Critics vs. audiences: The different opinions on the Marvel Cinematic Universe

Detalhes bibliográficos
Autor(a) principal: Milheiro, João Pedro Gaspar
Data de Publicação: 2023
Tipo de documento: Dissertação
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10071/31016
Resumo: This thesis delves into the persistent disparity between critics and audiences within the movie and TV industry. Focused on the "Marvel Cinematic Universe" Phase 4, comprising seventeen projects, including movies, TV shows, and special presentations, the study sought answers to three critical questions: Do audiences and critics exhibit varying opinions for distinct projects? Does audience sentiment shift across different platforms? What aspects do both groups prioritize when sharing their opinions? Extensive data collection and analysis revealed significant differences between audiences and critics in opinions, particularly concerning heroes, feelings, supporting characters, and miscellaneous aspects of the projects. Whereas the most that audiences disagreed with each other was in opinions regarding heroes. Moreover, the study identified distinct dimensions of disagreement, with "WandaVision" emerging as the project with the highest level of discrepancy either when comparing critics with audiences or audiences against each other. Regarding what each group considers more important when sharing their opinion, it is discovered that critics are more restrictive than audiences.
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spelling Critics vs. audiences: The different opinions on the Marvel Cinematic UniverseText miningMoviesCriticsAudiencesMarvel Cinematic UniverseMCUAnálise de sentimentos -- Sentiment analysisMineração de textoFilme -- FilmsCríticosAudiênciasUniverso Cinemático da MarvelUCMThis thesis delves into the persistent disparity between critics and audiences within the movie and TV industry. Focused on the "Marvel Cinematic Universe" Phase 4, comprising seventeen projects, including movies, TV shows, and special presentations, the study sought answers to three critical questions: Do audiences and critics exhibit varying opinions for distinct projects? Does audience sentiment shift across different platforms? What aspects do both groups prioritize when sharing their opinions? Extensive data collection and analysis revealed significant differences between audiences and critics in opinions, particularly concerning heroes, feelings, supporting characters, and miscellaneous aspects of the projects. Whereas the most that audiences disagreed with each other was in opinions regarding heroes. Moreover, the study identified distinct dimensions of disagreement, with "WandaVision" emerging as the project with the highest level of discrepancy either when comparing critics with audiences or audiences against each other. Regarding what each group considers more important when sharing their opinion, it is discovered that critics are more restrictive than audiences.Esta tese investiga a disparidade persistente entre críticos e público na indústria do cinema e da televisão e na indústria televisiva. Centrado na Fase 4 do "Universo Cinematográfico Marvel", que inclui dezassete projetos, incluindo filmes, programas de televisão e apresentações especiais, o estudo procurou responder a três questões críticas: O público e os críticos apresentam opiniões diferentes para projetos distintos? O sentimento do público muda consoante as diferentes plataformas? Que aspetos é que ambos os grupos dão prioridade quando partilham as suas opiniões? A recolha e análise exaustivas de dados revelaram revelou diferenças significativas entre as opiniões do público e dos críticos, particularmente no que respeita heróis, sentimentos, personagens de apoio e aspetos diversos dos projetos. Enquanto os que os públicos mais discordaram entre si foi nas opiniões relativas aos heróis. Para além disso, o estudo identificou dimensões distintas de desacordo, com "WandaVision" a emergir como o projeto com o maior nível de discrepância, quer quando se comparam os críticos com o público ou o público entre si. Relativamente ao que cada grupo considera mais importante quando partilhar a sua opinião, verifica-se que os críticos são mais restritivos do que as audiências.2024-02-14T16:09:59Z2023-12-14T00:00:00Z2023-12-142023-10info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisapplication/pdfhttp://hdl.handle.net/10071/31016TID:203483146engMilheiro, João Pedro Gasparinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2024-02-18T01:17:30Zoai:repositorio.iscte-iul.pt:10071/31016Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T02:38:41.493237Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Critics vs. audiences: The different opinions on the Marvel Cinematic Universe
title Critics vs. audiences: The different opinions on the Marvel Cinematic Universe
spellingShingle Critics vs. audiences: The different opinions on the Marvel Cinematic Universe
Milheiro, João Pedro Gaspar
Text mining
Movies
Critics
Audiences
Marvel Cinematic Universe
MCU
Análise de sentimentos -- Sentiment analysis
Mineração de texto
Filme -- Films
Críticos
Audiências
Universo Cinemático da Marvel
UCM
title_short Critics vs. audiences: The different opinions on the Marvel Cinematic Universe
title_full Critics vs. audiences: The different opinions on the Marvel Cinematic Universe
title_fullStr Critics vs. audiences: The different opinions on the Marvel Cinematic Universe
title_full_unstemmed Critics vs. audiences: The different opinions on the Marvel Cinematic Universe
title_sort Critics vs. audiences: The different opinions on the Marvel Cinematic Universe
author Milheiro, João Pedro Gaspar
author_facet Milheiro, João Pedro Gaspar
author_role author
dc.contributor.author.fl_str_mv Milheiro, João Pedro Gaspar
dc.subject.por.fl_str_mv Text mining
Movies
Critics
Audiences
Marvel Cinematic Universe
MCU
Análise de sentimentos -- Sentiment analysis
Mineração de texto
Filme -- Films
Críticos
Audiências
Universo Cinemático da Marvel
UCM
topic Text mining
Movies
Critics
Audiences
Marvel Cinematic Universe
MCU
Análise de sentimentos -- Sentiment analysis
Mineração de texto
Filme -- Films
Críticos
Audiências
Universo Cinemático da Marvel
UCM
description This thesis delves into the persistent disparity between critics and audiences within the movie and TV industry. Focused on the "Marvel Cinematic Universe" Phase 4, comprising seventeen projects, including movies, TV shows, and special presentations, the study sought answers to three critical questions: Do audiences and critics exhibit varying opinions for distinct projects? Does audience sentiment shift across different platforms? What aspects do both groups prioritize when sharing their opinions? Extensive data collection and analysis revealed significant differences between audiences and critics in opinions, particularly concerning heroes, feelings, supporting characters, and miscellaneous aspects of the projects. Whereas the most that audiences disagreed with each other was in opinions regarding heroes. Moreover, the study identified distinct dimensions of disagreement, with "WandaVision" emerging as the project with the highest level of discrepancy either when comparing critics with audiences or audiences against each other. Regarding what each group considers more important when sharing their opinion, it is discovered that critics are more restrictive than audiences.
publishDate 2023
dc.date.none.fl_str_mv 2023-12-14T00:00:00Z
2023-12-14
2023-10
2024-02-14T16:09:59Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
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dc.identifier.uri.fl_str_mv http://hdl.handle.net/10071/31016
TID:203483146
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dc.language.iso.fl_str_mv eng
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instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron:RCAAP
instname_str Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron_str RCAAP
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reponame_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
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