Habitar o Cinema, Filmar a Arquitetura: os modos de ver arquitetura
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://hdl.handle.net/10216/131642 |
Resumo: | This dissertation focuses on the cinematography of Wes Anderson's cinema and investigates its relationship with architecture. Cinema is an art that, due to its current easy access, opens doors to countless possibilities of use that allow identifying, knowing, imagining and testing architecture. Wes Anderson a filmmaker who is very attached to architecture and its composition themes. This dissertation aims to establish a relationship between architecture and cinema, not only in the measures of understanding the space and its composition themes, but also in the personal experience of the spectator by including it in the film space through the filming techniques. It investigates the idea of representation of architecture and the concept of living in both areas. This dissertation aims to contribute to the information and disciplinary discussion of these topics. |
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Habitar o Cinema, Filmar a Arquitetura: os modos de ver arquiteturaArtesArtsThis dissertation focuses on the cinematography of Wes Anderson's cinema and investigates its relationship with architecture. Cinema is an art that, due to its current easy access, opens doors to countless possibilities of use that allow identifying, knowing, imagining and testing architecture. Wes Anderson a filmmaker who is very attached to architecture and its composition themes. This dissertation aims to establish a relationship between architecture and cinema, not only in the measures of understanding the space and its composition themes, but also in the personal experience of the spectator by including it in the film space through the filming techniques. It investigates the idea of representation of architecture and the concept of living in both areas. This dissertation aims to contribute to the information and disciplinary discussion of these topics.2020-12-142020-12-14T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisapplication/pdfhttps://hdl.handle.net/10216/131642TID:202630838porBárbara Oliveira Santosinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-29T13:10:45Zoai:repositorio-aberto.up.pt:10216/131642Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T23:35:10.345405Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Habitar o Cinema, Filmar a Arquitetura: os modos de ver arquitetura |
title |
Habitar o Cinema, Filmar a Arquitetura: os modos de ver arquitetura |
spellingShingle |
Habitar o Cinema, Filmar a Arquitetura: os modos de ver arquitetura Bárbara Oliveira Santos Artes Arts |
title_short |
Habitar o Cinema, Filmar a Arquitetura: os modos de ver arquitetura |
title_full |
Habitar o Cinema, Filmar a Arquitetura: os modos de ver arquitetura |
title_fullStr |
Habitar o Cinema, Filmar a Arquitetura: os modos de ver arquitetura |
title_full_unstemmed |
Habitar o Cinema, Filmar a Arquitetura: os modos de ver arquitetura |
title_sort |
Habitar o Cinema, Filmar a Arquitetura: os modos de ver arquitetura |
author |
Bárbara Oliveira Santos |
author_facet |
Bárbara Oliveira Santos |
author_role |
author |
dc.contributor.author.fl_str_mv |
Bárbara Oliveira Santos |
dc.subject.por.fl_str_mv |
Artes Arts |
topic |
Artes Arts |
description |
This dissertation focuses on the cinematography of Wes Anderson's cinema and investigates its relationship with architecture. Cinema is an art that, due to its current easy access, opens doors to countless possibilities of use that allow identifying, knowing, imagining and testing architecture. Wes Anderson a filmmaker who is very attached to architecture and its composition themes. This dissertation aims to establish a relationship between architecture and cinema, not only in the measures of understanding the space and its composition themes, but also in the personal experience of the spectator by including it in the film space through the filming techniques. It investigates the idea of representation of architecture and the concept of living in both areas. This dissertation aims to contribute to the information and disciplinary discussion of these topics. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-12-14 2020-12-14T00:00:00Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
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masterThesis |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://hdl.handle.net/10216/131642 TID:202630838 |
url |
https://hdl.handle.net/10216/131642 |
identifier_str_mv |
TID:202630838 |
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por |
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por |
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info:eu-repo/semantics/openAccess |
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openAccess |
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application/pdf |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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