Cinema audiences in Portugal between fun and decorum: the distinct appropriations of theatrical venues (1896-1924)

Detalhes bibliográficos
Autor(a) principal: Moraes, Juliana de Mello
Data de Publicação: 2016
Tipo de documento: Artigo
Idioma: por
Título da fonte: Estudos Ibero-Americanos
Texto Completo: https://revistaseletronicas.pucrs.br/index.php/iberoamericana/article/view/22930
Resumo: This study analyzes cinema audiences and their behavior in the exhibition spaces in the Portuguese district capitals, between 1896 and 1924. The focus emphasizes the practices of spectators during film sessions in order to evaluate the avoidance schemes to the discipline imposed by a growing industry. Moment characterized by the spread and consolidation of cinema among leisure activities, film screenings gathered together the most diverse social groups in large or small towns, emerging as a very popular show. From the press was possible to evaluate the appropriation of projection rooms by spectators, which significantly differed from mutations in film and their spaces during that period.
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spelling Cinema audiences in Portugal between fun and decorum: the distinct appropriations of theatrical venues (1896-1924)Los públicos de cine en Portugal entre a diversión y el decoro: las distintas apropiaciones de los espacios cinematográficos (1896-1924)Os públicos de cinema em Portugal entre a diversão e o decoro: as distintas apropriações dos espaços cinematográficos (1896-1924)cinema audiencessilent cinemaPortugalpublicos de cinecine mudoPortugalpúblicos de cinemacinema mudoPortugalCinemaThis study analyzes cinema audiences and their behavior in the exhibition spaces in the Portuguese district capitals, between 1896 and 1924. The focus emphasizes the practices of spectators during film sessions in order to evaluate the avoidance schemes to the discipline imposed by a growing industry. Moment characterized by the spread and consolidation of cinema among leisure activities, film screenings gathered together the most diverse social groups in large or small towns, emerging as a very popular show. From the press was possible to evaluate the appropriation of projection rooms by spectators, which significantly differed from mutations in film and their spaces during that period.Este estudio analiza los públicos de cine y su comportamiento en los espacios de proyecciones en las capitales de distrito portuguesas, entre 1896 e 1924. El enfoque da prioridad a las prácticas de los espectadores durante las sesiones cinematográficas, con la intención de conocer los mecanismos de evasión a la disciplina impuesta por una industria en crecimiento. Momento caracterizado por la difusión y consolidación del cine entre las actividades de ocio, las exhibiciones cinematográficas congregaban a los más diversos grupos sociales en las grandes o pequeñas localidades, emergiendo como un espectáculo de gran popularidad. A partir de la prensa fue posible evaluar la apropiaciones de las salas de proyección por los espectadores, lo cuales divergieron sensiblemente de las mutaciones en el cine y sus espacios durante aquel periodo.Este estudo analisa os públicos de cinema e seus comportamentos nos espaços de exibição nas capitais distritais portuguesas, entre 1896 e 1924. O foco privilegia as práticas dos espectadores durante as sessões cinematográficas, no intuito de avaliar os mecanismos de evasão à disciplina imposta por uma indústria em crescimento. Momento caracterizado pela difusão e consolidação do cinema entre as atividades de lazer, as exibições cinematográficas congregavam os mais diversos grupos sociais nas grandes ou pequenas localidades, emergindo como um espetáculo de grande popularidade. A partir da imprensa foi possível avaliar as apropriações das salas de projeção pelos espectadores, as quais divergiram sensivelmente das mutações no cinema e seus espaçosdurante aquele período. Editora da PUCRS - ediPUCRS2016-11-24info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistaseletronicas.pucrs.br/index.php/iberoamericana/article/view/2293010.15448/1980-864X.2016.3.22930Estudos Ibero-Americanos; Vol. 42 No. 3 (2016): Dossier - 40 Years of Independence in Africa; 1168-1188Estudos Ibero-Americanos; Vol. 42 Núm. 3 (2016): Dosier - 40 años de independencia en África; 1168-1188Estudos Ibero-Americanos; v. 42 n. 3 (2016): Dossiê - 40 anos de independência em África; 1168-11881980-864X0101-406410.15448/1980-864X.2016.3reponame:Estudos Ibero-Americanosinstname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)instacron:PUC_RSporhttps://revistaseletronicas.pucrs.br/index.php/iberoamericana/article/view/22930/15046Copyright (c) 2016 Juliana de Mello Moraeshttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessMoraes, Juliana de Mello2017-04-12T12:53:42Zoai:ojs.revistaseletronicas.pucrs.br:article/22930Revistahttps://revistaseletronicas.pucrs.br/index.php/iberoamericanaPRIhttps://revistaseletronicas.pucrs.br/index.php/iberoamericana/oaieditora.periodicos@pucrs.br||eia@pucrs.br1980-864X0101-4064opendoar:2017-04-12T12:53:42Estudos Ibero-Americanos - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)false
