes nomes da arte brasileira. Embora muito conhecida, poucos sabem sobre sua exuberante vida, plena de acontecimentos vigorosos que, mediante escolhas de vida da pintora, se transformaram em belíssimos quadros. O presente trabalho traz alguns fatos da vida de Tarsila e como foram transformados em arte, sob o olhar da Psicanálise. Seus amores intensos, as perdas e a brilhante participação do Movimento Modernista são revistos e pontuados com os conceitos psicanalíticos de “pulsão” e “sublimação” como os motores propulsores da criação artística. Tarsila foi paixão e inspiração de escritores, pintores, políticos e poetas, mas foi por conta própria que edificou seu magnífico trabalho e estilo próprio de criar e viver, seguindo, como diria Lacan, a lógica da fantasia.Unioeste2007-12-11info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://e-revista.unioeste.br/index.php/travessias/article/view/2722Travessias; Vol. 1 No. 1 (2007)Travessias; Vol. 1 Núm. 1 (2007)Travessias; v. 1 n. 1 (2007)1982-5935reponame:Travessias (Cascavel. Online)instname:Universidade Estadual do Oeste do Paraná (Unioeste)instacron:Unioesteporhttps://e-revista.unioeste.br/index.php/travessias/article/view/2722/2113Copyright (c) 2007 Autores mantêm os direitos autorais e concedem à revista o direito de primeira publicação, com o trabalho simultaneamente licenciado sob CC-BY-NC-SA 4.0 que permite o compartilhamento do trabalho com indicação da autoria e publicação inicial nesta revistahttps://creativecommons.org/licenses/by-nc-sa/4.0info:eu-repo/semantics/openAccessBonow, Maria Elizabeth2021-05-25T09:16:43Zoai:ojs.e-revista.unioeste.br:article/2722Revistahttps://e-revista.unioeste.br/index.php/travessiasPUBhttps://e-revista.unioeste.br/index.php/travessias/oairevista.travessias@unioeste.br1982-59351982-5935opendoar:2021-05-25T09:16:43Travessias (Cascavel. Online) - Universidade Estadual do Oeste do Paraná (Unioeste)false
dc.title.none.fl_str_mv TARSILA DO AMARAL: AN ART CHOICE
TARSILA DO AMARAL: UMA ESCOLHA PELA ARTE
title TARSILA DO AMARAL: AN ART CHOICE
spellingShingle TARSILA DO AMARAL: AN ART CHOICE
Bonow, Maria Elizabeth
Tarsila Amaral
Criação artística
Pulsão e sublimação.
title_short TARSILA DO AMARAL: AN ART CHOICE
title_full TARSILA DO AMARAL: AN ART CHOICE
title_fullStr TARSILA DO AMARAL: AN ART CHOICE
title_full_unstemmed TARSILA DO AMARAL: AN ART CHOICE
title_sort TARSILA DO AMARAL: AN ART CHOICE
author Bonow, Maria Elizabeth
author_facet Bonow, Maria Elizabeth
author_role author
dc.contributor.author.fl_str_mv Bonow, Maria Elizabeth
dc.subject.por.fl_str_mv Tarsila Amaral
Criação artística
Pulsão e sublimação.
topic Tarsila Amaral
Criação artística
Pulsão e sublimação.
description Tarsila Amaral is one of the first and foremost names of Brazilian Art. While very known, few are aware of her exuberant life, full of vibrant events that, through her life choices, became a precious collection of the more significant paintings of all times. This paper introduces some facts about Tarsila´s life and how they were transformed into art, under the viewpoint of Psychoanalysis. Her intense lovers, the losses and the outstanding participation in the "Modernista" Movement, are reviewed and seasoned with psychoanalitic concepts of “drive” and “sublimation”, in the lessons of Freud and Lacan - propellers of artistic creation. Tarsila was passion and inspiration for writers, painters, politicians and poets, but independently she built her magnificent work and her own style to create and live, proceeding, as Lacan would say, the logic of the fantasy.
publishDate 2007
dc.date.none.fl_str_mv 2007-12-11
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://e-revista.unioeste.br/index.php/travessias/article/view/2722
url https://e-revista.unioeste.br/index.php/travessias/article/view/2722
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://e-revista.unioeste.br/index.php/travessias/article/view/2722/2113
dc.rights.driver.fl_str_mv https://creativecommons.org/licenses/by-nc-sa/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv https://creativecommons.org/licenses/by-nc-sa/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Unioeste
publisher.none.fl_str_mv Unioeste
dc.source.none.fl_str_mv Travessias; Vol. 1 No. 1 (2007)
Travessias; Vol. 1 Núm. 1 (2007)
Travessias; v. 1 n. 1 (2007)
1982-5935
reponame:Travessias (Cascavel. Online)
instname:Universidade Estadual do Oeste do Paraná (Unioeste)
instacron:Unioeste
instname_str Universidade Estadual do Oeste do Paraná (Unioeste)
instacron_str Unioeste
institution Unioeste
reponame_str Travessias (Cascavel. Online)
collection Travessias (Cascavel. Online)
repository.name.fl_str_mv Travessias (Cascavel. Online) - Universidade Estadual do Oeste do Paraná (Unioeste)
repository.mail.fl_str_mv revista.travessias@unioeste.br
_version_ 1798044912818585600