A Tradução da Mandinga: processo de reinterpretação da capoeira em São Paulo durante a ditadura militar
Autor(a) principal: | |
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Data de Publicação: | 2018 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFSCAR |
Texto Completo: | https://repositorio.ufscar.br/handle/ufscar/10235 |
Resumo: | Capoeira is a cultural / sports practice that carries various elements of African diasporic experience in Brazilian society, and constitutes a field of dispute where different struggles that divide the Brazilian society are played. In orality, musicality and corporeality, it is characterized as a black popular culture that responds to the various historical moments. The research aims to understand the reinterpretations that emerged in the São Paulo capoeira from 1964 to 1978, when the masters reinterpreted the practice as a Brazilian martial art. These creations decisively influenced the projection of capoeira, with its presentation at the Festival of Black Arts in Dakar - Senegal in 1966; his recognition as a national sport in 1972 and; the creation of the Paulista Federation of Capoeira in 1974. The qualitative dissertation, using oral history as the main research tool, developed participant observations and open interviews with the masters of capoeira identified as relevant in the process approached. Based on the African Diaspora Studies, Cultural Studies and Postcolonial Studies, the analysis aims to study the identity processes of the cut-off period, with a radical historicization. Also used were works on capoeira, military dictatorship, documents, videos and photos to assist in the historical reconstruction of the period. The work shows that the leaderships, crossed by the practice of capoeira and the process of migration, reinsert their social condition when translating capoeira as a sport in the cut out period. This movement resulted in a field of convergence, culminating in the organization of capoeira as a trade, with championships and theatrical spectacles, permeated by political alliances. These alliances, loaded with ritual reinterpretations and Cultural Translation of Bahian capoeira, will place a tension between the identity constructions of Brazilian society in the historical period cut. These identities, disputed and played inside the capoeira, will result in the emergence of the Capoeira denominated Contemporary. |
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Batalha, Ettore SchimidSilvério, Valter Robertohttp://lattes.cnpq.br/9421231847055027http://lattes.cnpq.br/154277534833631618eb1568-167f-4f7c-a981-29688ac265242018-07-02T18:35:01Z2018-07-02T18:35:01Z2018-04-05BATALHA, Ettore Schimid. A Tradução da Mandinga: processo de reinterpretação da capoeira em São Paulo durante a ditadura militar. 2018. Dissertação (Mestrado em Sociologia) – Universidade Federal de São Carlos, São Carlos, 2018. Disponível em: https://repositorio.ufscar.br/handle/ufscar/10235.https://repositorio.ufscar.br/handle/ufscar/10235Capoeira is a cultural / sports practice that carries various elements of African diasporic experience in Brazilian society, and constitutes a field of dispute where different struggles that divide the Brazilian society are played. In orality, musicality and corporeality, it is characterized as a black popular culture that responds to the various historical moments. The research aims to understand the reinterpretations that emerged in the São Paulo capoeira from 1964 to 1978, when the masters reinterpreted the practice as a Brazilian martial art. These creations decisively influenced the projection of capoeira, with its presentation at the Festival of Black Arts in Dakar - Senegal in 1966; his recognition as a national sport in 1972 and; the creation of the Paulista Federation of Capoeira in 1974. The qualitative dissertation, using oral history as the main research tool, developed participant observations and open interviews with the masters of capoeira identified as relevant in the process approached. Based on the African Diaspora Studies, Cultural Studies and Postcolonial Studies, the analysis aims to study the identity processes of the cut-off period, with a radical historicization. Also used were works on capoeira, military dictatorship, documents, videos and photos to assist in the historical reconstruction of the period. The work shows that the leaderships, crossed by the practice of capoeira and the process of migration, reinsert their social condition when translating capoeira as a sport in the cut out period. This movement resulted in a field of convergence, culminating in the organization of capoeira as a trade, with championships and theatrical spectacles, permeated by political alliances. These alliances, loaded with ritual reinterpretations and Cultural Translation of Bahian capoeira, will place a tension between the identity constructions of Brazilian society in the historical period cut. These identities, disputed and played inside the capoeira, will result in the emergence of the Capoeira denominated Contemporary.A capoeira