“Mirror, Mirror on the wall / Who is the freest of them all?”: portrayals of princesses in Grimms’ fairy tales and contemporary children’s literature
Autor(a) principal: | |
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Data de Publicação: | 2013 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10400.2/4376 |
Resumo: | The Brothers Grimms’ Kinder-und Hausmärchen seems to have promoted patriarchal bourgeois values as part of the socialization process in the nineteenth century, modelling children’s gender identity and behaviour over time. Taking into account, under the hegemonic representations of gender, that female identity becomes associated with a set of values and behaviours, this article presents an analysis of some portrayals of princesses in contemporary children’s literature published in Portugal, by relating those portrayals with two well-known Grimms’ fairy tales: “Little Snow-White” and “Little Briar-Rose”. Our aim is to find out in what ways those images of princesses of the twenty-first century are substantially different from those conveyed by Grimms’ fairy tales, analysing their emancipatory potential. Finally, we wish to apprehend which ideologies underpin those portrayals and to verify if they effectively lead to a new world vision by depicting women as real free human beings. |
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“Mirror, Mirror on the wall / Who is the freest of them all?”: portrayals of princesses in Grimms’ fairy tales and contemporary children’s literatureEspelho meu, espelho meu, há alguém mais livre do que eu?”: retratos de princesas nos contos dos irmãos Grimm e na literatura contemporânea para criançasContos de fadasLiteratura infantilPapéis sociaisGéneroPrincesasFairy talesChildren’s literatureSocial rolesGendre identityPrincessesThe Brothers Grimms’ Kinder-und Hausmärchen seems to have promoted patriarchal bourgeois values as part of the socialization process in the nineteenth century, modelling children’s gender identity and behaviour over time. Taking into account, under the hegemonic representations of gender, that female identity becomes associated with a set of values and behaviours, this article presents an analysis of some portrayals of princesses in contemporary children’s literature published in Portugal, by relating those portrayals with two well-known Grimms’ fairy tales: “Little Snow-White” and “Little Briar-Rose”. Our aim is to find out in what ways those images of princesses of the twenty-first century are substantially different from those conveyed by Grimms’ fairy tales, analysing their emancipatory potential. Finally, we wish to apprehend which ideologies underpin those portrayals and to verify if they effectively lead to a new world vision by depicting women as real free human beings.Os Contos da Criança e do Lar, dos Irmãos Grimm, parecem ter estado ao serviço da promoção de valores patriarcais e da socialização das crianças, modelando a sua identidade e comportamento ao longo dos tempos. Considerando que, no âmbito das representações hegemónicas de género, a identidade feminina surge associada a um conjunto de valores e condutas, visa-se analisar as representações de princesas em alguns contos de potencial recepção infantil, relacionando esses retratos com as protagonistas de dois dos contos mais conhecidos dos Grimm: “Branca de Neve” e “A Bela Adormecida”. O nosso objectivo principal é descobrir de que forma essas figurações de princesas do século XXI são substancialmente diferentes das transmitidas pelos contos de fadas, analisando o seu potencial emancipatório. Finalmente, pretende-se compreender quais as ideologias que sustentam essas representações e verificar se estas efectivamente veiculam uma nova visão de mundo, representando as mulheres como seres humanos verdadeiramente livres.Red de Universidades LectorasRepositório AbertoTomé, Maria da ConceiçãoBastos, Glória2015-06-22T11:20:55Z2013-122013-12-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10400.2/4376engTomé, Maria da Conceição; Bastos, Glória - “Mirror, Mirror on the wall / Who Is the Freest of Them All?”: portrayals of Princesses in Grimms’ Fairy Tales and Contemporary Children’s Literature. "Álabe [Em linh] : revista de la red de universidades lectoras". ISSN 2171-9624. Vol. 8 (diciembre 2013). p. 1-122171-9624http://dx.doi.org/10.15645%2FAlabe.2013.8.5info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-16T15:19:18Zoai:repositorioaberto.uab.pt:10400.2/4376Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T22:45:03.040879Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
