Identity and individualism in José Saramago and Denis Villeneuve
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista da ANPOLL (Online) |
Texto Completo: | https://revistadaanpoll.emnuvens.com.br/revista/article/view/1841 |
Resumo: | In what concerns realism as an aspect of the novel, in The rise of the novel Ian Watt associates it with the presence of recognisable individualities as part of the readers world. Such connection demonstrates how appealing individual identity is in modern context, that in which novel was developed. In spite of that central role – or perhaps due to it – the obsessive quest for indisputable identity, that can be pointed out as a distinctive feature of modern societies, has favoured the rise of unsetling perspectives and situations involving the relation self/alterity. In this article I will investigate the way José Saramago and Denis Villeneuve deal with such important question in The double and Enemy. |
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Identity and individualism in José Saramago and Denis VilleneuveIdentidade e individualismo em José Saramago e Denis VilleneuveLiterary FictionCinemaThe doubleEnemyLiteratura de FicçãoCinemaO homem duplicadoEnemyIn what concerns realism as an aspect of the novel, in The rise of the novel Ian Watt associates it with the presence of recognisable individualities as part of the readers world. Such connection demonstrates how appealing individual identity is in modern context, that in which novel was developed. In spite of that central role – or perhaps due to it – the obsessive quest for indisputable identity, that can be pointed out as a distinctive feature of modern societies, has favoured the rise of unsetling perspectives and situations involving the relation self/alterity. In this article I will investigate the way José Saramago and Denis Villeneuve deal with such important question in The double and Enemy.Em A ascensão do romance, Ian Watt associa o tipo de realismo característico desse gênero à presença de individualidades reconhecíveis pelos leitores como partícipes de seu mundo. Tal vínculo é demonstrativo do apelo do indivíduo como traço distintivo do contexto moderno em que o romance se consolidou – a ponto de se poder dizer, como fez Marshall Berman, que na modernidade o indivíduo ousa individualizar-se. É fato que a ousadia deu bons frutos, perceptíveis na sempre crescente luta, em escala global, pelo respeito às especificidades de cada ser humano. Concomitantemente, a busca obsessiva por uma identidade absolutamente “pessoal e intransferível” (sirvo-me aqui da expressão do poeta Torquato Neto) que vem marcando a experiência dos indivíduos na modernidade é responsável pela criação de fantasmagorias envolvendo a relação eu/outro. Neste artigo investigarei o tratamento reservado a esse problema por José Saramago no romance O homem duplicado e Denis Villeneuve no filme Enemy.ANPOLL2023-02-16info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistadaanpoll.emnuvens.com.br/revista/article/view/184110.18309/ranpoll.v53i3.1841Revista da Anpoll; Vol. 53 No. 3 (2022): Estudo Literários: José Saramago 100 anos; 170-180Revista da Anpoll; v. 53 n. 3 (2022): Estudo Literários: José Saramago 100 anos; 170-1801982-78301414-756410.18309/ranpoll.v53i3reponame:Revista da ANPOLL (Online)instname:Associação Nacional de Pós-Graduação e Pesquisa em Letras e Lingüística (ANPOLL)instacron:ANPOLLporhttps://revistadaanpoll.emnuvens.com.br/revista/article/view/1841/1270Copyright (c) 2023 Revista da Anpollhttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessCardoso, Patrícia da Silva2023-03-03T15:05:49Zoai:ojs.revistadaanpoll.emnuvens.com.br:article/1841Revistahttps://revistadaanpoll.emnuvens.com.br/revista/indexONGhttps://revistadaanpoll.emnuvens.com.br/revista/oairevistadaanpoll@gmail.com1982-78301414-7564opendoar:2023-03-03T15:05:49Revista da ANPOLL (Online) - Associação Nacional de Pós-Graduação e Pesquisa em Letras e Lingüística (ANPOLL)false |
dc.title.none.fl_str_mv |
Identity and individualism in José Saramago and Denis Villeneuve Identidade e individualismo em José Saramago e Denis Villeneuve |
title |
Identity and individualism in José Saramago and Denis Villeneuve |
spellingShingle |
Identity and individualism in José Saramago and Denis Villeneuve Cardoso, Patrícia da Silva Literary Fiction Cinema The double Enemy Literatura de Ficção Cinema O homem duplicado Enemy |
title_short |
Identity and individualism in José Saramago and Denis Villeneuve |
title_full |
Identity and individualism in José Saramago and Denis Villeneuve |
title_fullStr |
Identity and individualism in José Saramago and Denis Villeneuve |
title_full_unstemmed |
Identity and individualism in José Saramago and Denis Villeneuve |
title_sort |
Identity and individualism in José Saramago and Denis Villeneuve |
author |
Cardoso, Patrícia da Silva |
author_facet |
Cardoso, Patrícia da Silva |
author_role |
author |
dc.contributor.author.fl_str_mv |
Cardoso, Patrícia da Silva |
dc.subject.por.fl_str_mv |
Literary Fiction Cinema The double Enemy Literatura de Ficção Cinema O homem duplicado Enemy |
topic |
Literary Fiction Cinema The double Enemy Literatura de Ficção Cinema O homem duplicado Enemy |
description |
In what concerns realism as an aspect of the novel, in The rise of the novel Ian Watt associates it with the presence of recognisable individualities as part of the readers world. Such connection demonstrates how appealing individual identity is in modern context, that in which novel was developed. In spite of that central role – or perhaps due to it – the obsessive quest for indisputable identity, that can be pointed out as a distinctive feature of modern societies, has favoured the rise of unsetling perspectives and situations involving the relation self/alterity. In this article I will investigate the way José Saramago and Denis Villeneuve deal with such important question in The double and Enemy. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-02-16 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistadaanpoll.emnuvens.com.br/revista/article/view/1841 10.18309/ranpoll.v53i3.1841 |
url |
https://revistadaanpoll.emnuvens.com.br/revista/article/view/1841 |
identifier_str_mv |
10.18309/ranpoll.v53i3.1841 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistadaanpoll.emnuvens.com.br/revista/article/view/1841/1270 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2023 Revista da Anpoll https://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2023 Revista da Anpoll https://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
ANPOLL |
publisher.none.fl_str_mv |
ANPOLL |
dc.source.none.fl_str_mv |
Revista da Anpoll; Vol. 53 No. 3 (2022): Estudo Literários: José Saramago 100 anos; 170-180 Revista da Anpoll; v. 53 n. 3 (2022): Estudo Literários: José Saramago 100 anos; 170-180 1982-7830 1414-7564 10.18309/ranpoll.v53i3 reponame:Revista da ANPOLL (Online) instname:Associação Nacional de Pós-Graduação e Pesquisa em Letras e Lingüística (ANPOLL) instacron:ANPOLL |
instname_str |
Associação Nacional de Pós-Graduação e Pesquisa em Letras e Lingüística (ANPOLL) |
instacron_str |
ANPOLL |
institution |
ANPOLL |
reponame_str |
Revista da ANPOLL (Online) |
collection |
Revista da ANPOLL (Online) |
repository.name.fl_str_mv |
Revista da ANPOLL (Online) - Associação Nacional de Pós-Graduação e Pesquisa em Letras e Lingüística (ANPOLL) |
repository.mail.fl_str_mv |
revistadaanpoll@gmail.com |
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