It’s Angola or Regional? Capoeira Styles as Aesthetics of the African Diaspora

Detalhes bibliográficos
Autor(a) principal: Batalha, Ettore Schimid
Data de Publicação: 2023
Tipo de documento: Artigo
Idioma: por
Título da fonte: Em Tese (Florianópolis)
Texto Completo: https://periodicos.ufsc.br/index.php/emtese/article/view/83616
Resumo: This article intends to visualize the reinscription of capoeira in modernity, establishing capoeira styles as Afro-diasporic aesthetic constructions. From the analysis of characteristics arising from the ways of playing capoeira, under the prism of the main concepts of Diaspora studies and Post-Colonial theory, we will demonstrate how capoeira developed under the names Angola and Regional, with its authors, masters Pastinha and Bimba, leading their national and transnational projections. Such styles, and their creators, were responsible for modifying the condition of capoeira in the 20th century, and traced its development from diasporic pedagogies that defined it in the field of black popular culture at the same time in which it was translated as an element of national identity for its policy of recognition.
id UFSC-25_c8a958a5929cc85d3cc6a3d6f61e92b6
oai_identifier_str oai:periodicos.ufsc.br:article/83616
network_acronym_str UFSC-25
network_name_str Em Tese (Florianópolis)
repository_id_str
spelling It’s Angola or Regional? Capoeira Styles as Aesthetics of the African DiasporaÉ Angola ou Regional? Os Estilos de Capoeira como Estéticas da Diáspora AfricanaCapoeiraDiásporaEstiloPolíticaEstéticaCapoeiraDiasporaStylePolicyAestheticThis article intends to visualize the reinscription of capoeira in modernity, establishing capoeira styles as Afro-diasporic aesthetic constructions. From the analysis of characteristics arising from the ways of playing capoeira, under the prism of the main concepts of Diaspora studies and Post-Colonial theory, we will demonstrate how capoeira developed under the names Angola and Regional, with its authors, masters Pastinha and Bimba, leading their national and transnational projections. Such styles, and their creators, were responsible for modifying the condition of capoeira in the 20th century, and traced its development from diasporic pedagogies that defined it in the field of black popular culture at the same time in which it was translated as an element of national identity for its policy of recognition.O presente artigo pretende visualizar a reinscrição da capoeira na modernidade, estabelecendo os estilos de capoeira como construções estéticas afro-diaspóricas. A partir da análise das características provenientes das formas de se jogar capoeira, sob o prisma dos principais conceitos dos estudos da Diáspora e da teoria Pós-Colonial, demonstraremos como a capoeira se desenvolveu sob os nomes Angola e Regional, com seus autores, mestres Pastinha e Bimba, protagonizando suas projeções nacionais e transnacionais.Tais estilos, e seus criadores, foram responsáveis por modificar a condição da capoeira no século XX, e traçaram seu desenvolvimento a partir de pedagogias diaspóricas que a definiam no campo da cultura popular negra ao mesmo tempo em que traduzia-se como elemento de identidade nacional para sua política de reconhecimento.  Universidade Federal de Santa Catarina2023-02-14info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsc.br/index.php/emtese/article/view/8361610.5007/1806-5023.2022.e83616Em Tese; v. 19 n. 02 (2022): Seção especial "Estudos sociais de inovação"; 156-1781806-5023reponame:Em Tese (Florianópolis)instname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCporhttps://periodicos.ufsc.br/index.php/emtese/article/view/83616/52608http://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessBatalha, Ettore Schimid 2023-02-14T14:34:22Zoai:periodicos.ufsc.br:article/83616Revistahttps://periodicos.ufsc.br/index.php/emtese/PUBhttps://periodicos.ufsc.br/index.php/emtese/oaiportaldeperiodicos.bu@contato.ufsc.br||revistaemtese@gmail.com1806-50231806-5023opendoar:2023-02-14T14:34:22Em Tese (Florianópolis) - Universidade Federal de Santa Catarina (UFSC)false
dc.title.none.fl_str_mv It’s Angola or Regional? Capoeira Styles as Aesthetics of the African Diaspora
É Angola ou Regional? Os Estilos de Capoeira como Estéticas da Diáspora Africana
title It’s Angola or Regional? Capoeira Styles as Aesthetics of the African Diaspora
spellingShingle It’s Angola or Regional? Capoeira Styles as Aesthetics of the African Diaspora
Batalha, Ettore Schimid
Capoeira
Diáspora
Estilo
Política
Estética
Capoeira
Diaspora
Style
Policy
Aesthetic
title_short It’s Angola or Regional? Capoeira Styles as Aesthetics of the African Diaspora
title_full It’s Angola or Regional? Capoeira Styles as Aesthetics of the African Diaspora
title_fullStr It’s Angola or Regional? Capoeira Styles as Aesthetics of the African Diaspora
title_full_unstemmed It’s Angola or Regional? Capoeira Styles as Aesthetics of the African Diaspora
title_sort It’s Angola or Regional? Capoeira Styles as Aesthetics of the African Diaspora
author Batalha, Ettore Schimid
author_facet Batalha, Ettore Schimid
author_role author
dc.contributor.author.fl_str_mv Batalha, Ettore Schimid
dc.subject.por.fl_str_mv Capoeira
Diáspora
Estilo
Política
Estética
Capoeira
Diaspora
Style
Policy
Aesthetic
topic Capoeira
Diáspora
Estilo
Política
Estética
Capoeira
Diaspora
Style
Policy
Aesthetic
description This article intends to visualize the reinscription of capoeira in modernity, establishing capoeira styles as Afro-diasporic aesthetic constructions. From the analysis of characteristics arising from the ways of playing capoeira, under the prism of the main concepts of Diaspora studies and Post-Colonial theory, we will demonstrate how capoeira developed under the names Angola and Regional, with its authors, masters Pastinha and Bimba, leading their national and transnational projections. Such styles, and their creators, were responsible for modifying the condition of capoeira in the 20th century, and traced its development from diasporic pedagogies that defined it in the field of black popular culture at the same time in which it was translated as an element of national identity for its policy of recognition.
publishDate 2023
dc.date.none.fl_str_mv 2023-02-14
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufsc.br/index.php/emtese/article/view/83616
10.5007/1806-5023.2022.e83616
url https://periodicos.ufsc.br/index.php/emtese/article/view/83616
identifier_str_mv 10.5007/1806-5023.2022.e83616
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufsc.br/index.php/emtese/article/view/83616/52608
dc.rights.driver.fl_str_mv http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Santa Catarina
publisher.none.fl_str_mv Universidade Federal de Santa Catarina
dc.source.none.fl_str_mv Em Tese; v. 19 n. 02 (2022): Seção especial "Estudos sociais de inovação"; 156-178
1806-5023
reponame:Em Tese (Florianópolis)
instname:Universidade Federal de Santa Catarina (UFSC)
instacron:UFSC
instname_str Universidade Federal de Santa Catarina (UFSC)
instacron_str UFSC
institution UFSC
reponame_str Em Tese (Florianópolis)
collection Em Tese (Florianópolis)
repository.name.fl_str_mv Em Tese (Florianópolis) - Universidade Federal de Santa Catarina (UFSC)
repository.mail.fl_str_mv portaldeperiodicos.bu@contato.ufsc.br||revistaemtese@gmail.com
_version_ 1797239878097829888

Registros relacionados