TRAVEL IN MILTON NASCIMENTO

• Autor(a) principal: Souza, Alberto Carlos de
• Data de Publicação: 2011
• Tipo de documento: Artigo
• Idioma: por
• Título da fonte: Travessias (Cascavel. Online)
• Texto Completo: https://e-revista.unioeste.br/index.php/travessias/article/view/5314
• topic: Milton Nascimento; Música Popular Brasileira; Lugares de Memória.

A study that discusses the places of memory in the works phonograph "Minas" and "Geraes", Milton Nascimento, launched in 1975 and 1976, respectively, seen by critics of the season as the most representative of the "movement" Clube da Esquina. Such works have engendered an environment in which Brazil was experiencing a time of severe political repression, a situation in which Milton and his partners realize the opportunity in "Minas" sing in, in their roots in the countryside, and "Geraes”, sing out, by incorporating elements of its musicality of Latin America. "Minas" and "Geraes" has the meaning of being "places without gaps" - where there is no "desbunde”, on the contrary, an exposition of resistance within the body, passion, feelings, faith and memory - are unable be touched by a system whose premise was the total lack of sensitivity to the human and universal. The narrative was developed in two stages, namely a linear time marked by Chronos, where Milton's life - from childhood to the present - it will unfold, and another time, the eternal presence, marked by Aion in which events supposedly shoot the process of musical creation.