#u2youtube and computer mediated performance

Detalhes bibliográficos
Autor(a) principal: Sá, Simone Maria Andrade Pereira de
Data de Publicação: 2010
Outros Autores: Holzbach, Ariane Diniz
Tipo de documento: Artigo
Idioma: por
Título da fonte: Galáxia (São Paulo)
Texto Completo: https://revistas.pucsp.br/index.php/galaxia/article/view/3429
Resumo: Starting from the premise that the notion of musical performance is the key factor for enjoying pop music, we discuss the role of the YouTube and Twitter platforms in the reconfiguration of this experience. To this end, we analyze the U2 concert broadcast on YouTube, which captured the largest audience of simultaneous access to the website, and its repercussions in real time on Twitter, based on which we seek to explore the notion of computer mediated performance. We will discuss the concept of performance starting from Simon Frith’s argument and extending the discussion to aspects not covered by the author, such as the central role of technological mediations in this process. Finally, we will discuss the characteristics of YouTube and Twitter, linking them to the discussion about the reconfiguration of the audience’s role based on participatory culture.
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spelling #u2youtube and computer mediated performance#u2youtube e a performance mediada por computadorU2YouTubeTwitterperformancesocial networksStarting from the premise that the notion of musical performance is the key factor for enjoying pop music, we discuss the role of the YouTube and Twitter platforms in the reconfiguration of this experience. To this end, we analyze the U2 concert broadcast on YouTube, which captured the largest audience of simultaneous access to the website, and its repercussions in real time on Twitter, based on which we seek to explore the notion of computer mediated performance. We will discuss the concept of performance starting from Simon Frith’s argument and extending the discussion to aspects not covered by the author, such as the central role of technological mediations in this process. Finally, we will discuss the characteristics of YouTube and Twitter, linking them to the discussion about the reconfiguration of the audience’s role based on participatory culture.Partindo da premissa de que a noção de performance musical é central para a experiência de fruição da música pop, interessa-nos discutir o papel das plataformas YouTube e Twitter na reconfiguração desta experiência. Para tanto, o trabalho aborda o evento da transmissão do show do U2 no YouTube, que atingiu o maior público de acesso simultâneo ao canal; e sua repercussão em tempo real no Twitter – buscando assim explorar a noção de performance mediada por computador. Para tanto, primeiramente, debatemos a noção de performance a partir do argumento de Simon Frith, estendendo a discussão para aspectos não contemplados pelo autor, tais como o papel central das mediações tecnológicas neste processo. E a seguir, discutimos as características das plataformas YouTube e Twitter, articulando-as à discussão em torno da reconfiguração do papel da audiência a partir da cultura participativa.PEPG COS-PUC-SP2010-12-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.pucsp.br/index.php/galaxia/article/view/3429Galaxia; No. 20 (2010)GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 20 (2010)1982-2553reponame:Galáxia (São Paulo)instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporhttps://revistas.pucsp.br/index.php/galaxia/article/view/3429/3294Sá, Simone Maria Andrade Pereira deHolzbach, Ariane Dinizinfo:eu-repo/semantics/openAccess2024-05-15T14:01:08Zoai:ojs.pkp.sfu.ca:article/3429Revistahttps://www.pucsp.br/pos-graduacao/mestrado-e-doutorado/comunicacao-e-semioticaPRIhttps://old.scielo.br/oai/scielo-oai.phpcos@pucsp.br||aidarprado@gmail.com1982-25531519-311Xopendoar:2024-05-15T14:01:08Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)false
dc.title.none.fl_str_mv #u2youtube and computer mediated performance
#u2youtube e a performance mediada por computador
title #u2youtube and computer mediated performance
spellingShingle #u2youtube and computer mediated performance
Sá, Simone Maria Andrade Pereira de
U2
YouTube
Twitter
performance
social networks
title_short #u2youtube and computer mediated performance
title_full #u2youtube and computer mediated performance
title_fullStr #u2youtube and computer mediated performance
title_full_unstemmed #u2youtube and computer mediated performance
title_sort #u2youtube and computer mediated performance
author Sá, Simone Maria Andrade Pereira de
author_facet Sá, Simone Maria Andrade Pereira de
Holzbach, Ariane Diniz
author_role author
author2 Holzbach, Ariane Diniz
author2_role author
dc.contributor.author.fl_str_mv Sá, Simone Maria Andrade Pereira de
Holzbach, Ariane Diniz
dc.subject.por.fl_str_mv U2
YouTube
Twitter
performance
social networks
topic U2
YouTube
Twitter
performance
social networks
description Starting from the premise that the notion of musical performance is the key factor for enjoying pop music, we discuss the role of the YouTube and Twitter platforms in the reconfiguration of this experience. To this end, we analyze the U2 concert broadcast on YouTube, which captured the largest audience of simultaneous access to the website, and its repercussions in real time on Twitter, based on which we seek to explore the notion of computer mediated performance. We will discuss the concept of performance starting from Simon Frith’s argument and extending the discussion to aspects not covered by the author, such as the central role of technological mediations in this process. Finally, we will discuss the characteristics of YouTube and Twitter, linking them to the discussion about the reconfiguration of the audience’s role based on participatory culture.
publishDate 2010
dc.date.none.fl_str_mv 2010-12-30
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.pucsp.br/index.php/galaxia/article/view/3429
url https://revistas.pucsp.br/index.php/galaxia/article/view/3429
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.pucsp.br/index.php/galaxia/article/view/3429/3294
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv PEPG COS-PUC-SP
publisher.none.fl_str_mv PEPG COS-PUC-SP
dc.source.none.fl_str_mv Galaxia; No. 20 (2010)
GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 20 (2010)
1982-2553
reponame:Galáxia (São Paulo)
instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron:PUC_SP
instname_str Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron_str PUC_SP
institution PUC_SP
reponame_str Galáxia (São Paulo)
collection Galáxia (São Paulo)
repository.name.fl_str_mv Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)
repository.mail.fl_str_mv cos@pucsp.br||aidarprado@gmail.com
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