"Plantation Memories", Anastácia, Dandara, and Zumbi, the Slave Ship São José, and the Farms of São Tomé, Or Slavery, Colonialism, and Racism in the Work of Women Artists
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10362/111099 |
Resumo: | UIDB/00417/2020 UIDP/00417/2020 |
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"Plantation Memories", Anastácia, Dandara, and Zumbi, the Slave Ship São José, and the Farms of São Tomé, Or Slavery, Colonialism, and Racism in the Work of Women ArtistsGrada KilombaÂngela FerreiraEurídice Kala aka Zaituna KalaMeghna SinghMónica de Mirandaslaverycolonialismand racismwomen artistscontemporary artSDG 8 - Decent Work and Economic GrowthUIDB/00417/2020 UIDP/00417/2020In this essay, I examine the ways in which women artists – Grada Kilomba (Portugal, 1968), Ângela Ferreira (Mozambique, 1958), Eurídice Kala aka Zaituna Kala (Mozambique, 1987), Meghna Singh (India, 1981), and Mónica de Miranda (Portugal, 1976) – have critically addressed the history and memory of slavery and colonialism, as well as their contemporary legacies in the form of structural, institutional, and everyday racism in Portuguese society and beyond. They have done so with a critical focus on the pioneering and pervasive role of the Portuguese in the transatlantic trade of enslaved Africans to the Americas, and with an emphasis on the experience of black women. Their works require an analysis that is attentive to the history of the trade in the Indian Ocean, as well as to the continuities between slavery and forced labour after a merely formal abolition in the Portuguese colonial empire. They also call for an intersectional feminist reading, in their focus on race and gender, alongside class and sexuality. This essay reflects on the critical valences of contemporary art for a counter-hegemonic public memorialization of these silenced histories and their enduring legacies, in line with an idea of epistemic decolonization and systemic reparation.Instituto de História da Arte (IHA)RUNOliveira, Ana Balona2021-02-01T23:31:43Z20202020-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/article20application/pdfhttp://hdl.handle.net/10362/111099eng1646-5954PURE: 27486400https://doi.org/10.15847/obsOBS0001814info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2024-03-11T04:54:52Zoai:run.unl.pt:10362/111099Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T03:41:47.306663Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
"Plantation Memories", Anastácia, Dandara, and Zumbi, the Slave Ship São José, and the Farms of São Tomé, Or Slavery, Colonialism, and Racism in the Work of Women Artists |
title |
"Plantation Memories", Anastácia, Dandara, and Zumbi, the Slave Ship São José, and the Farms of São Tomé, Or Slavery, Colonialism, and Racism in the Work of Women Artists |
spellingShingle |
"Plantation Memories", Anastácia, Dandara, and Zumbi, the Slave Ship São José, and the Farms of São Tomé, Or Slavery, Colonialism, and Racism in the Work of Women Artists Oliveira, Ana Balona Grada Kilomba Ângela Ferreira Eurídice Kala aka Zaituna Kala Meghna Singh Mónica de Miranda slavery colonialism and racism women artists contemporary art SDG 8 - Decent Work and Economic Growth |
title_short |
"Plantation Memories", Anastácia, Dandara, and Zumbi, the Slave Ship São José, and the Farms of São Tomé, Or Slavery, Colonialism, and Racism in the Work of Women Artists |
title_full |
"Plantation Memories", Anastácia, Dandara, and Zumbi, the Slave Ship São José, and the Farms of São Tomé, Or Slavery, Colonialism, and Racism in the Work of Women Artists |
title_fullStr |
"Plantation Memories", Anastácia, Dandara, and Zumbi, the Slave Ship São José, and the Farms of São Tomé, Or Slavery, Colonialism, and Racism in the Work of Women Artists |
title_full_unstemmed |
"Plantation Memories", Anastácia, Dandara, and Zumbi, the Slave Ship São José, and the Farms of São Tomé, Or Slavery, Colonialism, and Racism in the Work of Women Artists |
title_sort |
"Plantation Memories", Anastácia, Dandara, and Zumbi, the Slave Ship São José, and the Farms of São Tomé, Or Slavery, Colonialism, and Racism in the Work of Women Artists |
author |
Oliveira, Ana Balona |
author_facet |
Oliveira, Ana Balona |
author_role |
author |
dc.contributor.none.fl_str_mv |
Instituto de História da Arte (IHA) RUN |
dc.contributor.author.fl_str_mv |
Oliveira, Ana Balona |
dc.subject.por.fl_str_mv |
Grada Kilomba Ângela Ferreira Eurídice Kala aka Zaituna Kala Meghna Singh Mónica de Miranda slavery colonialism and racism women artists contemporary art SDG 8 - Decent Work and Economic Growth |
topic |
Grada Kilomba Ângela Ferreira Eurídice Kala aka Zaituna Kala Meghna Singh Mónica de Miranda slavery colonialism and racism women artists contemporary art SDG 8 - Decent Work and Economic Growth |
description |
UIDB/00417/2020 UIDP/00417/2020 |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020 2020-01-01T00:00:00Z 2021-02-01T23:31:43Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10362/111099 |
url |
http://hdl.handle.net/10362/111099 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
1646-5954 PURE: 27486400 https://doi.org/10.15847/obsOBS0001814 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
20 application/pdf |
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reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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1799138030919876608 |