ELECTROSONORO, ELECTROVISUAL

• Autor(a) principal: Costa, Marco António Pereira da
• Data de Publicação: 2006
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
• Texto Completo: http://hdl.handle.net/10216/7319
• topic: Imagem; Som; Digital; Computador; Audiovisual; Multimédia; Hipermédia; Aplicações; Image; Sound; Digital; Computer; Audiovisual; Multimedia; Hypermedia Applications; ARTE; Porto

Sound and image are, together with the growing useful of personal computers, important components of our communications world, interacting and inserting them self in the artistic and technician medium In a participative way, the digital medium s properties, make the audiovisual environment to expand. The generative, interactive and reactive characteristics, in a possible way to be applicable to sound and image, give us fields where the user joins in a unique and unrepeated way. The classical cinematographic audiovisual linearity, could be an pretext or the final result of the digital masterpiece. But this is not the goal of our research. In another way, we are up to reinforce the hypermedia sense and his abilities to create real time personal narratives in this medium. The conceptual and formal amplitude that, dynamic audiovisual environment creates, could be divided into several categories. By this way, we can examine the sound and image in his individual sense, and on how they influence or not, by their characteristics and properties, the other sensorial field. The electroimagesound.pt.vu project, come up with this questions, allowing an easy way to analise works that are good examples of this thematic. This approach helps us to understand the right that reactive applications have, to be an autonomous field in multimedia art scene.