Monumental and intimate: dimensions of the memory of resistance in Brazilian contemporary documentary

Detalhes bibliográficos
Autor(a) principal: Fernandes, Fernando Seliprandy
Data de Publicação: 2013
Tipo de documento: Artigo
Idioma: por
Título da fonte: Estudos Históricos (Rio de Janeiro)
Texto Completo: https://periodicos.fgv.br/reh/article/view/7195
Resumo: It’s proposed an exercise about the memory of resistance against dictatorship in the Brazilian contemporary documentary. Monumentalization and intimacy are the guiding notions of the analysis of Hércules 56 (Silvio Da-Rin, 2006) and Diary, letters, revolutions (Flavia Castro, 2010). In the case of the first film, it’s suggested that the standards of interview-oriented documentary, striving for cohesion, establish a monumental and conciliatory memory. Regarding the second film, the analysis proposes that the intimate perspective, full of hesitations, might indicate the permanence of gaps in the Brazilian democratic conciliation. The contrast between celebratory and introspective memories emphasizes the critical needs around present impunity.
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spelling Monumental and intimate: dimensions of the memory of resistance in Brazilian contemporary documentaryO monumental e o íntimo: dimensões da memória da resistência no documentário brasileiro recentedocumentarymemoryresistancedictatorshipmonumentintimacydocumentáriomemóriaresistênciaditaduramonumentointimidadeIt’s proposed an exercise about the memory of resistance against dictatorship in the Brazilian contemporary documentary. Monumentalization and intimacy are the guiding notions of the analysis of Hércules 56 (Silvio Da-Rin, 2006) and Diary, letters, revolutions (Flavia Castro, 2010). In the case of the first film, it’s suggested that the standards of interview-oriented documentary, striving for cohesion, establish a monumental and conciliatory memory. Regarding the second film, the analysis proposes that the intimate perspective, full of hesitations, might indicate the permanence of gaps in the Brazilian democratic conciliation. The contrast between celebratory and introspective memories emphasizes the critical needs around present impunity.Propõe-se um exercício acerca da memória da resistência à ditadura no documentarismo brasileiro contemporâneo. Monumentalização e intimidade são as noções guias das análises de Hércules 56 (Silvio Da-Rin, 2006) e Diário de uma busca (Flavia Castro, 2010). No caso do primeiro filme, sugere-se que os cânones do documentário de entrevista, primando pela coesão, estabelecem uma memória monumental e conciliadora. Quanto ao segundo filme, sustenta-se que a perspectiva íntima, plena de hesitações, pode sinalizar a permanência de lacunas na conciliação democrática brasileira. O contraste entre memória celebrativa e memória introspectiva ressalta a necessidade de crítica da impunidade presente.Editora FGV2013-08-16info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.fgv.br/reh/article/view/7195Revista Estudos Históricos; Vol. 26 No. 51 (2013): History and Audiovisual; 55-72Revista Estudos Históricos; v. 26 n. 51 (2013): História e Audiovisual; 55-722178-14940103-2186reponame:Estudos Históricos (Rio de Janeiro)instname:Fundação Getulio Vargas (FGV)instacron:FGVporhttps://periodicos.fgv.br/reh/article/view/7195/9365Fernandes, Fernando Seliprandyinfo:eu-repo/semantics/openAccess2017-06-14T20:55:19Zoai:ojs.periodicos.fgv.br:article/7195Revistahttps://periodicos.fgv.br/rehONGhttps://periodicos.fgv.br/reh/oai||biblioteca.digital@fgv.br||eh@fgv.br2178-14940103-2186opendoar:2024-03-06T13:01:55.637656Estudos Históricos (Rio de Janeiro) - Fundação Getulio Vargas (FGV)true
dc.title.none.fl_str_mv Monumental and intimate: dimensions of the memory of resistance in Brazilian contemporary documentary
O monumental e o íntimo: dimensões da memória da resistência no documentário brasileiro recente
title Monumental and intimate: dimensions of the memory of resistance in Brazilian contemporary documentary
spellingShingle Monumental and intimate: dimensions of the memory of resistance in Brazilian contemporary documentary
Fernandes, Fernando Seliprandy
documentary
memory
resistance
dictatorship
monument
intimacy
documentário
memória
resistência
ditadura
monumento
intimidade
title_short Monumental and intimate: dimensions of the memory of resistance in Brazilian contemporary documentary
title_full Monumental and intimate: dimensions of the memory of resistance in Brazilian contemporary documentary
title_fullStr Monumental and intimate: dimensions of the memory of resistance in Brazilian contemporary documentary
title_full_unstemmed Monumental and intimate: dimensions of the memory of resistance in Brazilian contemporary documentary
title_sort Monumental and intimate: dimensions of the memory of resistance in Brazilian contemporary documentary
author Fernandes, Fernando Seliprandy
author_facet Fernandes, Fernando Seliprandy
author_role author
dc.contributor.author.fl_str_mv Fernandes, Fernando Seliprandy
dc.subject.por.fl_str_mv documentary
memory
resistance
dictatorship
monument
intimacy
documentário
memória
resistência
ditadura
monumento
intimidade
topic documentary
memory
resistance
dictatorship
monument
intimacy
documentário
memória
resistência
ditadura
monumento
intimidade
description It’s proposed an exercise about the memory of resistance against dictatorship in the Brazilian contemporary documentary. Monumentalization and intimacy are the guiding notions of the analysis of Hércules 56 (Silvio Da-Rin, 2006) and Diary, letters, revolutions (Flavia Castro, 2010). In the case of the first film, it’s suggested that the standards of interview-oriented documentary, striving for cohesion, establish a monumental and conciliatory memory. Regarding the second film, the analysis proposes that the intimate perspective, full of hesitations, might indicate the permanence of gaps in the Brazilian democratic conciliation. The contrast between celebratory and introspective memories emphasizes the critical needs around present impunity.
publishDate 2013
dc.date.none.fl_str_mv 2013-08-16
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.fgv.br/reh/article/view/7195
url https://periodicos.fgv.br/reh/article/view/7195
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.fgv.br/reh/article/view/7195/9365
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Editora FGV
publisher.none.fl_str_mv Editora FGV
dc.source.none.fl_str_mv Revista Estudos Históricos; Vol. 26 No. 51 (2013): History and Audiovisual; 55-72
Revista Estudos Históricos; v. 26 n. 51 (2013): História e Audiovisual; 55-72
2178-1494
0103-2186
reponame:Estudos Históricos (Rio de Janeiro)
instname:Fundação Getulio Vargas (FGV)
instacron:FGV
instname_str Fundação Getulio Vargas (FGV)
instacron_str FGV
institution FGV
reponame_str Estudos Históricos (Rio de Janeiro)
collection Estudos Históricos (Rio de Janeiro)
repository.name.fl_str_mv Estudos Históricos (Rio de Janeiro) - Fundação Getulio Vargas (FGV)
repository.mail.fl_str_mv ||biblioteca.digital@fgv.br||eh@fgv.br
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