Propaganda and religion in Portugal: popular music festivals (1958-1964)
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Rever (São Paulo. Online) |
Texto Completo: | https://revistas.pucsp.br/index.php/rever/article/view/51884 |
Resumo: | The relation between the State and the Catholic Church throughout the Estado Novo period went through different moments. This was especially so in the 3rd quarter of the 20th century period, during which several tensions occurred in institutional relations. In addition to these elements, this text analyzes other observation levels that may contribute to knowledge-gathering, specifically expressive cultural practices associated with music. Thus, starting from the intersection of state power on the one hand, and the presence of religious themes in so-called popular music, specifically developed for music festivals, on the other, this text aims to discuss the role of this musical category as a tool of religious propaganda in its interconnection with political power. |
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Propaganda and religion in Portugal: popular music festivals (1958-1964)Propaganda e religião em Portugal: festivais de música ligeira (1958-1964)Estado NovoReligiãoFestivais de MúsicaMúsica ligeiraPropagandaNew StateReligionSong ContestPopular musicPropagandaThe relation between the State and the Catholic Church throughout the Estado Novo period went through different moments. This was especially so in the 3rd quarter of the 20th century period, during which several tensions occurred in institutional relations. In addition to these elements, this text analyzes other observation levels that may contribute to knowledge-gathering, specifically expressive cultural practices associated with music. Thus, starting from the intersection of state power on the one hand, and the presence of religious themes in so-called popular music, specifically developed for music festivals, on the other, this text aims to discuss the role of this musical category as a tool of religious propaganda in its interconnection with political power.A relação entre o Estado e a Igreja Católica ao longo do período do Estado Novo atravessou diferentes momentos, especialmente no 3º quartel do século XX, quando se verificaram diferentes tensões no plano das relações institucionais. Para além destas, o texto analisa outros níveis de observação que importa conhecer, nomeadamente, a importância das práticas culturais expressivas associadas à música. Nesse sentido, e partindo do cruzamento do poder do Estado com a presença de temáticas religiosas na música ligeira desenvolvida propositadamente para os festivais de música, este texto procura discutir o papel desta categoria musical como elemento de propaganda religiosana sua interligação com o poder político.Pontifícia Universidade Católica de São Paulo2020-12-11info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.pucsp.br/index.php/rever/article/view/5188410.23925/1677-1222.2020vol20i3a8REVER: Journal for the Study of Religion; Vol. 20 No. 3 (2020): Religião e cultura pop; 111-127REVER: Revista de Estudos da Religião; v. 20 n. 3 (2020): Religião e cultura pop; 111-1271677-1222reponame:Rever (São Paulo. Online)instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporhttps://revistas.pucsp.br/index.php/rever/article/view/51884/33850Copyright (c) 2020 REVER - Revista de Estudos da Religiãoinfo:eu-repo/semantics/openAccessPinto, João RicardoFerreira, Nuno Estêvão2020-12-11T23:22:47Zoai:ojs.pkp.sfu.ca:article/51884Revistahttps://revistas.pucsp.br/index.php/rever/PRIhttps://revistas.pucsp.br/rever/oairever@pucsp.br1677-12221677-1222opendoar:2020-12-11T23:22:47Rever (São Paulo. Online) - Pontifícia Universidade Católica de São Paulo (PUC-SP)false |
dc.title.none.fl_str_mv |
Propaganda and religion in Portugal: popular music festivals (1958-1964) Propaganda e religião em Portugal: festivais de música ligeira (1958-1964) |
title |
Propaganda and religion in Portugal: popular music festivals (1958-1964) |
spellingShingle |
Propaganda and religion in Portugal: popular music festivals (1958-1964) Pinto, João Ricardo Estado Novo Religião Festivais de Música Música ligeira Propaganda New State Religion Song Contest Popular music Propaganda |
title_short |
Propaganda and religion in Portugal: popular music festivals (1958-1964) |
title_full |
Propaganda and religion in Portugal: popular music festivals (1958-1964) |
title_fullStr |
Propaganda and religion in Portugal: popular music festivals (1958-1964) |
title_full_unstemmed |
Propaganda and religion in Portugal: popular music festivals (1958-1964) |
title_sort |
Propaganda and religion in Portugal: popular music festivals (1958-1964) |
author |
Pinto, João Ricardo |
author_facet |
Pinto, João Ricardo Ferreira, Nuno Estêvão |
author_role |
author |
author2 |
Ferreira, Nuno Estêvão |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Pinto, João Ricardo Ferreira, Nuno Estêvão |
dc.subject.por.fl_str_mv |
Estado Novo Religião Festivais de Música Música ligeira Propaganda New State Religion Song Contest Popular music Propaganda |
topic |
Estado Novo Religião Festivais de Música Música ligeira Propaganda New State Religion Song Contest Popular music Propaganda |
description |
The relation between the State and the Catholic Church throughout the Estado Novo period went through different moments. This was especially so in the 3rd quarter of the 20th century period, during which several tensions occurred in institutional relations. In addition to these elements, this text analyzes other observation levels that may contribute to knowledge-gathering, specifically expressive cultural practices associated with music. Thus, starting from the intersection of state power on the one hand, and the presence of religious themes in so-called popular music, specifically developed for music festivals, on the other, this text aims to discuss the role of this musical category as a tool of religious propaganda in its interconnection with political power. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-12-11 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.pucsp.br/index.php/rever/article/view/51884 10.23925/1677-1222.2020vol20i3a8 |
url |
https://revistas.pucsp.br/index.php/rever/article/view/51884 |
identifier_str_mv |
10.23925/1677-1222.2020vol20i3a8 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.pucsp.br/index.php/rever/article/view/51884/33850 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 REVER - Revista de Estudos da Religião info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 REVER - Revista de Estudos da Religião |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Pontifícia Universidade Católica de São Paulo |
publisher.none.fl_str_mv |
Pontifícia Universidade Católica de São Paulo |
dc.source.none.fl_str_mv |
REVER: Journal for the Study of Religion; Vol. 20 No. 3 (2020): Religião e cultura pop; 111-127 REVER: Revista de Estudos da Religião; v. 20 n. 3 (2020): Religião e cultura pop; 111-127 1677-1222 reponame:Rever (São Paulo. Online) instname:Pontifícia Universidade Católica de São Paulo (PUC-SP) instacron:PUC_SP |
instname_str |
Pontifícia Universidade Católica de São Paulo (PUC-SP) |
instacron_str |
PUC_SP |
institution |
PUC_SP |
reponame_str |
Rever (São Paulo. Online) |
collection |
Rever (São Paulo. Online) |
repository.name.fl_str_mv |
Rever (São Paulo. Online) - Pontifícia Universidade Católica de São Paulo (PUC-SP) |
repository.mail.fl_str_mv |
rever@pucsp.br |
_version_ |
1796798388488896512 |