Reflections on Periodization: Contributions to a Cultural History of Madeira
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://ahm-abm.madeira.gov.pt/index.php/ahm/article/view/103 |
Resumo: | In two recent research projects – a 2018 entry on music for the Encyclopedic Dictionary of Madeira and a larger monograph, from 2021, on the History of Music of Madeira – I was confronted with the problem of writing a history of a rather extended temporal period: six centuries of musical activity in a given geographical space, the archipelago of Madeira.I then struggled with a concept, periodization, which had only a small role in my previous studies, where the longest period I had researched in a monograph was about a century.I then understood better Vitorino Magalhães Godinho when he stated that it was not «possible to settle without arbitrariness a division of the history of Portugal into periods» and that this «division into periods cannot be translated into precise dates».Faced with this problem of periodization, I resorted in the two above-mentioned projects to the proposal of the philosopher Karl Popper, inspired by the historian Lord Acton, that historians should study problems rather than periods.I then tried to structure the six centuries of music history in Madeira in several ways, trying, in a kind of trial and error and in a to-and-fro between research and writing, to define the main parts of the six centuries under study, around remarkable problems or technologies that triggered changes of great impact on Madeiran society and whose influence would last for long periods of time.The synthesis of all available information was complex and it would have been possible to structure the periodization in another way in both research projects. This synthesis is embodied in the periodization that I present in this article, which is only one proposal, among other possible ones, of exposition of facts and works that constitute the history of regional music and the contexts that characterized it, throughout six centuries. Keywords Periodization; History of Madeira; Music. |
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Reflections on Periodization: Contributions to a Cultural History of MadeiraReflexões sobre Periodização: Contributos para uma História Cultural da MadeiraIn two recent research projects – a 2018 entry on music for the Encyclopedic Dictionary of Madeira and a larger monograph, from 2021, on the History of Music of Madeira – I was confronted with the problem of writing a history of a rather extended temporal period: six centuries of musical activity in a given geographical space, the archipelago of Madeira.I then struggled with a concept, periodization, which had only a small role in my previous studies, where the longest period I had researched in a monograph was about a century.I then understood better Vitorino Magalhães Godinho when he stated that it was not «possible to settle without arbitrariness a division of the history of Portugal into periods» and that this «division into periods cannot be translated into precise dates».Faced with this problem of periodization, I resorted in the two above-mentioned projects to the proposal of the philosopher Karl Popper, inspired by the historian Lord Acton, that historians should study problems rather than periods.I then tried to structure the six centuries of music history in Madeira in several ways, trying, in a kind of trial and error and in a to-and-fro between research and writing, to define the main parts of the six centuries under study, around remarkable problems or technologies that triggered changes of great impact on Madeiran society and whose influence would last for long periods of time.The synthesis of all available information was complex and it would have been possible to structure the periodization in another way in both research projects. This synthesis is embodied in the periodization that I present in this article, which is only one proposal, among other possible ones, of exposition of facts and works that constitute the history of regional music and the contexts that characterized it, throughout six centuries. Keywords Periodization; History of Madeira; Music.Em dois projetos de investigação recentes – um verbete sobre música, de 2018, para o Dicionário Enciclopédico da Madeira e uma monografia mais alargada, de 2021, sobre a História da Música na Madeira – confrontei-me com o problema de redigir uma história de um período temporal bastante alargado: seis séculos de atividade musical num determinado espaço geográfico, o arquipélago da Madeira.Debati-me então com um conceito, a periodização, que tinha sido pouco central nos meus anteriores estudos, onde o período mais longo que tinha pesquisado numa monografia era de cerca de um século.Compreendi então com maior profundidade Vitorino Magalhães Godinho, quando este afirmou não ser «possível assentar sem arbitrariedade uma divisão da história de Portugal em períodos» e que esta «divisão em períodos não pode traduzir-se em datas precisas».Perante este problema da periodização, socorri-me nos dois projetos acima referidos da proposta do filósofo Karl Popper, inspirada no historiador Lord Acton, de que os historiadores deveriam estudar problemas de preferência a períodos.Experimentei então estruturar os seis séculos de história da música na Madeira de várias formas, procurando, numa espécie de tentativa e erro e num vaivém entre pesquisa e redação, definir as partes principais dos seis séculos em estudo, em torno de problemas marcantes ou tecnologias que espoletassem mudanças de grande impacto na sociedade madeirense e cuja influência se mantivesse durante largos períodos temporais.A síntese de toda a informação disponível foi complexa e teria sido possível estruturar a periodização de outro modo em ambos os projetos de investigação. Esta síntese corporiza-se na periodização que apresento neste artigo, que constitui somente uma proposta, entre outras possíveis, de exposição dos factos e das obras que constituem a história da música regional e dos contextos que a caracterizaram, ao longo de seis séculos. Palavras-chave Periodização; História da Madeira; Música.DRABM – Direção Regional do Arquivo e Biblioteca da Madeira2023-02-24info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://ahm-abm.madeira.gov.pt/index.php/ahm/article/view/103Arquivo Histórico da Madeira, Nova Série; No. 5 (2023); 53-72Arquivo Histórico da Madeira, Nova Série; N.