A alegria e a tristeza : análise das expressões faciais na diligência do retrato
| Autor(a) principal: | |
|---|---|
| Data de Publicação: | 2016 |
| Tipo de documento: | Dissertação |
| Idioma: | por |
| Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
| Texto Completo: | http://hdl.handle.net/10451/34116 |
Resumo: | The manifestation of facial expression occurs in the first moments after birth. It is in this way that our inner self connects with the outside world for the first time and it is through this manifestation that we react and claim our status. Through Portraiture, Art translates the complicity of thought between the observation and the making of a human facial expression. The complicity of seeing the other, transforming them from the perspective of different disciplines and congregating an image “capable of breaking the boundaries of time and place”, as Pliny wrote. This study is focused mainly on the mechanisms present in the construction of a portrait, from its constructive and formal approach, establishing the basis for facial expression representation without relating the final results to any time or space references. Observing analytically the action of three variations of the expressions of Happiness and Sadness, this work identifies the face changes in three distinct views used in Portraiture and strives to replicate the results in two expression variations taken from the initial model´s drawing session |
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A alegria e a tristeza : análise das expressões faciais na diligência do retratoRetratoDesenhoExpressão facialFisiognomiaAlegriaTristezaAnatomia Artística (Especialização em Desenho Anatómico)The manifestation of facial expression occurs in the first moments after birth. It is in this way that our inner self connects with the outside world for the first time and it is through this manifestation that we react and claim our status. Through Portraiture, Art translates the complicity of thought between the observation and the making of a human facial expression. The complicity of seeing the other, transforming them from the perspective of different disciplines and congregating an image “capable of breaking the boundaries of time and place”, as Pliny wrote. This study is focused mainly on the mechanisms present in the construction of a portrait, from its constructive and formal approach, establishing the basis for facial expression representation without relating the final results to any time or space references. Observing analytically the action of three variations of the expressions of Happiness and Sadness, this work identifies the face changes in three distinct views used in Portraiture and strives to replicate the results in two expression variations taken from the initial model´s drawing sessionRamos, José Artur, 1966-Repositório da Universidade de LisboaMinderico, José Carlos Catraio, 1975-2018-07-05T14:57:54Z2016-05-062018-07-052016-05-06T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisimage/jpegapplication/pdfhttp://hdl.handle.net/10451/34116TID:201493012porinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-08T16:29:17Zoai:repositorio.ul.pt:10451/34116Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T21:48:55.728095Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
| dc.title.none.fl_str_mv |
A alegria e a tristeza : análise das expressões faciais na diligência do retrato |
| title |
A alegria e a tristeza : análise das expressões faciais na diligência do retrato |
| spellingShingle |
A alegria e a tristeza : análise das expressões faciais na diligência do retrato Minderico, José Carlos Catraio, 1975- Retrato Desenho Expressão facial Fisiognomia Alegria Tristeza Anatomia Artística (Especialização em Desenho Anatómico) |
| title_short |
A alegria e a tristeza : análise das expressões faciais na diligência do retrato |
| title_full |
A alegria e a tristeza : análise das expressões faciais na diligência do retrato |
| title_fullStr |
A alegria e a tristeza : análise das expressões faciais na diligência do retrato |
| title_full_unstemmed |
A alegria e a tristeza : análise das expressões faciais na diligência do retrato |
| title_sort |
A alegria e a tristeza : análise das expressões faciais na diligência do retrato |
| author |
Minderico, José Carlos Catraio, 1975- |
| author_facet |
Minderico, José Carlos Catraio, 1975- |
| author_role |
author |
| dc.contributor.none.fl_str_mv |
Ramos, José Artur, 1966- Repositório da Universidade de Lisboa |
| dc.contributor.author.fl_str_mv |
Minderico, José Carlos Catraio, 1975- |
| dc.subject.por.fl_str_mv |
Retrato Desenho Expressão facial Fisiognomia Alegria Tristeza Anatomia Artística (Especialização em Desenho Anatómico) |
| topic |
Retrato Desenho Expressão facial Fisiognomia Alegria Tristeza Anatomia Artística (Especialização em Desenho Anatómico) |
| description |
The manifestation of facial expression occurs in the first moments after birth. It is in this way that our inner self connects with the outside world for the first time and it is through this manifestation that we react and claim our status. Through Portraiture, Art translates the complicity of thought between the observation and the making of a human facial expression. The complicity of seeing the other, transforming them from the perspective of different disciplines and congregating an image “capable of breaking the boundaries of time and place”, as Pliny wrote. This study is focused mainly on the mechanisms present in the construction of a portrait, from its constructive and formal approach, establishing the basis for facial expression representation without relating the final results to any time or space references. Observing analytically the action of three variations of the expressions of Happiness and Sadness, this work identifies the face changes in three distinct views used in Portraiture and strives to replicate the results in two expression variations taken from the initial model´s drawing session |
| publishDate |
2016 |
| dc.date.none.fl_str_mv |
2016-05-06 2016-05-06T00:00:00Z 2018-07-05T14:57:54Z 2018-07-05 |
| dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
| dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
| format |
masterThesis |
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publishedVersion |
| dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10451/34116 TID:201493012 |
| url |
http://hdl.handle.net/10451/34116 |
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TID:201493012 |
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por |
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por |
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info:eu-repo/semantics/openAccess |
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openAccess |
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image/jpeg application/pdf |
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reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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