Proceedings of the V International Symposium on the Paradigms of Teaching Musical Instruments in the 21st Century
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Data de Publicação: | 2017 |
Tipo de documento: | Livro |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10362/46974 |
Resumo: | UID/EAT/00693/2013 |
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Proceedings of the V International Symposium on the Paradigms of Teaching Musical Instruments in the 21st CenturyEnsino do Instrumento MusicalMúsica e MusicologiaTeoria da MúsicaUID/EAT/00693/2013The STMI symposia series assumes the general principle of the influence of education in shaping personalities and aesthetic values. Thus, the relevance of these symposia lay exactly on the visible gap between the overall processes of teaching art and artistic production of today’s society. An obvious example of this is music itself, and in particular instrument education. Today, in the teaching processes of many music instruments, we still use techniques, methods and repertoire of over a century ago. In line of this, it is ‘forgotten’ almost all music production of the 20th century, as a well as not considering the present or envisage future instrument teaching. In order to contextualize these issues, and contribute to outline an instrument teaching panorama for the future, the V STMI aggregated research and discussed issues of music instrument teaching, covering three broad chronological periods: (1) an overview of the past; (2) the present; and (3) the future. Considering its international stance, V STMI had as keynote speaker Professor Jane Ginsborg of the Royal Northern College of Music in the UK, with a lecture entitled “Better Practice: Health promotion for music performance students”.GEGRAFECentro de Estudos de Sociologia e Estética Musical (CESEM - NOVA FCSH)RUNLopes, Eduardo2018-09-19T22:23:29Z20172017-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/book37application/pdfhttp://hdl.handle.net/10362/46974eng978-85-495-0104-2PURE: 5684575info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2024-03-11T04:24:37Zoai:run.unl.pt:10362/46974Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T03:32:02.525204Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Proceedings of the V International Symposium on the Paradigms of Teaching Musical Instruments in the 21st Century |
title |
Proceedings of the V International Symposium on the Paradigms of Teaching Musical Instruments in the 21st Century |
spellingShingle |
Proceedings of the V International Symposium on the Paradigms of Teaching Musical Instruments in the 21st Century Lopes, Eduardo Ensino do Instrumento Musical Música e Musicologia Teoria da Música |
title_short |
Proceedings of the V International Symposium on the Paradigms of Teaching Musical Instruments in the 21st Century |
title_full |
Proceedings of the V International Symposium on the Paradigms of Teaching Musical Instruments in the 21st Century |
title_fullStr |
Proceedings of the V International Symposium on the Paradigms of Teaching Musical Instruments in the 21st Century |
title_full_unstemmed |
Proceedings of the V International Symposium on the Paradigms of Teaching Musical Instruments in the 21st Century |
title_sort |
Proceedings of the V International Symposium on the Paradigms of Teaching Musical Instruments in the 21st Century |
author |
Lopes, Eduardo |
author_facet |
Lopes, Eduardo |
author_role |
author |
dc.contributor.none.fl_str_mv |
Centro de Estudos de Sociologia e Estética Musical (CESEM - NOVA FCSH) RUN |
dc.contributor.author.fl_str_mv |
Lopes, Eduardo |
dc.subject.por.fl_str_mv |
Ensino do Instrumento Musical Música e Musicologia Teoria da Música |
topic |
Ensino do Instrumento Musical Música e Musicologia Teoria da Música |
description |
UID/EAT/00693/2013 |
publishDate |
2017 |
dc.date.none.fl_str_mv |
2017 2017-01-01T00:00:00Z 2018-09-19T22:23:29Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/book |
format |
book |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10362/46974 |
url |
http://hdl.handle.net/10362/46974 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
978-85-495-0104-2 PURE: 5684575 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
37 application/pdf |
dc.publisher.none.fl_str_mv |
GEGRAFE |
publisher.none.fl_str_mv |
GEGRAFE |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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