Critics vs. audiences: The different opinions on the Marvel Cinematic Universe
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Tipo de documento: | Dissertação |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10071/31016 |
Resumo: | This thesis delves into the persistent disparity between critics and audiences within the movie and TV industry. Focused on the "Marvel Cinematic Universe" Phase 4, comprising seventeen projects, including movies, TV shows, and special presentations, the study sought answers to three critical questions: Do audiences and critics exhibit varying opinions for distinct projects? Does audience sentiment shift across different platforms? What aspects do both groups prioritize when sharing their opinions? Extensive data collection and analysis revealed significant differences between audiences and critics in opinions, particularly concerning heroes, feelings, supporting characters, and miscellaneous aspects of the projects. Whereas the most that audiences disagreed with each other was in opinions regarding heroes. Moreover, the study identified distinct dimensions of disagreement, with "WandaVision" emerging as the project with the highest level of discrepancy either when comparing critics with audiences or audiences against each other. Regarding what each group considers more important when sharing their opinion, it is discovered that critics are more restrictive than audiences. |
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Critics vs. audiences: The different opinions on the Marvel Cinematic UniverseText miningMoviesCriticsAudiencesMarvel Cinematic UniverseMCUAnálise de sentimentos -- Sentiment analysisMineração de textoFilme -- FilmsCríticosAudiênciasUniverso Cinemático da MarvelUCMThis thesis delves into the persistent disparity between critics and audiences within the movie and TV industry. Focused on the "Marvel Cinematic Universe" Phase 4, comprising seventeen projects, including movies, TV shows, and special presentations, the study sought answers to three critical questions: Do audiences and critics exhibit varying opinions for distinct projects? Does audience sentiment shift across different platforms? What aspects do both groups prioritize when sharing their opinions? Extensive data collection and analysis revealed significant differences between audiences and critics in opinions, particularly concerning heroes, feelings, supporting characters, and miscellaneous aspects of the projects. Whereas the most that audiences disagreed with each other was in opinions regarding heroes. Moreover, the study identified distinct dimensions of disagreement, with "WandaVision" emerging as the project with the highest level of discrepancy either when comparing critics with audiences or audiences against each other. Regarding what each group considers more important when sharing their opinion, it is discovered that critics are more restrictive than audiences.Esta tese investiga a disparidade persistente entre críticos e público na indústria do cinema e da televisão e na indústria televisiva. Centrado na Fase 4 do "Universo Cinematográfico Marvel", que inclui dezassete projetos, incluindo filmes, programas de televisão e apresentações especiais, o estudo procurou responder a três questões críticas: O público e os críticos apresentam opiniões diferentes para projetos distintos? O sentimento do público muda consoante as diferentes plataformas? Que aspetos é que ambos os grupos dão prioridade quando partilham as suas opiniões? A recolha e análise exaustivas de dados revelaram revelou diferenças significativas entre as opiniões do público e dos críticos, particularmente no que respeita heróis, sentimentos, personagens de apoio e aspetos diversos dos projetos. Enquanto os que os públicos mais discordaram entre si foi nas opiniões relativas aos heróis. Para além disso, o estudo identificou dimensões distintas de desacordo, com "WandaVision" a emergir como o projeto com o maior nível de discrepância, quer quando se comparam os críticos com o público ou o público entre si. Relativamente ao que cada grupo considera mais importante quando partilhar a sua opinião, verifica-se que os críticos são mais restritivos do que as audiências.2024-02-14T16:09:59Z2023-12-14T00:00:00Z2023-12-142023-10info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisapplication/pdfhttp://hdl.handle.net/10071/31016TID:203483146engMilheiro, João Pedro Gasparinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2024-02-18T01:17:30Zoai:repositorio.iscte-iul.pt:10071/31016Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T02:38:41.493237Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Critics vs. audiences: The different opinions on the Marvel Cinematic Universe |
title |
Critics vs. audiences: The different opinions on the Marvel Cinematic Universe |
spellingShingle |
Critics vs. audiences: The different opinions on the Marvel Cinematic Universe Milheiro, João Pedro Gaspar Text mining Movies Critics Audiences Marvel Cinematic Universe MCU Análise de sentimentos -- Sentiment analysis Mineração de texto Filme -- Films Críticos Audiências Universo Cinemático da Marvel UCM |
title_short |
Critics vs. audiences: The different opinions on the Marvel Cinematic Universe |
title_full |
Critics vs. audiences: The different opinions on the Marvel Cinematic Universe |
title_fullStr |
Critics vs. audiences: The different opinions on the Marvel Cinematic Universe |
title_full_unstemmed |
Critics vs. audiences: The different opinions on the Marvel Cinematic Universe |
title_sort |
Critics vs. audiences: The different opinions on the Marvel Cinematic Universe |
author |
Milheiro, João Pedro Gaspar |
author_facet |
Milheiro, João Pedro Gaspar |
author_role |
author |
dc.contributor.author.fl_str_mv |
Milheiro, João Pedro Gaspar |
dc.subject.por.fl_str_mv |
Text mining Movies Critics Audiences Marvel Cinematic Universe MCU Análise de sentimentos -- Sentiment analysis Mineração de texto Filme -- Films Críticos Audiências Universo Cinemático da Marvel UCM |
topic |
Text mining Movies Critics Audiences Marvel Cinematic Universe MCU Análise de sentimentos -- Sentiment analysis Mineração de texto Filme -- Films Críticos Audiências Universo Cinemático da Marvel UCM |
description |
This thesis delves into the persistent disparity between critics and audiences within the movie and TV industry. Focused on the "Marvel Cinematic Universe" Phase 4, comprising seventeen projects, including movies, TV shows, and special presentations, the study sought answers to three critical questions: Do audiences and critics exhibit varying opinions for distinct projects? Does audience sentiment shift across different platforms? What aspects do both groups prioritize when sharing their opinions? Extensive data collection and analysis revealed significant differences between audiences and critics in opinions, particularly concerning heroes, feelings, supporting characters, and miscellaneous aspects of the projects. Whereas the most that audiences disagreed with each other was in opinions regarding heroes. Moreover, the study identified distinct dimensions of disagreement, with "WandaVision" emerging as the project with the highest level of discrepancy either when comparing critics with audiences or audiences against each other. Regarding what each group considers more important when sharing their opinion, it is discovered that critics are more restrictive than audiences. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-12-14T00:00:00Z 2023-12-14 2023-10 2024-02-14T16:09:59Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10071/31016 TID:203483146 |
url |
http://hdl.handle.net/10071/31016 |
identifier_str_mv |
TID:203483146 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
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openAccess |
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application/pdf |
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reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
institution |
RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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1799137437618798592 |