"Plantation Memories", Anastácia, Dandara, and Zumbi, the Slave Ship São José, and the Farms of São Tomé, Or Slavery, Colonialism, and Racism in the Work of Women Artists

Detalhes bibliográficos
Autor(a) principal: Oliveira, Ana Balona
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10362/111099
Resumo: UIDB/00417/2020 UIDP/00417/2020
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spelling "Plantation Memories", Anastácia, Dandara, and Zumbi, the Slave Ship São José, and the Farms of São Tomé, Or Slavery, Colonialism, and Racism in the Work of Women ArtistsGrada KilombaÂngela FerreiraEurídice Kala aka Zaituna KalaMeghna SinghMónica de Mirandaslaverycolonialismand racismwomen artistscontemporary artSDG 8 - Decent Work and Economic GrowthUIDB/00417/2020 UIDP/00417/2020In this essay, I examine the ways in which women artists – Grada Kilomba (Portugal, 1968), Ângela Ferreira (Mozambique, 1958), Eurídice Kala aka Zaituna Kala (Mozambique, 1987), Meghna Singh (India, 1981), and Mónica de Miranda (Portugal, 1976) – have critically addressed the history and memory of slavery and colonialism, as well as their contemporary legacies in the form of structural, institutional, and everyday racism in Portuguese society and beyond. They have done so with a critical focus on the pioneering and pervasive role of the Portuguese in the transatlantic trade of enslaved Africans to the Americas, and with an emphasis on the experience of black women. Their works require an analysis that is attentive to the history of the trade in the Indian Ocean, as well as to the continuities between slavery and forced labour after a merely formal abolition in the Portuguese colonial empire. They also call for an intersectional feminist reading, in their focus on race and gender, alongside class and sexuality. This essay reflects on the critical valences of contemporary art for a counter-hegemonic public memorialization of these silenced histories and their enduring legacies, in line with an idea of epistemic decolonization and systemic reparation.Instituto de História da Arte (IHA)RUNOliveira, Ana Balona2021-02-01T23:31:43Z20202020-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/article20application/pdfhttp://hdl.handle.net/10362/111099eng1646-5954PURE: 27486400https://doi.org/10.15847/obsOBS0001814info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2024-03-11T04:54:52Zoai:run.unl.pt:10362/111099Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T03:41:47.306663Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv "Plantation Memories", Anastácia, Dandara, and Zumbi, the Slave Ship São José, and the Farms of São Tomé, Or Slavery, Colonialism, and Racism in the Work of Women Artists
title "Plantation Memories", Anastácia, Dandara, and Zumbi, the Slave Ship São José, and the Farms of São Tomé, Or Slavery, Colonialism, and Racism in the Work of Women Artists
spellingShingle "Plantation Memories", Anastácia, Dandara, and Zumbi, the Slave Ship São José, and the Farms of São Tomé, Or Slavery, Colonialism, and Racism in the Work of Women Artists
Oliveira, Ana Balona
Grada Kilomba
Ângela Ferreira
Eurídice Kala aka Zaituna Kala
Meghna Singh
Mónica de Miranda
slavery
colonialism
and racism
women artists
contemporary art
SDG 8 - Decent Work and Economic Growth
title_short "Plantation Memories", Anastácia, Dandara, and Zumbi, the Slave Ship São José, and the Farms of São Tomé, Or Slavery, Colonialism, and Racism in the Work of Women Artists
title_full "Plantation Memories", Anastácia, Dandara, and Zumbi, the Slave Ship São José, and the Farms of São Tomé, Or Slavery, Colonialism, and Racism in the Work of Women Artists
title_fullStr "Plantation Memories", Anastácia, Dandara, and Zumbi, the Slave Ship São José, and the Farms of São Tomé, Or Slavery, Colonialism, and Racism in the Work of Women Artists
title_full_unstemmed "Plantation Memories", Anastácia, Dandara, and Zumbi, the Slave Ship São José, and the Farms of São Tomé, Or Slavery, Colonialism, and Racism in the Work of Women Artists
title_sort "Plantation Memories", Anastácia, Dandara, and Zumbi, the Slave Ship São José, and the Farms of São Tomé, Or Slavery, Colonialism, and Racism in the Work of Women Artists
author Oliveira, Ana Balona
author_facet Oliveira, Ana Balona
author_role author
dc.contributor.none.fl_str_mv Instituto de História da Arte (IHA)
RUN
dc.contributor.author.fl_str_mv Oliveira, Ana Balona
dc.subject.por.fl_str_mv Grada Kilomba
Ângela Ferreira
Eurídice Kala aka Zaituna Kala
Meghna Singh
Mónica de Miranda
slavery
colonialism
and racism
women artists
contemporary art
SDG 8 - Decent Work and Economic Growth
topic Grada Kilomba
Ângela Ferreira
Eurídice Kala aka Zaituna Kala
Meghna Singh
Mónica de Miranda
slavery
colonialism
and racism
women artists
contemporary art
SDG 8 - Decent Work and Economic Growth
description UIDB/00417/2020 UIDP/00417/2020
publishDate 2020
dc.date.none.fl_str_mv 2020
2020-01-01T00:00:00Z
2021-02-01T23:31:43Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://hdl.handle.net/10362/111099
url http://hdl.handle.net/10362/111099
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv 1646-5954
PURE: 27486400
https://doi.org/10.15847/obsOBS0001814
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv 20
application/pdf
dc.source.none.fl_str_mv reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron:RCAAP
instname_str Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron_str RCAAP
institution RCAAP
reponame_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
repository.mail.fl_str_mv
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