“Mirror, Mirror on the wall / Who is the freest of them all?”: portrayals of princesses in Grimms’ fairy tales and contemporary children’s literature Espelho meu, espelho meu, há alguém mais livre do que eu?”: retratos de princesas nos contos dos irmãos Grimm e na literatura contemporânea para crianças |
title |
“Mirror, Mirror on the wall / Who is the freest of them all?”: portrayals of princesses in Grimms’ fairy tales and contemporary children’s literature |
spellingShingle |
“Mirror, Mirror on the wall / Who is the freest of them all?”: portrayals of princesses in Grimms’ fairy tales and contemporary children’s literature Tomé, Maria da Conceição Contos de fadas Literatura infantil Papéis sociais Género Princesas Fairy tales Children’s literature Social roles Gendre identity Princesses |
title_short |
“Mirror, Mirror on the wall / Who is the freest of them all?”: portrayals of princesses in Grimms’ fairy tales and contemporary children’s literature |
title_full |
“Mirror, Mirror on the wall / Who is the freest of them all?”: portrayals of princesses in Grimms’ fairy tales and contemporary children’s literature |
title_fullStr |
“Mirror, Mirror on the wall / Who is the freest of them all?”: portrayals of princesses in Grimms’ fairy tales and contemporary children’s literature |
title_full_unstemmed |
“Mirror, Mirror on the wall / Who is the freest of them all?”: portrayals of princesses in Grimms’ fairy tales and contemporary children’s literature |
title_sort |
“Mirror, Mirror on the wall / Who is the freest of them all?”: portrayals of princesses in Grimms’ fairy tales and contemporary children’s literature |
author |
Tomé, Maria da Conceição |
author_facet |
Tomé, Maria da Conceição Bastos, Glória |
author_role |
author |
author2 |
Bastos, Glória |
author2_role |
author |
dc.contributor.none.fl_str_mv |
Repositório Aberto |
dc.contributor.author.fl_str_mv |
Tomé, Maria da Conceição Bastos, Glória |
dc.subject.por.fl_str_mv |
Contos de fadas Literatura infantil Papéis sociais Género Princesas Fairy tales Children’s literature Social roles Gendre identity Princesses |
topic |
Contos de fadas Literatura infantil Papéis sociais Género Princesas Fairy tales Children’s literature Social roles Gendre identity Princesses |
description |
The Brothers Grimms’ Kinder-und Hausmärchen seems to have promoted patriarchal bourgeois values as part of the socialization process in the nineteenth century, modelling children’s gender identity and behaviour over time. Taking into account, under the hegemonic representations of gender, that female identity becomes associated with a set of values and behaviours, this article presents an analysis of some portrayals of princesses in contemporary children’s literature published in Portugal, by relating those portrayals with two well-known Grimms’ fairy tales: “Little Snow-White” and “Little Briar-Rose”. Our aim is to find out in what ways those images of princesses of the twenty-first century are substantially different from those conveyed by Grimms’ fairy tales, analysing their emancipatory potential. Finally, we wish to apprehend which ideologies underpin those portrayals and to verify if they effectively lead to a new world vision by depicting women as real free human beings. |
publishDate |
2013 |
dc.date.none.fl_str_mv |
2013-12 2013-12-01T00:00:00Z 2015-06-22T11:20:55Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10400.2/4376 |
url |
http://hdl.handle.net/10400.2/4376 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
Tomé, Maria da Conceição; Bastos, Glória - “Mirror, Mirror on the wall / Who Is the Freest of Them All?”: portrayals of Princesses in Grimms’ Fairy Tales and Contemporary Children’s Literature. "Álabe [Em linh] : revista de la red de universidades lectoras". ISSN 2171-9624. Vol. 8 (diciembre 2013). p. 1-12 2171-9624 http://dx.doi.org/10.15645%2FAlabe.2013.8.5 |
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info:eu-repo/semantics/openAccess |
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openAccess |
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application/pdf |
dc.publisher.none.fl_str_mv |
Red de Universidades Lectoras |
publisher.none.fl_str_mv |
Red de Universidades Lectoras |
dc.source.none.fl_str_mv |
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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