Major events that changed the instrumentalists’ performance

Detalhes bibliográficos
Autor(a) principal: Travasso, Rui
Data de Publicação: 2022
Outros Autores: Veiga, Pedro Alves da, Gomes, José Alberto
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10400.14/37847
Resumo: This article proposes to identify aesthetic currents and key events that affected music instrumentalists over the last 100 years - approximately - as well as to characterize new outcomes in music performance. The aesthetical, technical, and compositional evolution of music influenced and changed the traditional conception of the performance – that of a musician taking to the stage using only his instrument, performing an interpretation of a musical score, in a unidirectional relationship with the audience – to a multidisciplinary concept. This generalised evolution, brought new demands to the instrumentalists, who had to adapt and improve, practically autonomously. The increase of multidisciplinarity, fostered creativity, which in turn gave rise to new techniques, both in interpretation and in musical writing. In order to focus the article, it will be centred on traditional musical instruments players, and excludes instrumental music of oral and/or improvised tradition, as well as vocal interpreters.
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spelling Major events that changed the instrumentalists’ performanceInstrumentalistMultidisciplinaryMusicPerformanceThis article proposes to identify aesthetic currents and key events that affected music instrumentalists over the last 100 years - approximately - as well as to characterize new outcomes in music performance. The aesthetical, technical, and compositional evolution of music influenced and changed the traditional conception of the performance – that of a musician taking to the stage using only his instrument, performing an interpretation of a musical score, in a unidirectional relationship with the audience – to a multidisciplinary concept. This generalised evolution, brought new demands to the instrumentalists, who had to adapt and improve, practically autonomously. The increase of multidisciplinarity, fostered creativity, which in turn gave rise to new techniques, both in interpretation and in musical writing. In order to focus the article, it will be centred on traditional musical instruments players, and excludes instrumental music of oral and/or improvised tradition, as well as vocal interpreters.Veritati - Repositório Institucional da Universidade Católica PortuguesaTravasso, RuiVeiga, Pedro Alves daGomes, José Alberto2022-06-07T15:20:28Z2022-05-312022-05-31T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10400.14/37847eng2612-2146info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-07-12T17:43:22Zoai:repositorio.ucp.pt:10400.14/37847Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T18:30:50.094274Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Major events that changed the instrumentalists’ performance
title Major events that changed the instrumentalists’ performance
spellingShingle Major events that changed the instrumentalists’ performance
Travasso, Rui
Instrumentalist
Multidisciplinary
Music
Performance
title_short Major events that changed the instrumentalists’ performance
title_full Major events that changed the instrumentalists’ performance
title_fullStr Major events that changed the instrumentalists’ performance
title_full_unstemmed Major events that changed the instrumentalists’ performance
title_sort Major events that changed the instrumentalists’ performance
author Travasso, Rui
author_facet Travasso, Rui
Veiga, Pedro Alves da
Gomes, José Alberto
author_role author
author2 Veiga, Pedro Alves da
Gomes, José Alberto
author2_role author
author
dc.contributor.none.fl_str_mv Veritati - Repositório Institucional da Universidade Católica Portuguesa
dc.contributor.author.fl_str_mv Travasso, Rui
Veiga, Pedro Alves da
Gomes, José Alberto
dc.subject.por.fl_str_mv Instrumentalist
Multidisciplinary
Music
Performance
topic Instrumentalist
Multidisciplinary
Music
Performance
description This article proposes to identify aesthetic currents and key events that affected music instrumentalists over the last 100 years - approximately - as well as to characterize new outcomes in music performance. The aesthetical, technical, and compositional evolution of music influenced and changed the traditional conception of the performance – that of a musician taking to the stage using only his instrument, performing an interpretation of a musical score, in a unidirectional relationship with the audience – to a multidisciplinary concept. This generalised evolution, brought new demands to the instrumentalists, who had to adapt and improve, practically autonomously. The increase of multidisciplinarity, fostered creativity, which in turn gave rise to new techniques, both in interpretation and in musical writing. In order to focus the article, it will be centred on traditional musical instruments players, and excludes instrumental music of oral and/or improvised tradition, as well as vocal interpreters.
publishDate 2022
dc.date.none.fl_str_mv 2022-06-07T15:20:28Z
2022-05-31
2022-05-31T00:00:00Z
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