The actor-character amalgam: from transparent mimesis to the experimental acting
Autor(a) principal: | |
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Data de Publicação: | 2019 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista FAMECOS: Mídia cultura e tecnologia |
Texto Completo: | https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/30037 |
Resumo: | the actor-character relationship is one of the pillars of the film acting. Our objective is to think of relations between these enunciative instances that extrapolate a symbiosis relation, in which the former tries to “transform” into the second, classic model of acting in the theater and in the cinema. We propose to investigate strategies of staging where actor and character are united by the idea of total amalgam, by being united by a determinant common physical or psychological condition. To that end, we used the methodology of the acting studies, seeking to develop an aesthetic analysis about processes and products of action (gestures, body posture) in films in which actor-characters are affected by some type of special condition (dwarfism, congenital malformation, Down syndrome, deafness or intellectual disability), which means that there is an essential interdependence between representation and referent. Such procedures diverge from the traditional idea of coupling or imitation, characteristic of transparent mimesis. The hypothesis is that the total amalgam actor-character is a procedure, experimental, rarely achieved in commercial cinema, as to the few examples of films cited here can attest. |
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The actor-character amalgam: from transparent mimesis to the experimental actingLa amalgama actor-personaje: de la mímesis transparente a la actuación experimentalO amálgama ator-personagem: da mímesis transparente à atuação experimentalActing studies. History and aesthetics of film. Experimental cinema.Estudios actorales. Historia y estética del cine. Cine experimental.Estudos atorais. História e estética do cinema. Cinema experimental.Cinemathe actor-character relationship is one of the pillars of the film acting. Our objective is to think of relations between these enunciative instances that extrapolate a symbiosis relation, in which the former tries to “transform” into the second, classic model of acting in the theater and in the cinema. We propose to investigate strategies of staging where actor and character are united by the idea of total amalgam, by being united by a determinant common physical or psychological condition. To that end, we used the methodology of the acting studies, seeking to develop an aesthetic analysis about processes and products of action (gestures, body posture) in films in which actor-characters are affected by some type of special condition (dwarfism, congenital malformation, Down syndrome, deafness or intellectual disability), which means that there is an essential interdependence between representation and referent. Such procedures diverge from the traditional idea of coupling or imitation, characteristic of transparent mimesis. The hypothesis is that the total amalgam actor-character is a procedure, experimental, rarely achieved in commercial cinema, as to the few examples of films cited here can attest.La relación actor-personaje es uno de los pilares de la práctica atoral. Nuestro objetivo es pensar relaciones entre esas instancias enunciativas que extrapolan una relación de simbiosis, en la que la primera intenta transformarse en la segunda, modelo clásico de actuación en el teatro y en el cine. Proponemos investigar estrategias de escenificación donde actor y personaje están unidos por la idea de la amalgama total, por unirse por una condición física o psicológica común determinante. Para ello, utilizamos la metodología de los estudios atorales, buscando desarrollar un análisis estético sobre procesos y productos de actuación (gestos, postura corporal) en películas en las cuales actores-personajes son acometidos por algún tipo de condición especial (enanismo, malformación congénita, Síndrome de malnutrición, Down, sordera o deficiencia intelectual) lo que hace que haya interdependencia esencial entre representación y referente. Estos procedimientos difieren de la idea tradicional de acoplamiento o de imitación, característica de la mímesis transparente. La hipótesis que se defiende es que la amalgama total actor-personaje es un procedimiento, experimental, pocas veces alcanzado en el cine de vertiente comercial, como pueden atestiguar los pocos ejemplos de películas aquí citadas.a relação ator-personagem é um dos pilares da prática atoral. Nosso objetivo é pensar relações entre essas instâncias enunciativas que extrapolem uma relação de simbiose, em que a primeira tenta se transformar na segunda, modelo clássico de atuação no teatro e no cinema. Propomos investigar estratégias de encenação onde ator e personagem são unidos pela ideia do amálgama total, por se unirem por uma condição física ou psicológica comum determinante. Para tal, utilizamos a metodologia dos estudos atorais, buscando desenvolver uma análise estética sobre processos e produtos de atuação (gestos, postura corporal) em filmes nos quais atores-personagens são acometidos por algum tipo de condição especial (nanismo, malformação congênita, síndrome de Down, surdez ou deficiência intelectual) o que faz com que haja interdependência essencial entre representação e referente. Tais procedimentos divergem da ideia tradicional de acoplamento ou de imitação, característica da mímesis transparente. A hipótese que se defende é que o amálgama total ator-personagem é um procedimento, experimental, poucas vezes atingido no cinema