é uma prática cultural/desportiva que carrega variados elementos da experiência diaspórica africana na sociedade brasileira, e constitui um campo de disputa onde diferentes lutas que dividem a sociedade brasileira são jogadas. Na oralidade, musicalidade e corporeidade, ela se caracteriza como cultura popular negra que responde aos diversos momentos históricos. A pesquisa visa compreender as reinterpretações que surgiram na capoeira paulistana no período de 1964 a 1978, quando a prática foi reinterpretada como arte marcial brasileira pelos mestres. Tais criações influenciaram decisivamente na projeção da capoeira, com sua apresentação no Festival de Artes Negras, em Dakar - Senegal, em 1966; seu reconhecimento como desporto nacional em 1972 e; a criação da Federação Paulista de Capoeira, em 1974. A dissertação, de metodologia qualitativa, utilizando a História Oral como principal ferramenta de pesquisa, desenvolveu observações participantes e entrevistas abertas com os mestres de capoeira identificados como relevantes no processo abordado. Com base nos Estudos sobre a Diáspora Africana, Estudos Culturais e Estudos Pós-Coloniais, a análise visa estudar os processos identitários do período recortado, com uma historicização radical. Também foram utilizadas obras sobre capoeira, ditadura militar, documentos, vídeos e fotos para auxiliar na reconstrução histórica do período. O trabalho demonstra que as lideranças, atravessadas pela prática da capoeira e pelo processo de migração, reinscrevem sua condição social ao traduzir a capoeira como esporte no período recortado. Tal movimento resultou em um campo de convergência, culminando na organização da capoeira como ofício, com viagens internacionais, campeonatos e espetáculos teatrais, permeados por alianças políticas. Essas alianças, carregadas de reinterpretações rituais e Tradução Cultural da capoeira baiana, situará uma tensão entre as construções identitárias da sociedade brasileira no período histórico recortado. Essas identidades, disputadas e jogadas no interior da capoeira, resultarão no surgimento da capoeira denominada Contemporânea.Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)CAPES: 1590798porUniversidade Federal de São CarlosCâmpus São CarlosPrograma de Pós-Graduação em Sociologia - PPGSUFSCarCapoeiraDiásporaTradução culturalEsportizaçãoDitaduraAfrican diasporaCultural translationSportivizationDictatorshipCIENCIAS HUMANAS::ANTROPOLOGIACIENCIAS HUMANAS::HISTORIACIENCIAS HUMANAS::SOCIOLOGIAA Tradução da Mandinga: processo de reinterpretação da capoeira em São Paulo durante a ditadura militarThe Translation of Mandinga:process of reinterpretation of capoeira in São Paulo during the military dictatorshipinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisOnline600600dbebda85-2c7b-4624-b3a7-25453b1c223dinfo:eu-repo/semantics/openAccessreponame:Repositório Institucional da UFSCARinstname:Universidade Federal de São Carlos (UFSCAR)instacron:UFSCARLICENSElicense.txtlicense.txttext/plain; charset=utf-81957https://repositorio.ufscar.br/bitstream/ufscar/10235/6/license.txtae0398b6f8b235e40ad82cba6c50031dMD56ORIGINALBATALHA_Ettore_2018.pdfBATALHA_Ettore_2018.pdfapplication/pdf1764172https://repositorio.ufscar.br/bitstream/ufscar/10235/7/BATALHA_Ettore_2018.pdf8493920f507d68f8534d5880ca7e1cc9MD57TEXTBATALHA_Ettore_2018.pdf.txtBATALHA_Ettore_2018.pdf.txtExtracted texttext/plain426835https://repositorio.ufscar.br/bitstream/ufscar/10235/8/BATALHA_Ettore_2018.pdf.txt364b484a45b76e5b3de2fd77aa5a4387MD58THUMBNAILBATALHA_Ettore_2018.pdf.jpgBATALHA_Ettore_2018.pdf.jpgIM Thumbnailimage/jpeg5255https://repositorio.ufscar.br/bitstream/ufscar/10235/9/BATALHA_Ettore_2018.pdf.jpg109399e0ccdce4f0e8ab7535362415fbMD59ufscar/102352023-09-18 18:31:15.663oai:repositorio.ufscar.br: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Repositório InstitucionalPUBhttps://repositorio.ufscar.br/oai/requestopendoar:43222023-09-18T18:31:15Repositório Institucional da UFSCAR - Universidade Federal de São Carlos (UFSCAR)false |
dc.title.por.fl_str_mv |
A Tradução da Mandinga: processo de reinterpretação da capoeira em São Paulo durante a ditadura militar |
dc.title.alternative.eng.fl_str_mv |
The Translation of Mandinga:process of reinterpretation of capoeira in São Paulo during the military dictatorship |
title |
A Tradução da Mandinga: processo de reinterpretação da capoeira em São Paulo durante a ditadura militar |
spellingShingle |
A Tradução da Mandinga: processo de reinterpretação da capoeira em São Paulo durante a ditadura militar Batalha, Ettore Schimid Capoeira Diáspora Tradução cultural Esportização Ditadura African diaspora Cultural translation Sportivization Dictatorship CIENCIAS HUMANAS::ANTROPOLOGIA CIENCIAS HUMANAS::HISTORIA CIENCIAS HUMANAS::SOCIOLOGIA |
title_short |
A Tradução da Mandinga: processo de reinterpretação da capoeira em São Paulo durante a ditadura militar |
title_full |
A Tradução da Mandinga: processo de reinterpretação da capoeira em São Paulo durante a ditadura militar |
title_fullStr |
A Tradução da Mandinga: processo de reinterpretação da capoeira em São Paulo durante a ditadura militar |
