BACHELARD AND THE RATE ANALYSIS

Detalhes bibliográficos
Autor(a) principal: Guimarães de Faria, Maria Lucia
Data de Publicação: 2009
Tipo de documento: Artigo
Idioma: por
Título da fonte: Travessias (Cascavel. Online)
Texto Completo: https://e-revista.unioeste.br/index.php/travessias/article/view/3435
Resumo: The present essay is a study on one of the most original contributions proposed byGaston Bachelard to the poetic interpretation of literary works: rythmanalysis or rythmanalyticmethod. Inspired on microphysics principle of complementarity, rythmanalysis aims ataprehending the ambiguous and ambivalent operation of imagination, which indulges inharmonizing contrary movements. First, the concept’s origin is tracked in two essays from thebook Études (Studies). In a second moment, we follow it up to its consumation in the investigationthe philosopher undertakes on time in La dialectique de la durée (The Dialectics of Duration). Finally,the concept is shown at full hermeneutic blossom in the collected articles that make up Le droit derêver (The Right to Dream), in which the works of artists as distinct as Mallarmé, Poe, Rimbaud,Eluard, Michelet and Balzac are poetically and rythmanalytically appraised.
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spelling BACHELARD AND THE RATE ANALYSISBACHELARD E A RITMANÁLISERitmanáliseImaginaçãoAmbivalênciaComplementaridadeDialéticaThe present essay is a study on one of the most original contributions proposed byGaston Bachelard to the poetic interpretation of literary works: rythmanalysis or rythmanalyticmethod. Inspired on microphysics principle of complementarity, rythmanalysis aims ataprehending the ambiguous and ambivalent operation of imagination, which indulges inharmonizing contrary movements. First, the concept’s origin is tracked in two essays from thebook Études (Studies). In a second moment, we follow it up to its consumation in the investigationthe philosopher undertakes on time in La dialectique de la durée (The Dialectics of Duration). Finally,the concept is shown at full hermeneutic blossom in the collected articles that make up Le droit derêver (The Right to Dream), in which the works of artists as distinct as Mallarmé, Poe, Rimbaud,Eluard, Michelet and Balzac are poetically and rythmanalytically appraised.O presente ensaio é um estudo de uma das contribuições mais originais de GastonBachelard à interpretação poética de obras literárias: a ritmanálise ou método ritmanalítico.Inspirada no princípio da complementaridade da microfísica, a ritmanálise visa a apreender ooperar ambíguo e ambivalente da imaginação, que se compraz em conciliar movimentoscontrários. Primeiramente, rastreia-se a gênese do conceito em dois ensaios do livro Études(Estudos). Em seguida, vemo-lo consumado na investigação sobre o tempo que o filósofoempreende em La dialectique de la durée (A dialética da duração). Finalmente, o conceito é mostradoem plena atuação hermenêutica nos artigos que compõem a coletânea Le droit de rêver (O direito desonhar), em que são poética e ritmanaliticamente avaliadas as obras de criadores tão diversosquanto Mallarmé, Poe, Rimbaud, Eluard, Michelet e Balzac.Unioeste2009-12-29info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://e-revista.unioeste.br/index.php/travessias/article/view/3435Travessias; Vol. 3 No. 3 (2009)Travessias; Vol. 3 Núm. 3 (2009)Travessias; v. 3 n. 3 (2009)1982-5935reponame:Travessias (Cascavel. Online)instname:Universidade Estadual do Oeste do Paraná (Unioeste)instacron:Unioesteporhttps://e-revista.unioeste.br/index.php/travessias/article/view/3435/2729Copyright (c) 2009 Autores mantêm os direitos autorais e concedem à revista o direito de primeira publicação, com o trabalho simultaneamente licenciado sob CC-BY-NC-SA 4.0 que permite o compartilhamento do trabalho com indicação da autoria e publicação inicial nesta revistainfo:eu-repo/semantics/openAccessGuimarães de Faria, Maria Lucia2020-12-08T11:43:09Zoai:ojs.e-revista.unioeste.br:article/3435Revistahttps://e-revista.unioeste.br/index.php/travessiasPUBhttps://e-revista.unioeste.br/index.php/travessias/oairevista.travessias@unioeste.br1982-59351982-5935opendoar:2020-12-08T11:43:09Travessias (Cascavel. Online) - Universidade Estadual do Oeste do Paraná (Unioeste)false
dc.title.none.fl_str_mv BACHELARD AND THE RATE ANALYSIS
BACHELARD E A RITMANÁLISE
title BACHELARD AND THE RATE ANALYSIS
spellingShingle BACHELARD AND THE RATE ANALYSIS
Guimarães de Faria, Maria Lucia
Ritmanálise
Imaginação
Ambivalência
Complementaridade
Dialética
title_short BACHELARD AND THE RATE ANALYSIS
title_full BACHELARD AND THE RATE ANALYSIS
title_fullStr BACHELARD AND THE RATE ANALYSIS
title_full_unstemmed BACHELARD AND THE RATE ANALYSIS
title_sort BACHELARD AND THE RATE ANALYSIS
author Guimarães de Faria, Maria Lucia
author_facet Guimarães de Faria, Maria Lucia
author_role author
dc.contributor.author.fl_str_mv Guimarães de Faria, Maria Lucia
dc.subject.por.fl_str_mv Ritmanálise
Imaginação
Ambivalência
Complementaridade
Dialética
topic Ritmanálise
Imaginação
Ambivalência
Complementaridade
Dialética
description The present essay is a study on one of the most original contributions proposed byGaston Bachelard to the poetic interpretation of literary works: rythmanalysis or rythmanalyticmethod. Inspired on microphysics principle of complementarity, rythmanalysis aims ataprehending the ambiguous and ambivalent operation of imagination, which indulges inharmonizing contrary movements. First, the concept’s origin is tracked in two essays from thebook Études (Studies). In a second moment, we follow it up to its consumation in the investigationthe philosopher undertakes on time in La dialectique de la durée (The Dialectics of Duration). Finally,the concept is shown at full hermeneutic blossom in the collected articles that make up Le droit derêver (The Right to Dream), in which the works of artists as distinct as Mallarmé, Poe, Rimbaud,Eluard, Michelet and Balzac are poetically and rythmanalytically appraised.
publishDate 2009
dc.date.none.fl_str_mv 2009-12-29
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://e-revista.unioeste.br/index.php/travessias/article/view/3435
url https://e-revista.unioeste.br/index.php/travessias/article/view/3435
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://e-revista.unioeste.br/index.php/travessias/article/view/3435/2729
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Unioeste
publisher.none.fl_str_mv Unioeste
dc.source.none.fl_str_mv Travessias; Vol. 3 No. 3 (2009)
Travessias; Vol. 3 Núm. 3 (2009)
Travessias; v. 3 n. 3 (2009)
1982-5935
reponame:Travessias (Cascavel. Online)
instname:Universidade Estadual do Oeste do Paraná (Unioeste)
instacron:Unioeste
instname_str Universidade Estadual do Oeste do Paraná (Unioeste)
instacron_str Unioeste
institution Unioeste
reponame_str Travessias (Cascavel. Online)
collection Travessias (Cascavel. Online)
repository.name.fl_str_mv Travessias (Cascavel. Online) - Universidade Estadual do Oeste do Paraná (Unioeste)
repository.mail.fl_str_mv revista.travessias@unioeste.br
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