The presence of arquetypes in youtubers: modes and strategies of influence
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Galáxia (São Paulo) |
Texto Completo: | https://revistas.pucsp.br/index.php/galaxia/article/view/47613 |
Resumo: | Among the changes occurred in the modes of influence, there are the new formats made possible by digital networks. YouTube, through “your” celebrities, is one of those networks. Its forms of influence mix old schemes with new socio-technical systems. Based on the SocialBlade rankings, three of the main youtubers in the “Portuguese speaking space” were selected. Qualitatively, and based on the theory of archetypes, the presence of archetypes and the way they are used in titles, construction, legitimation and content manipulation were analyzed. The creation of common figures and elements (play, anger, violence, revenge, shadow, mother or God) between producer and consumer is one of the most common strategies to “capture” the attention of followers. |
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The presence of arquetypes in youtubers: modes and strategies of influenceA presença de arquétipos nos youtubers: modos e estratégias de influênciayoutubersarchetypesinfluenceYouTube.youtubersarquétiposinfluênciaYouTubeAmong the changes occurred in the modes of influence, there are the new formats made possible by digital networks. YouTube, through “your” celebrities, is one of those networks. Its forms of influence mix old schemes with new socio-technical systems. Based on the SocialBlade rankings, three of the main youtubers in the “Portuguese speaking space” were selected. Qualitatively, and based on the theory of archetypes, the presence of archetypes and the way they are used in titles, construction, legitimation and content manipulation were analyzed. The creation of common figures and elements (play, anger, violence, revenge, shadow, mother or God) between producer and consumer is one of the most common strategies to “capture” the attention of followers. Entre as mudanças ocorridas nos modos de influência, constam os novos formatos possibilitados pelas redes digitais. O YouTube, por meio das “suas” celebridades, é uma dessas redes. As suas formas de influência mesclam esquemas antigos com sistemas sociotécnicos novos. Para perceber essas dinâmicas de influência, selecionamos três youtubers. De modo qualitativo, e a partir da teoria dos arquétipos, estudamos a presença de arquétipos nas estratégias de influência e o modo como estes são utilizados nos títulos, na construção, na legitimação e na manipulação de conteúdos. A criação de figuras e elementos comuns (brincadeira, raiva, violência, vingança, sombra, mãe ou Deus) entre produtor e consumidor é uma das estratégias mais comuns para “capturar” a atenção dos seguidores. PEPG COS-PUC-SP2020-10-07info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.pucsp.br/index.php/galaxia/article/view/47613Galaxia; No. 45 (2020)GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 45 (2020)1982-2553reponame:Galáxia (São Paulo)instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporhttps://revistas.pucsp.br/index.php/galaxia/article/view/47613/33164Copyright (c) 2020 Galáxia. Revista do Programa de Pós-Graduação em Comunicação e Semiótica. ISSN 1982-2553info:eu-repo/semantics/openAccessCosta, Pedro Rodrigues2020-10-07T13:21:29Zoai:ojs.pkp.sfu.ca:article/47613Revistahttps://www.pucsp.br/pos-graduacao/mestrado-e-doutorado/comunicacao-e-semioticaPRIhttps://old.scielo.br/oai/scielo-oai.phpcos@pucsp.br||aidarprado@gmail.com1982-25531519-311Xopendoar:2020-10-07T13:21:29Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)false |
dc.title.none.fl_str_mv |
The presence of arquetypes in youtubers: modes and strategies of influence A presença de arquétipos nos youtubers: modos e estratégias de influência |
title |
The presence of arquetypes in youtubers: modes and strategies of influence |
spellingShingle |
The presence of arquetypes in youtubers: modes and strategies of influence Costa, Pedro Rodrigues youtubers archetypes influence YouTube. youtubers arquétipos influência YouTube |
title_short |
The presence of arquetypes in youtubers: modes and strategies of influence |
title_full |
The presence of arquetypes in youtubers: modes and strategies of influence |
title_fullStr |
The presence of arquetypes in youtubers: modes and strategies of influence |
title_full_unstemmed |
The presence of arquetypes in youtubers: modes and strategies of influence |
title_sort |
The presence of arquetypes in youtubers: modes and strategies of influence |
author |
Costa, Pedro Rodrigues |
author_facet |
Costa, Pedro Rodrigues |
author_role |
author |
dc.contributor.author.fl_str_mv |
Costa, Pedro Rodrigues |
dc.subject.por.fl_str_mv |
youtubers archetypes influence YouTube. youtubers arquétipos influência YouTube |
topic |
youtubers archetypes influence YouTube. youtubers arquétipos influência YouTube |
description |
Among the changes occurred in the modes of influence, there are the new formats made possible by digital networks. YouTube, through “your” celebrities, is one of those networks. Its forms of influence mix old schemes with new socio-technical systems. Based on the SocialBlade rankings, three of the main youtubers in the “Portuguese speaking space” were selected. Qualitatively, and based on the theory of archetypes, the presence of archetypes and the way they are used in titles, construction, legitimation and content manipulation were analyzed. The creation of common figures and elements (play, anger, violence, revenge, shadow, mother or God) between producer and consumer is one of the most common strategies to “capture” the attention of followers. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-10-07 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.pucsp.br/index.php/galaxia/article/view/47613 |
url |
https://revistas.pucsp.br/index.php/galaxia/article/view/47613 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.pucsp.br/index.php/galaxia/article/view/47613/33164 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
PEPG COS-PUC-SP |
publisher.none.fl_str_mv |
PEPG COS-PUC-SP |
dc.source.none.fl_str_mv |
Galaxia; No. 45 (2020) GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 45 (2020) 1982-2553 reponame:Galáxia (São Paulo) instname:Pontifícia Universidade Católica de São Paulo (PUC-SP) instacron:PUC_SP |
instname_str |
Pontifícia Universidade Católica de São Paulo (PUC-SP) |
instacron_str |
PUC_SP |
institution |
PUC_SP |
reponame_str |
Galáxia (São Paulo) |
collection |
Galáxia (São Paulo) |
repository.name.fl_str_mv |
Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP) |
repository.mail.fl_str_mv |
cos@pucsp.br||aidarprado@gmail.com |
_version_ |
1799129331833765888 |