Major events that changed the instrumentalists’ performance
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Outros Autores: | , |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10400.2/12429 |
Resumo: | This article proposes to identify aesthetic currents and key events that affected music instrumentalists over the last 100 years - approximately - as well as to characterize new outcomes in music performance. The aesthetical, technical, and compositional evolution of music influenced and changed the traditional conception of the performance – that of a musician taking to the stage using only his instrument, performing an interpretation of a musical score, in a unidirectional relationship with the audience – to a multidisciplinary concept. This generalised evolution, brought new demands to the instrumentalists, who had to adapt and improve, practically autonomously. The increase of multidisciplinarity, fostered creativity, which in turn gave rise to new techniques, both in interpretation and in musical writing. In order to focus the article, it will be centred on traditional musical instruments players, and excludes instrumental music of oral and/or improvised tradition, as well as vocal interpreters. |
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Major events that changed the instrumentalists’ performanceInstrumentalistMultidisciplinaryMusicPerformanceDigital media artODS::04:Educação de QualidadeThis article proposes to identify aesthetic currents and key events that affected music instrumentalists over the last 100 years - approximately - as well as to characterize new outcomes in music performance. The aesthetical, technical, and compositional evolution of music influenced and changed the traditional conception of the performance – that of a musician taking to the stage using only his instrument, performing an interpretation of a musical score, in a unidirectional relationship with the audience – to a multidisciplinary concept. This generalised evolution, brought new demands to the instrumentalists, who had to adapt and improve, practically autonomously. The increase of multidisciplinarity, fostered creativity, which in turn gave rise to new techniques, both in interpretation and in musical writing. In order to focus the article, it will be centred on traditional musical instruments players, and excludes instrumental music of oral and/or improvised tradition, as well as vocal interpreters.Accademia Musicale Studio MusicaRepositório AbertoTravasso, RuiVeiga, Pedro Alves daGomes, José2022-10-28T11:24:25Z2022-012022-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10400.2/12429eng2612-2146https://doi.org/10.48293/IJMSTA-86info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-16T15:42:33Zoai:repositorioaberto.uab.pt:10400.2/12429Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T22:51:43.198092Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Major events that changed the instrumentalists’ performance |
title |
Major events that changed the instrumentalists’ performance |
spellingShingle |
Major events that changed the instrumentalists’ performance Travasso, Rui Instrumentalist Multidisciplinary Music Performance Digital media art ODS::04:Educação de Qualidade |
title_short |
Major events that changed the instrumentalists’ performance |
title_full |
Major events that changed the instrumentalists’ performance |
title_fullStr |
Major events that changed the instrumentalists’ performance |
title_full_unstemmed |
Major events that changed the instrumentalists’ performance |
title_sort |
Major events that changed the instrumentalists’ performance |
author |
Travasso, Rui |
author_facet |
Travasso, Rui Veiga, Pedro Alves da Gomes, José |
author_role |
author |
author2 |
Veiga, Pedro Alves da Gomes, José |
author2_role |
author author |
dc.contributor.none.fl_str_mv |
Repositório Aberto |
dc.contributor.author.fl_str_mv |
Travasso, Rui Veiga, Pedro Alves da Gomes, José |
dc.subject.por.fl_str_mv |
Instrumentalist Multidisciplinary Music Performance Digital media art ODS::04:Educação de Qualidade |
topic |
Instrumentalist Multidisciplinary Music Performance Digital media art ODS::04:Educação de Qualidade |
description |
This article proposes to identify aesthetic currents and key events that affected music instrumentalists over the last 100 years - approximately - as well as to characterize new outcomes in music performance. The aesthetical, technical, and compositional evolution of music influenced and changed the traditional conception of the performance – that of a musician taking to the stage using only his instrument, performing an interpretation of a musical score, in a unidirectional relationship with the audience – to a multidisciplinary concept. This generalised evolution, brought new demands to the instrumentalists, who had to adapt and improve, practically autonomously. The increase of multidisciplinarity, fostered creativity, which in turn gave rise to new techniques, both in interpretation and in musical writing. In order to focus the article, it will be centred on traditional musical instruments players, and excludes instrumental music of oral and/or improvised tradition, as well as vocal interpreters. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-10-28T11:24:25Z 2022-01 2022-01-01T00:00:00Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10400.2/12429 |
url |
http://hdl.handle.net/10400.2/12429 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
2612-2146 https://doi.org/10.48293/IJMSTA-86 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Accademia Musicale Studio Musica |
publisher.none.fl_str_mv |
Accademia Musicale Studio Musica |
dc.source.none.fl_str_mv |
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
instname_str |
Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
instacron_str |
RCAAP |
institution |
RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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1817553651950944256 |