Where the feeling lets us: embodiment, ekphrasis, description, epiphany on the Book of disquiet, by Fernando Pessoa
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Navegações (Online) |
Texto Completo: | https://revistaseletronicas.pucrs.br/ojs/index.php/navegacoes/article/view/37025 |
Resumo: | The centrality of the feeling on the Book of disquiet, by Fernando Pessoa, invites us to read it as a feeling device that produces sensitive and cognitive effects in its audience. It seeks to look closely at the embodiment, the ekphrasis, the description and the epiphany as literary techniques that, combined with the fragment, makes us feel the Book and think about it. The artwork is thought in its relations with the vision and the photography, under the light of diverse theories, in an attempt to circumscribe it into a modern aesthetic. |
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Where the feeling lets us: embodiment, ekphrasis, description, epiphany on the Book of disquiet, by Fernando PessoaAonde o sentir nos leva: embodiment, ekphrasis, descrição e epifania no Livro do desassossego, de Fernando PessoaLiteratureFeelThinkReadingModernityLiteraturaSentirPensarLeituraModernidadeThe centrality of the feeling on the Book of disquiet, by Fernando Pessoa, invites us to read it as a feeling device that produces sensitive and cognitive effects in its audience. It seeks to look closely at the embodiment, the ekphrasis, the description and the epiphany as literary techniques that, combined with the fragment, makes us feel the Book and think about it. The artwork is thought in its relations with the vision and the photography, under the light of diverse theories, in an attempt to circumscribe it into a modern aesthetic.A centralidade do sentir no Livro do desassossego, de Fernando Pessoa, convida-nos a lê-lo como um dispositivo do sentir que produz efeitos sensíveis e cognitivos em seu público. Busca-se olhar de perto o embodiment, a ekphrasis, a descrição e a epifania como técnicas literárias que, aliadas ao fragmento, nos fazem sentir o Livro e pensar sobre ele. A obra é pensada em suas relações com a visão e a fotografia, sob à luz de teorias diversas, em uma tentativa de circunscrevê-la em uma estética moderna.Editora da PUCRS - ediPUCRS2020-12-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistaseletronicas.pucrs.br/ojs/index.php/navegacoes/article/view/3702510.15448/1983-4276.2020.2.37025Navegações; Vol. 13 No. 2 (2020); e37025Navegações; v. 13 n. 2 (2020); e370251983-42761982-852710.15448/1983-4276.2020.2reponame:Navegações (Online)instname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)instacron:PUC_RSporhttps://revistaseletronicas.pucrs.br/ojs/index.php/navegacoes/article/view/37025/26617Copyright (c) 2021 Navegaçõeshttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessFreitas, Carolina Rodrigues2021-09-02T18:48:22Zoai:ojs.revistaseletronicas.pucrs.br:article/37025Revistahttps://revistaseletronicas.pucrs.br/ojs/index.php/navegacoesPRIhttps://revistaseletronicas.pucrs.br/ojs/index.php/navegacoes/oai||revistanavegacoes@pucrs.br1983-42761982-8527opendoar:2021-09-02T18:48:22Navegações (Online) - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)false |
dc.title.none.fl_str_mv |
Where the feeling lets us: embodiment, ekphrasis, description, epiphany on the Book of disquiet, by Fernando Pessoa Aonde o sentir nos leva: embodiment, ekphrasis, descrição e epifania no Livro do desassossego, de Fernando Pessoa |
title |
Where the feeling lets us: embodiment, ekphrasis, description, epiphany on the Book of disquiet, by Fernando Pessoa |
spellingShingle |
Where the feeling lets us: embodiment, ekphrasis, description, epiphany on the Book of disquiet, by Fernando Pessoa Freitas, Carolina Rodrigues Literature Feel Think Reading Modernity Literatura Sentir Pensar Leitura Modernidade |
title_short |
Where the feeling lets us: embodiment, ekphrasis, description, epiphany on the Book of disquiet, by Fernando Pessoa |
title_full |
Where the feeling lets us: embodiment, ekphrasis, description, epiphany on the Book of disquiet, by Fernando Pessoa |
title_fullStr |
Where the feeling lets us: embodiment, ekphrasis, description, epiphany on the Book of disquiet, by Fernando Pessoa |
title_full_unstemmed |
Where the feeling lets us: embodiment, ekphrasis, description, epiphany on the Book of disquiet, by Fernando Pessoa |
title_sort |
Where the feeling lets us: embodiment, ekphrasis, description, epiphany on the Book of disquiet, by Fernando Pessoa |
author |
Freitas, Carolina Rodrigues |
author_facet |
Freitas, Carolina Rodrigues |
author_role |
author |
dc.contributor.author.fl_str_mv |
Freitas, Carolina Rodrigues |
dc.subject.por.fl_str_mv |
Literature Feel Think Reading Modernity Literatura Sentir Pensar Leitura Modernidade |
topic |
Literature Feel Think Reading Modernity Literatura Sentir Pensar Leitura Modernidade |
description |
The centrality of the feeling on the Book of disquiet, by Fernando Pessoa, invites us to read it as a feeling device that produces sensitive and cognitive effects in its audience. It seeks to look closely at the embodiment, the ekphrasis, the description and the epiphany as literary techniques that, combined with the fragment, makes us feel the Book and think about it. The artwork is thought in its relations with the vision and the photography, under the light of diverse theories, in an attempt to circumscribe it into a modern aesthetic. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-12-31 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistaseletronicas.pucrs.br/ojs/index.php/navegacoes/article/view/37025 10.15448/1983-4276.2020.2.37025 |
url |
https://revistaseletronicas.pucrs.br/ojs/index.php/navegacoes/article/view/37025 |
identifier_str_mv |
10.15448/1983-4276.2020.2.37025 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistaseletronicas.pucrs.br/ojs/index.php/navegacoes/article/view/37025/26617 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2021 Navegações http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2021 Navegações http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Editora da PUCRS - ediPUCRS |
publisher.none.fl_str_mv |
Editora da PUCRS - ediPUCRS |
dc.source.none.fl_str_mv |
Navegações; Vol. 13 No. 2 (2020); e37025 Navegações; v. 13 n. 2 (2020); e37025 1983-4276 1982-8527 10.15448/1983-4276.2020.2 reponame:Navegações (Online) instname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) instacron:PUC_RS |
instname_str |
Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) |
instacron_str |
PUC_RS |
institution |
PUC_RS |
reponame_str |
Navegações (Online) |
collection |
Navegações (Online) |
repository.name.fl_str_mv |
Navegações (Online) - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) |
repository.mail.fl_str_mv |
||revistanavegacoes@pucrs.br |
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1799128837103026176 |