dc.title.none.fl_str_mv Cinema audiences in Portugal between fun and decorum: the distinct appropriations of theatrical venues (1896-1924)
Los públicos de cine en Portugal entre a diversión y el decoro: las distintas apropiaciones de los espacios cinematográficos (1896-1924)
Os públicos de cinema em Portugal entre a diversão e o decoro: as distintas apropriações dos espaços cinematográficos (1896-1924)
title Cinema audiences in Portugal between fun and decorum: the distinct appropriations of theatrical venues (1896-1924)
spellingShingle Cinema audiences in Portugal between fun and decorum: the distinct appropriations of theatrical venues (1896-1924)
Moraes, Juliana de Mello
cinema audiences
silent cinema
Portugal
publicos de cine
cine mudo
Portugal
públicos de cinema
cinema mudo
Portugal
Cinema
title_short Cinema audiences in Portugal between fun and decorum: the distinct appropriations of theatrical venues (1896-1924)
title_full Cinema audiences in Portugal between fun and decorum: the distinct appropriations of theatrical venues (1896-1924)
title_fullStr Cinema audiences in Portugal between fun and decorum: the distinct appropriations of theatrical venues (1896-1924)
title_full_unstemmed Cinema audiences in Portugal between fun and decorum: the distinct appropriations of theatrical venues (1896-1924)
title_sort Cinema audiences in Portugal between fun and decorum: the distinct appropriations of theatrical venues (1896-1924)
author Moraes, Juliana de Mello
author_facet Moraes, Juliana de Mello
author_role author
dc.contributor.author.fl_str_mv Moraes, Juliana de Mello
dc.subject.por.fl_str_mv cinema audiences
silent cinema
Portugal
publicos de cine
cine mudo
Portugal
públicos de cinema
cinema mudo
Portugal
Cinema
topic cinema audiences
silent cinema
Portugal
publicos de cine
cine mudo
Portugal
públicos de cinema
cinema mudo
Portugal
Cinema
description This study analyzes cinema audiences and their behavior in the exhibition spaces in the Portuguese district capitals, between 1896 and 1924. The focus emphasizes the practices of spectators during film sessions in order to evaluate the avoidance schemes to the discipline imposed by a growing industry. Moment characterized by the spread and consolidation of cinema among leisure activities, film screenings gathered together the most diverse social groups in large or small towns, emerging as a very popular show. From the press was possible to evaluate the appropriation of projection rooms by spectators, which significantly differed from mutations in film and their spaces during that period.
publishDate 2016
dc.date.none.fl_str_mv 2016-11-24
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistaseletronicas.pucrs.br/index.php/iberoamericana/article/view/22930
10.15448/1980-864X.2016.3.22930
url https://revistaseletronicas.pucrs.br/index.php/iberoamericana/article/view/22930
identifier_str_mv 10.15448/1980-864X.2016.3.22930
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistaseletronicas.pucrs.br/index.php/iberoamericana/article/view/22930/15046
dc.rights.driver.fl_str_mv Copyright (c) 2016 Juliana de Mello Moraes
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2016 Juliana de Mello Moraes
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Editora da PUCRS - ediPUCRS
publisher.none.fl_str_mv Editora da PUCRS - ediPUCRS
dc.source.none.fl_str_mv Estudos Ibero-Americanos; Vol. 42 No. 3 (2016): Dossier - 40 Years of Independence in Africa; 1168-1188
Estudos Ibero-Americanos; Vol. 42 Núm. 3 (2016): Dosier - 40 años de independencia en África; 1168-1188
Estudos Ibero-Americanos; v. 42 n. 3 (2016): Dossiê - 40 anos de independência em África; 1168-1188
1980-864X
0101-4064
10.15448/1980-864X.2016.3
reponame:Estudos Ibero-Americanos
instname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)
instacron:PUC_RS
instname_str Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)
instacron_str PUC_RS
institution PUC_RS
reponame_str Estudos Ibero-Americanos
collection Estudos Ibero-Americanos
repository.name.fl_str_mv Estudos Ibero-Americanos - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)
repository.mail.fl_str_mv editora.periodicos@pucrs.br||eia@pucrs.br
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