O corpo que come: comida, visualidade e turismo (Portugal, 1969-72)
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://ojs.letras.up.pt/index.php/tae/article/view/10007 |
Resumo: | This article explores the potential of a visual anthropology of tourism, by analysing a visual object that has been largely neglected in both cinema studies and visual anthropology: the tourism promotional film. The object of analysis is the film Portugal Desconhecido [Unknown Portugal] (1969), which was made for the campaign that the Secretariat of State for Information and Tourism (SEIT) and the Tourism Head Office launched under the slogan: “There is always an unknown Portugal waiting for you”. Both the campaign and the film are indebted to the Portuguese State’s change of attitude towards tourism. The article concentrates on a sequence of images from the film that stood out in the corpus viewed, which offers some openings or “illuminations” into the study of the relationship between food and visuality in the Portuguese tourism context of the late 1960s. |
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O corpo que come: comida, visualidade e turismo (Portugal, 1969-72)DOSSIÊ ENREDOS IBÉRICOS: COMIDAS, RITOS, POLÍTICAS DE PATRIMÓNIOThis article explores the potential of a visual anthropology of tourism, by analysing a visual object that has been largely neglected in both cinema studies and visual anthropology: the tourism promotional film. The object of analysis is the film Portugal Desconhecido [Unknown Portugal] (1969), which was made for the campaign that the Secretariat of State for Information and Tourism (SEIT) and the Tourism Head Office launched under the slogan: “There is always an unknown Portugal waiting for you”. Both the campaign and the film are indebted to the Portuguese State’s change of attitude towards tourism. The article concentrates on a sequence of images from the film that stood out in the corpus viewed, which offers some openings or “illuminations” into the study of the relationship between food and visuality in the Portuguese tourism context of the late 1960s.2020-11-13info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articlehttps://ojs.letras.up.pt/index.php/tae/article/view/10007porSampaio, Sofiainfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-10-12T07:46:03Zoai:ojs.letras.up.pt/ojs:article/10007Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T20:35:07.439256Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
O corpo que come: comida, visualidade e turismo (Portugal, 1969-72) |
title |
O corpo que come: comida, visualidade e turismo (Portugal, 1969-72) |
spellingShingle |
O corpo que come: comida, visualidade e turismo (Portugal, 1969-72) Sampaio, Sofia DOSSIÊ ENREDOS IBÉRICOS: COMIDAS, RITOS, POLÍTICAS DE PATRIMÓNIO |
title_short |
O corpo que come: comida, visualidade e turismo (Portugal, 1969-72) |
title_full |
O corpo que come: comida, visualidade e turismo (Portugal, 1969-72) |
title_fullStr |
O corpo que come: comida, visualidade e turismo (Portugal, 1969-72) |
title_full_unstemmed |
O corpo que come: comida, visualidade e turismo (Portugal, 1969-72) |
title_sort |
O corpo que come: comida, visualidade e turismo (Portugal, 1969-72) |
author |
Sampaio, Sofia |
author_facet |
Sampaio, Sofia |
author_role |
author |
dc.contributor.author.fl_str_mv |
Sampaio, Sofia |
dc.subject.por.fl_str_mv |
DOSSIÊ ENREDOS IBÉRICOS: COMIDAS, RITOS, POLÍTICAS DE PATRIMÓNIO |
topic |
DOSSIÊ ENREDOS IBÉRICOS: COMIDAS, RITOS, POLÍTICAS DE PATRIMÓNIO |
description |
This article explores the potential of a visual anthropology of tourism, by analysing a visual object that has been largely neglected in both cinema studies and visual anthropology: the tourism promotional film. The object of analysis is the film Portugal Desconhecido [Unknown Portugal] (1969), which was made for the campaign that the Secretariat of State for Information and Tourism (SEIT) and the Tourism Head Office launched under the slogan: “There is always an unknown Portugal waiting for you”. Both the campaign and the film are indebted to the Portuguese State’s change of attitude towards tourism. The article concentrates on a sequence of images from the film that stood out in the corpus viewed, which offers some openings or “illuminations” into the study of the relationship between food and visuality in the Portuguese tourism context of the late 1960s. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-11-13 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://ojs.letras.up.pt/index.php/tae/article/view/10007 |
url |
https://ojs.letras.up.pt/index.php/tae/article/view/10007 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.source.none.fl_str_mv |
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
instname_str |
Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
instacron_str |
RCAAP |
institution |
RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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1799133614438350848 |