Afro Re-Existence in the School Of Arts
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://doi.org/10.34632/jsta.2021.10005 |
Resumo: | This article adopts an ethnographic approach to describe a learning experience aimed at making visible the works of African and Afro-descendant artists among undergraduate Visual Arts students at Universidad Veracruzana (in Xalapa, Veracruz, Mexico). From a decolonial perspective, an analysis is conducted of how their knowledge has increased in terms of Africa and its diaspora, the contemporary art of African artists, the work of Afro-Mexican artists and the gaps in their education regarding knowledge of the African continent and the history of Afro-descendance in Mexico. Furthermore, an exploration is made of the terms in which they have reflected about how blackness is represented in art, the place occupied by Africa and its diaspora in their education and how they relate to the ethnic category “Afro-descendant” with which, in some cases, singular processes of Afro-Mexican ethnogenesis were triggered. |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Afro Re-Existence in the School Of ArtsThis article adopts an ethnographic approach to describe a learning experience aimed at making visible the works of African and Afro-descendant artists among undergraduate Visual Arts students at Universidad Veracruzana (in Xalapa, Veracruz, Mexico). From a decolonial perspective, an analysis is conducted of how their knowledge has increased in terms of Africa and its diaspora, the contemporary art of African artists, the work of Afro-Mexican artists and the gaps in their education regarding knowledge of the African continent and the history of Afro-descendance in Mexico. Furthermore, an exploration is made of the terms in which they have reflected about how blackness is represented in art, the place occupied by Africa and its diaspora in their education and how they relate to the ethnic category “Afro-descendant” with which, in some cases, singular processes of Afro-Mexican ethnogenesis were triggered.Universidade Católica Portuguesa2021-07-22T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.34632/jsta.2021.10005oai:ojs.revistas.ucp.pt:article/10005Journal of Science and Technology of the Arts; Vol 13 No 2 (2021): Critical Approaches Towards (A New) Arts Education; 38-56Journal of Science and Technology of the Arts; v. 13 n. 2 (2021): Critical Approaches Towards (A New) Arts Education; 38-562183-00881646-979810.34632/jsta.2021.13.2reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://revistas.ucp.pt/index.php/jsta/article/view/10005https://doi.org/10.34632/jsta.2021.10005https://revistas.ucp.pt/index.php/jsta/article/view/10005/9831Copyright (c) 2021 Rodrigo Zárate Moedano, Bruno Baronnethttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessZárate Moedano, RodrigoBaronnet, Bruno2022-09-22T16:19:29Zoai:ojs.revistas.ucp.pt:article/10005Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T15:59:07.640370Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Afro Re-Existence in the School Of Arts |
title |
Afro Re-Existence in the School Of Arts |
spellingShingle |
Afro Re-Existence in the School Of Arts Zárate Moedano, Rodrigo |
title_short |
Afro Re-Existence in the School Of Arts |
title_full |
Afro Re-Existence in the School Of Arts |
title_fullStr |
Afro Re-Existence in the School Of Arts |
title_full_unstemmed |
Afro Re-Existence in the School Of Arts |
title_sort |
Afro Re-Existence in the School Of Arts |
author |
Zárate Moedano, Rodrigo |
author_facet |
Zárate Moedano, Rodrigo Baronnet, Bruno |
author_role |
author |
author2 |
Baronnet, Bruno |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Zárate Moedano, Rodrigo Baronnet, Bruno |
description |
This article adopts an ethnographic approach to describe a learning experience aimed at making visible the works of African and Afro-descendant artists among undergraduate Visual Arts students at Universidad Veracruzana (in Xalapa, Veracruz, Mexico). From a decolonial perspective, an analysis is conducted of how their knowledge has increased in terms of Africa and its diaspora, the contemporary art of African artists, the work of Afro-Mexican artists and the gaps in their education regarding knowledge of the African continent and the history of Afro-descendance in Mexico. Furthermore, an exploration is made of the terms in which they have reflected about how blackness is represented in art, the place occupied by Africa and its diaspora in their education and how they relate to the ethnic category “Afro-descendant” with which, in some cases, singular processes of Afro-Mexican ethnogenesis were triggered. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-07-22T00:00:00Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://doi.org/10.34632/jsta.2021.10005 oai:ojs.revistas.ucp.pt:article/10005 |
url |
https://doi.org/10.34632/jsta.2021.10005 |
identifier_str_mv |
oai:ojs.revistas.ucp.pt:article/10005 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://revistas.ucp.pt/index.php/jsta/article/view/10005 https://doi.org/10.34632/jsta.2021.10005 https://revistas.ucp.pt/index.php/jsta/article/view/10005/9831 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2021 Rodrigo Zárate Moedano, Bruno Baronnet http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2021 Rodrigo Zárate Moedano, Bruno Baronnet http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Católica Portuguesa |
publisher.none.fl_str_mv |
Universidade Católica Portuguesa |
dc.source.none.fl_str_mv |
Journal of Science and Technology of the Arts; Vol 13 No 2 (2021): Critical Approaches Towards (A New) Arts Education; 38-56 Journal of Science and Technology of the Arts; v. 13 n. 2 (2021): Critical Approaches Towards (A New) Arts Education; 38-56 2183-0088 1646-9798 10.34632/jsta.2021.13.2 reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
instname_str |
Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
institution |
RCAAP |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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1799130458129170432 |