de vertente comercial, como podem atestar os poucos exemplos de filmes aqui citados.Editora da PUCRS - ediPUCRS2019-08-05info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/3003710.15448/1980-3729.2019.1.30037Revista FAMECOS; Vol. 26 No. 1 (2019); e30037Revista FAMECOS; Vol. 26 Núm. 1 (2019); e30037Revista FAMECOS; v. 26 n. 1 (2019); e300371980-37291415-054910.15448/1980-3729.2019.1reponame:Revista FAMECOS: Mídia cultura e tecnologiainstname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)instacron:PUC_RSporhttps://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/30037/17962Copyright (c) 2019 Revista FAMECOShttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessGuimaraes, Pedro MacielOliveira, Sandro2019-08-30T17:28:46Zoai:ojs.revistaseletronicas.pucrs.br:article/30037Revistahttps://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecosPRIhttps://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/oai||revistafamecos@gmail.com1980-37291980-3729opendoar:2019-08-30T17:28:46Revista FAMECOS: Mídia cultura e tecnologia - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)false |
dc.title.none.fl_str_mv |
The actor-character amalgam: from transparent mimesis to the experimental acting La amalgama actor-personaje: de la mímesis transparente a la actuación experimental O amálgama ator-personagem: da mímesis transparente à atuação experimental |
title |
The actor-character amalgam: from transparent mimesis to the experimental acting |
spellingShingle |
The actor-character amalgam: from transparent mimesis to the experimental acting Guimaraes, Pedro Maciel Acting studies. History and aesthetics of film. Experimental cinema. Estudios actorales. Historia y estética del cine. Cine experimental. Estudos atorais. História e estética do cinema. Cinema experimental. Cinema |
title_short |
The actor-character amalgam: from transparent mimesis to the experimental acting |
title_full |
The actor-character amalgam: from transparent mimesis to the experimental acting |
title_fullStr |
The actor-character amalgam: from transparent mimesis to the experimental acting |
title_full_unstemmed |
The actor-character amalgam: from transparent mimesis to the experimental acting |
title_sort |
The actor-character amalgam: from transparent mimesis to the experimental acting |
author |
Guimaraes, Pedro Maciel |
author_facet |
Guimaraes, Pedro Maciel Oliveira, Sandro |
author_role |
author |
author2 |
Oliveira, Sandro |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Guimaraes, Pedro Maciel Oliveira, Sandro |
dc.subject.por.fl_str_mv |
Acting studies. History and aesthetics of film. Experimental cinema. Estudios actorales. Historia y estética del cine. Cine experimental. Estudos atorais. História e estética do cinema. Cinema experimental. Cinema |
topic |
Acting studies. History and aesthetics of film. Experimental cinema. Estudios actorales. Historia y estética del cine. Cine experimental. Estudos atorais. História e estética do cinema. Cinema experimental. Cinema |
description |
the actor-character relationship is one of the pillars of the film acting. Our objective is to think of relations between these enunciative instances that extrapolate a symbiosis relation, in which the former tries to “transform” into the second, classic model of acting in the theater and in the cinema. We propose to investigate strategies of staging where actor and character are united by the idea of total amalgam, by being united by a determinant common physical or psychological condition. To that end, we used the methodology of the acting studies, seeking to develop an aesthetic analysis about processes and products of action (gestures, body posture) in films in which actor-characters are affected by some type of special condition (dwarfism, congenital malformation, Down syndrome, deafness or intellectual disability), which means that there is an essential interdependence between representation and referent. Such procedures diverge from the traditional idea of coupling or imitation, characteristic of transparent mimesis. The hypothesis is that the total amalgam actor-character is a procedure, experimental, rarely achieved in commercial cinema, as to the few examples of films cited here can attest. |
publishDate |
2019 |
dc.date.none.fl_str_mv |
2019-08-05 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/30037 10.15448/1980-3729.2019.1.30037 |
url |
https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/30037 |
identifier_str_mv |
10.15448/1980-3729.2019.1.30037 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/30037/17962 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2019 Revista FAMECOS https://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2019 Revista FAMECOS https://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Editora da PUCRS - ediPUCRS |
publisher.none.fl_str_mv |
Editora da PUCRS - ediPUCRS |
dc.source.none.fl_str_mv |
Revista FAMECOS; Vol. 26 No. 1 (2019); e30037 Revista FAMECOS; Vol. 26 Núm. 1 (2019); e30037 Revista FAMECOS; v. 26 n. 1 (2019); e30037 1980-3729 1415-0549 10.15448/1980-3729.2019.1 reponame:Revista FAMECOS: Mídia cultura e tecnologia instname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) instacron:PUC_RS |
instname_str |
Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) |
instacron_str |
PUC_RS |
institution |
PUC_RS |
reponame_str |
Revista FAMECOS: Mídia cultura e tecnologia |
collection |
Revista FAMECOS: Mídia cultura e tecnologia |
repository.name.fl_str_mv |
Revista FAMECOS: Mídia cultura e tecnologia - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) |
repository.mail.fl_str_mv |
||revistafamecos@gmail.com |
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1799128663712595968 |