º 5 (2023); 53-722184-5743reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPporhttps://ahm-abm.madeira.gov.pt/index.php/ahm/article/view/103https://ahm-abm.madeira.gov.pt/index.php/ahm/article/view/103/98Direitos de Autor (c) 2023 Arquivo Histórico da Madeira, Nova Sérieinfo:eu-repo/semantics/openAccessEsteireiro, Paulo2024-03-16T09:51:25Zoai::article/103Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T04:01:41.541643Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Reflections on Periodization: Contributions to a Cultural History of Madeira Reflexões sobre Periodização: Contributos para uma História Cultural da Madeira |
title |
Reflections on Periodization: Contributions to a Cultural History of Madeira |
spellingShingle |
Reflections on Periodization: Contributions to a Cultural History of Madeira Esteireiro, Paulo |
title_short |
Reflections on Periodization: Contributions to a Cultural History of Madeira |
title_full |
Reflections on Periodization: Contributions to a Cultural History of Madeira |
title_fullStr |
Reflections on Periodization: Contributions to a Cultural History of Madeira |
title_full_unstemmed |
Reflections on Periodization: Contributions to a Cultural History of Madeira |
title_sort |
Reflections on Periodization: Contributions to a Cultural History of Madeira |
author |
Esteireiro, Paulo |
author_facet |
Esteireiro, Paulo |
author_role |
author |
dc.contributor.author.fl_str_mv |
Esteireiro, Paulo |
description |
In two recent research projects – a 2018 entry on music for the Encyclopedic Dictionary of Madeira and a larger monograph, from 2021, on the History of Music of Madeira – I was confronted with the problem of writing a history of a rather extended temporal period: six centuries of musical activity in a given geographical space, the archipelago of Madeira.I then struggled with a concept, periodization, which had only a small role in my previous studies, where the longest period I had researched in a monograph was about a century.I then understood better Vitorino Magalhães Godinho when he stated that it was not «possible to settle without arbitrariness a division of the history of Portugal into periods» and that this «division into periods cannot be translated into precise dates».Faced with this problem of periodization, I resorted in the two above-mentioned projects to the proposal of the philosopher Karl Popper, inspired by the historian Lord Acton, that historians should study problems rather than periods.I then tried to structure the six centuries of music history in Madeira in several ways, trying, in a kind of trial and error and in a to-and-fro between research and writing, to define the main parts of the six centuries under study, around remarkable problems or technologies that triggered changes of great impact on Madeiran society and whose influence would last for long periods of time.The synthesis of all available information was complex and it would have been possible to structure the periodization in another way in both research projects. This synthesis is embodied in the periodization that I present in this article, which is only one proposal, among other possible ones, of exposition of facts and works that constitute the history of regional music and the contexts that characterized it, throughout six centuries. Keywords Periodization; History of Madeira; Music. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-02-24 |
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info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/article |
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article |
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publishedVersion |
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https://ahm-abm.madeira.gov.pt/index.php/ahm/article/view/103 |
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https://ahm-abm.madeira.gov.pt/index.php/ahm/article/view/103 |
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por |
language |
por |
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https://ahm-abm.madeira.gov.pt/index.php/ahm/article/view/103 https://ahm-abm.madeira.gov.pt/index.php/ahm/article/view/103/98 |
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Direitos de Autor (c) 2023 Arquivo Histórico da Madeira, Nova Série info:eu-repo/semantics/openAccess |
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Direitos de Autor (c) 2023 Arquivo Histórico da Madeira, Nova Série |
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openAccess |
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application/pdf |
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DRABM – Direção Regional do Arquivo e Biblioteca da Madeira |
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DRABM – Direção Regional do Arquivo e Biblioteca da Madeira |
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Arquivo Histórico da Madeira, Nova Série; No. 5 (2023); 53-72 Arquivo Histórico da Madeira, Nova Série; N.º 5 (2023); 53-72 2184-5743 reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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