Roy Andersson: The Essence of the Complex Image

Detalhes bibliográficos
Autor(a) principal: Afonso, Pedro M.
Data de Publicação: 2021
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.34632/jsta.2021.9704
Resumo: The work of Roy Andersson, a Swedish auteur that turned its back to Realism and embraced Abstractionism, embodies one of the few truly defying and groundbreaking attitudes in modern Cinema: the denial of speed. The current essay focus on the methods through which he obtains this effect and the contribution of his body of work to the Aesthetics of Cinema.
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spelling Roy Andersson: The Essence of the Complex ImageThe work of Roy Andersson, a Swedish auteur that turned its back to Realism and embraced Abstractionism, embodies one of the few truly defying and groundbreaking attitudes in modern Cinema: the denial of speed. The current essay focus on the methods through which he obtains this effect and the contribution of his body of work to the Aesthetics of Cinema.Universidade Católica Portuguesa2021-04-05T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfvideo/mp4text/htmlhttps://doi.org/10.34632/jsta.2021.9704oai:ojs.revistas.ucp.pt:article/9704Journal of Science and Technology of the Arts; Vol 13 No 1 (2021): Audible (Art): The Invisible Connections Between Sound, Music, and Sound Art; 87-99Journal of Science and Technology of the Arts; v. 13 n. 1 (2021): Audible (Art): The Invisible Connections Between Sound, Music, and Sound Art; 87-992183-00881646-979810.34632/jsta.2021.13.1reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://revistas.ucp.pt/index.php/jsta/article/view/9704https://doi.org/10.34632/jsta.2021.9704https://revistas.ucp.pt/index.php/jsta/article/view/9704/9728https://revistas.ucp.pt/index.php/jsta/article/view/9704/9729https://revistas.ucp.pt/index.php/jsta/article/view/9704/9731Copyright (c) 2021 Pedro Miguel Afonsohttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessAfonso, Pedro M.2022-09-22T16:19:28Zoai:ojs.revistas.ucp.pt:article/9704Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T15:59:06.868281Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Roy Andersson: The Essence of the Complex Image
title Roy Andersson: The Essence of the Complex Image
spellingShingle Roy Andersson: The Essence of the Complex Image
Afonso, Pedro M.
title_short Roy Andersson: The Essence of the Complex Image
title_full Roy Andersson: The Essence of the Complex Image
title_fullStr Roy Andersson: The Essence of the Complex Image
title_full_unstemmed Roy Andersson: The Essence of the Complex Image
title_sort Roy Andersson: The Essence of the Complex Image
author Afonso, Pedro M.
author_facet Afonso, Pedro M.
author_role author
dc.contributor.author.fl_str_mv Afonso, Pedro M.
description The work of Roy Andersson, a Swedish auteur that turned its back to Realism and embraced Abstractionism, embodies one of the few truly defying and groundbreaking attitudes in modern Cinema: the denial of speed. The current essay focus on the methods through which he obtains this effect and the contribution of his body of work to the Aesthetics of Cinema.
publishDate 2021
dc.date.none.fl_str_mv 2021-04-05T00:00:00Z
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dc.type.driver.fl_str_mv info:eu-repo/semantics/article
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dc.identifier.uri.fl_str_mv https://doi.org/10.34632/jsta.2021.9704
oai:ojs.revistas.ucp.pt:article/9704
url https://doi.org/10.34632/jsta.2021.9704
identifier_str_mv oai:ojs.revistas.ucp.pt:article/9704
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://revistas.ucp.pt/index.php/jsta/article/view/9704
https://doi.org/10.34632/jsta.2021.9704
https://revistas.ucp.pt/index.php/jsta/article/view/9704/9728
https://revistas.ucp.pt/index.php/jsta/article/view/9704/9729
https://revistas.ucp.pt/index.php/jsta/article/view/9704/9731
dc.rights.driver.fl_str_mv Copyright (c) 2021 Pedro Miguel Afonso
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Pedro Miguel Afonso
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
video/mp4
text/html
dc.publisher.none.fl_str_mv Universidade Católica Portuguesa
publisher.none.fl_str_mv Universidade Católica Portuguesa
dc.source.none.fl_str_mv Journal of Science and Technology of the Arts; Vol 13 No 1 (2021): Audible (Art): The Invisible Connections Between Sound, Music, and Sound Art; 87-99
Journal of Science and Technology of the Arts; v. 13 n. 1 (2021): Audible (Art): The Invisible Connections Between Sound, Music, and Sound Art; 87-99
2183-0088
1646-9798
10.34632/jsta.2021.13.1
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