The role of art curators in contemporary art and photography

Detalhes bibliográficos
Autor(a) principal: Lamoureux, Loan Marie
Data de Publicação: 2017
Tipo de documento: Dissertação
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10400.14/27022
Resumo: The following dissertation will focus on the social role of art curators within our society along with the evolution of the concept of “Museum” since the beginning of the 20th century. This research paper is based on my experience as an art curator and production assistant for the company Cinq Etoiles Production on exhibitions such as Pernod Ricard’s art campaign MINDSET, Médecins du Monde’s Mise Au Poing exhibition or Vichy Portrait(s). This internship gave me insights into the organization of a cultural and artistic show, its mission and the skills and the resources required to conduct it successfully. Indeed, evolving in the field of exhibitions’ organization and especially photography made me reflect upon the way people “use” museums and exhibitions and to what extend Art is essential for society. More than presenting the work of artists for their aesthetical values, an exhibition can raise awareness about issues, open debates on different subjects and enables us to project ourselves forwards. Besides, museums serve as vectors of knowledge about our history, or culture and other values and identities. Therefore, I began to realize that the most important changes in society were due to artists and intellectuals who promoted open-mindedness, multiculturalism, and alternative thinking. I wanted to understand how museums that were long reserved for a small fraction of our society became able to address larger audience and educate the public opinion. We will see during this research that just like any significant evolution of society, the democratization of art and culture under all its forms had to overcome many obstacles over the decades. We will also reflect upon the concept of “Museums” as art laboratory and places of social interactions, why it should be politically-engaged and how to involve the community in the process to achieve change within our society.
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spelling The role of art curators in contemporary art and photographyArtCultureCuratingExhibitionMuseumCuratorEthicalPoliticsSocietyModern ArtVideoPhotographyLightScenographyInnovativeManagementDomínio/Área Científica::Humanidades::ArtesThe following dissertation will focus on the social role of art curators within our society along with the evolution of the concept of “Museum” since the beginning of the 20th century. This research paper is based on my experience as an art curator and production assistant for the company Cinq Etoiles Production on exhibitions such as Pernod Ricard’s art campaign MINDSET, Médecins du Monde’s Mise Au Poing exhibition or Vichy Portrait(s). This internship gave me insights into the organization of a cultural and artistic show, its mission and the skills and the resources required to conduct it successfully. Indeed, evolving in the field of exhibitions’ organization and especially photography made me reflect upon the way people “use” museums and exhibitions and to what extend Art is essential for society. More than presenting the work of artists for their aesthetical values, an exhibition can raise awareness about issues, open debates on different subjects and enables us to project ourselves forwards. Besides, museums serve as vectors of knowledge about our history, or culture and other values and identities. Therefore, I began to realize that the most important changes in society were due to artists and intellectuals who promoted open-mindedness, multiculturalism, and alternative thinking. I wanted to understand how museums that were long reserved for a small fraction of our society became able to address larger audience and educate the public opinion. We will see during this research that just like any significant evolution of society, the democratization of art and culture under all its forms had to overcome many obstacles over the decades. We will also reflect upon the concept of “Museums” as art laboratory and places of social interactions, why it should be politically-engaged and how to involve the community in the process to achieve change within our society.Barba, Maria Luísa Homem Leal de Faria GeraldesVeritati - Repositório Institucional da Universidade Católica PortuguesaLamoureux, Loan Marie2019-02-27T16:48:29Z2018-04-2420172018-04-24T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisapplication/pdfhttp://hdl.handle.net/10400.14/27022TID:202178820enginfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-07-12T17:32:31Zoai:repositorio.ucp.pt:10400.14/27022Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T18:21:36.854074Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv The role of art curators in contemporary art and photography
title The role of art curators in contemporary art and photography
spellingShingle The role of art curators in contemporary art and photography
Lamoureux, Loan Marie
Art
Culture
Curating
Exhibition
Museum
Curator
Ethical
Politics
Society
Modern Art
Video
Photography
Light
Scenography
Innovative
Management
Domínio/Área Científica::Humanidades::Artes
title_short The role of art curators in contemporary art and photography
title_full The role of art curators in contemporary art and photography
title_fullStr The role of art curators in contemporary art and photography
title_full_unstemmed The role of art curators in contemporary art and photography
title_sort The role of art curators in contemporary art and photography
author Lamoureux, Loan Marie
author_facet Lamoureux, Loan Marie
author_role author
dc.contributor.none.fl_str_mv Barba, Maria Luísa Homem Leal de Faria Geraldes
Veritati - Repositório Institucional da Universidade Católica Portuguesa
dc.contributor.author.fl_str_mv Lamoureux, Loan Marie
dc.subject.por.fl_str_mv Art
Culture
Curating
Exhibition
Museum
Curator
Ethical
Politics
Society
Modern Art
Video
Photography
Light
Scenography
Innovative
Management
Domínio/Área Científica::Humanidades::Artes
topic Art
Culture
Curating
Exhibition
Museum
Curator
Ethical
Politics
Society
Modern Art
Video
Photography
Light
Scenography
Innovative
Management
Domínio/Área Científica::Humanidades::Artes
description The following dissertation will focus on the social role of art curators within our society along with the evolution of the concept of “Museum” since the beginning of the 20th century. This research paper is based on my experience as an art curator and production assistant for the company Cinq Etoiles Production on exhibitions such as Pernod Ricard’s art campaign MINDSET, Médecins du Monde’s Mise Au Poing exhibition or Vichy Portrait(s). This internship gave me insights into the organization of a cultural and artistic show, its mission and the skills and the resources required to conduct it successfully. Indeed, evolving in the field of exhibitions’ organization and especially photography made me reflect upon the way people “use” museums and exhibitions and to what extend Art is essential for society. More than presenting the work of artists for their aesthetical values, an exhibition can raise awareness about issues, open debates on different subjects and enables us to project ourselves forwards. Besides, museums serve as vectors of knowledge about our history, or culture and other values and identities. Therefore, I began to realize that the most important changes in society were due to artists and intellectuals who promoted open-mindedness, multiculturalism, and alternative thinking. I wanted to understand how museums that were long reserved for a small fraction of our society became able to address larger audience and educate the public opinion. We will see during this research that just like any significant evolution of society, the democratization of art and culture under all its forms had to overcome many obstacles over the decades. We will also reflect upon the concept of “Museums” as art laboratory and places of social interactions, why it should be politically-engaged and how to involve the community in the process to achieve change within our society.
publishDate 2017
dc.date.none.fl_str_mv 2017
2018-04-24
2018-04-24T00:00:00Z
2019-02-27T16:48:29Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
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dc.identifier.uri.fl_str_mv http://hdl.handle.net/10400.14/27022
TID:202178820
url http://hdl.handle.net/10400.14/27022
identifier_str_mv TID:202178820
dc.language.iso.fl_str_mv eng
language eng
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dc.format.none.fl_str_mv application/pdf
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instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron:RCAAP
instname_str Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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institution RCAAP
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repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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