O corpo que come: comida, visualidade e turismo (Portugal, 1969-72)

Detalhes bibliográficos
Autor(a) principal: Sampaio, Sofia
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://ojs.letras.up.pt/index.php/tae/article/view/10007
Resumo: This article explores the potential of a visual anthropology of tourism, by analysing a visual object that has been largely neglected in both cinema studies and visual anthropology: the tourism promotional film. The object of analysis is the film Portugal Desconhecido [Unknown Portugal] (1969), which was made for the campaign that the Secretariat of State for Information and Tourism (SEIT) and the Tourism Head Office launched under the slogan: “There is always an unknown Portugal waiting for you”. Both the campaign and the film are indebted to the Portuguese State’s change of attitude towards tourism. The article concentrates on a sequence of images from the film that stood out in the corpus viewed, which offers some openings or “illuminations” into the study of the relationship between food and visuality in the Portuguese tourism context of the late 1960s.
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spelling O corpo que come: comida, visualidade e turismo (Portugal, 1969-72)DOSSIÊ ENREDOS IBÉRICOS: COMIDAS, RITOS, POLÍTICAS DE PATRIMÓNIOThis article explores the potential of a visual anthropology of tourism, by analysing a visual object that has been largely neglected in both cinema studies and visual anthropology: the tourism promotional film. The object of analysis is the film Portugal Desconhecido [Unknown Portugal] (1969), which was made for the campaign that the Secretariat of State for Information and Tourism (SEIT) and the Tourism Head Office launched under the slogan: “There is always an unknown Portugal waiting for you”. Both the campaign and the film are indebted to the Portuguese State’s change of attitude towards tourism. The article concentrates on a sequence of images from the film that stood out in the corpus viewed, which offers some openings or “illuminations” into the study of the relationship between food and visuality in the Portuguese tourism context of the late 1960s.2020-11-13info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articlehttps://ojs.letras.up.pt/index.php/tae/article/view/10007porSampaio, Sofiainfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-10-12T07:46:03Zoai:ojs.letras.up.pt/ojs:article/10007Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T20:35:07.439256Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv O corpo que come: comida, visualidade e turismo (Portugal, 1969-72)
title O corpo que come: comida, visualidade e turismo (Portugal, 1969-72)
spellingShingle O corpo que come: comida, visualidade e turismo (Portugal, 1969-72)
Sampaio, Sofia
DOSSIÊ ENREDOS IBÉRICOS: COMIDAS, RITOS, POLÍTICAS DE PATRIMÓNIO
title_short O corpo que come: comida, visualidade e turismo (Portugal, 1969-72)
title_full O corpo que come: comida, visualidade e turismo (Portugal, 1969-72)
title_fullStr O corpo que come: comida, visualidade e turismo (Portugal, 1969-72)
title_full_unstemmed O corpo que come: comida, visualidade e turismo (Portugal, 1969-72)
title_sort O corpo que come: comida, visualidade e turismo (Portugal, 1969-72)
author Sampaio, Sofia
author_facet Sampaio, Sofia
author_role author
dc.contributor.author.fl_str_mv Sampaio, Sofia
dc.subject.por.fl_str_mv DOSSIÊ ENREDOS IBÉRICOS: COMIDAS, RITOS, POLÍTICAS DE PATRIMÓNIO
topic DOSSIÊ ENREDOS IBÉRICOS: COMIDAS, RITOS, POLÍTICAS DE PATRIMÓNIO
description This article explores the potential of a visual anthropology of tourism, by analysing a visual object that has been largely neglected in both cinema studies and visual anthropology: the tourism promotional film. The object of analysis is the film Portugal Desconhecido [Unknown Portugal] (1969), which was made for the campaign that the Secretariat of State for Information and Tourism (SEIT) and the Tourism Head Office launched under the slogan: “There is always an unknown Portugal waiting for you”. Both the campaign and the film are indebted to the Portuguese State’s change of attitude towards tourism. The article concentrates on a sequence of images from the film that stood out in the corpus viewed, which offers some openings or “illuminations” into the study of the relationship between food and visuality in the Portuguese tourism context of the late 1960s.
publishDate 2020
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