title_full_unstemmed |
A Tradução da Mandinga: processo de reinterpretação da capoeira em São Paulo durante a ditadura militar |
title_sort |
A Tradução da Mandinga: processo de reinterpretação da capoeira em São Paulo durante a ditadura militar |
author |
Batalha, Ettore Schimid |
author_facet |
Batalha, Ettore Schimid |
author_role |
author |
dc.contributor.authorlattes.por.fl_str_mv |
http://lattes.cnpq.br/1542775348336316 |
dc.contributor.author.fl_str_mv |
Batalha, Ettore Schimid |
dc.contributor.advisor1.fl_str_mv |
Silvério, Valter Roberto |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/9421231847055027 |
dc.contributor.authorID.fl_str_mv |
18eb1568-167f-4f7c-a981-29688ac26524 |
contributor_str_mv |
Silvério, Valter Roberto |
dc.subject.por.fl_str_mv |
Capoeira Diáspora Tradução cultural Esportização Ditadura |
topic |
Capoeira Diáspora Tradução cultural Esportização Ditadura African diaspora Cultural translation Sportivization Dictatorship CIENCIAS HUMANAS::ANTROPOLOGIA CIENCIAS HUMANAS::HISTORIA CIENCIAS HUMANAS::SOCIOLOGIA |
dc.subject.eng.fl_str_mv |
African diaspora Cultural translation Sportivization Dictatorship |
dc.subject.cnpq.fl_str_mv |
CIENCIAS HUMANAS::ANTROPOLOGIA CIENCIAS HUMANAS::HISTORIA CIENCIAS HUMANAS::SOCIOLOGIA |
description |
Capoeira is a cultural / sports practice that carries various elements of African diasporic experience in Brazilian society, and constitutes a field of dispute where different struggles that divide the Brazilian society are played. In orality, musicality and corporeality, it is characterized as a black popular culture that responds to the various historical moments. The research aims to understand the reinterpretations that emerged in the São Paulo capoeira from 1964 to 1978, when the masters reinterpreted the practice as a Brazilian martial art. These creations decisively influenced the projection of capoeira, with its presentation at the Festival of Black Arts in Dakar - Senegal in 1966; his recognition as a national sport in 1972 and; the creation of the Paulista Federation of Capoeira in 1974. The qualitative dissertation, using oral history as the main research tool, developed participant observations and open interviews with the masters of capoeira identified as relevant in the process approached. Based on the African Diaspora Studies, Cultural Studies and Postcolonial Studies, the analysis aims to study the identity processes of the cut-off period, with a radical historicization. Also used were works on capoeira, military dictatorship, documents, videos and photos to assist in the historical reconstruction of the period. The work shows that the leaderships, crossed by the practice of capoeira and the process of migration, reinsert their social condition when translating capoeira as a sport in the cut out period. This movement resulted in a field of convergence, culminating in the organization of capoeira as a trade, with championships and theatrical spectacles, permeated by political alliances. These alliances, loaded with ritual reinterpretations and Cultural Translation of Bahian capoeira, will place a tension between the identity constructions of Brazilian society in the historical period cut. These identities, disputed and played inside the capoeira, will result in the emergence of the Capoeira denominated Contemporary. |
publishDate |
2018 |
dc.date.accessioned.fl_str_mv |
2018-07-02T18:35:01Z |
dc.date.available.fl_str_mv |
2018-07-02T18:35:01Z |
dc.date.issued.fl_str_mv |
2018-04-05 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
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masterThesis |
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publishedVersion |
dc.identifier.citation.fl_str_mv |
BATALHA, Ettore Schimid. A Tradução da Mandinga: processo de reinterpretação da capoeira em São Paulo durante a ditadura militar. 2018. Dissertação (Mestrado em Sociologia) – Universidade Federal de São Carlos, São Carlos, 2018. Disponível em: https://repositorio.ufscar.br/handle/ufscar/10235. |
dc.identifier.uri.fl_str_mv |
https://repositorio.ufscar.br/handle/ufscar/10235 |
identifier_str_mv |
BATALHA, Ettore Schimid. A Tradução da Mandinga: processo de reinterpretação da capoeira em São Paulo durante a ditadura militar. 2018. Dissertação (Mestrado em Sociologia) – Universidade Federal de São Carlos, São Carlos, 2018. Disponível em: https://repositorio.ufscar.br/handle/ufscar/10235. |
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https://repositorio.ufscar.br/handle/ufscar/10235 |
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openAccess |
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Universidade Federal de São Carlos Câmpus São Carlos |
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Programa de Pós-Graduação em Sociologia - PPGS |
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UFSCar |
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Universidade Federal de São Carlos Câmpus São Carlos |
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