Speeches to the mirror: limits and violations of the institutional monologue

Detalhes bibliográficos
Autor(a) principal: Trentin, Maurício Penteado
Data de Publicação: 2014
Tipo de documento: Artigo
Idioma: por
Título da fonte: Palíndromo (Online)
Texto Completo: https://www.revistas.udesc.br/index.php/palindromo/article/view/2175234606112014130
Resumo: An essay on the limits of contempo- rary curatorial practice, about control and speech strategies on the contemporary art circuits, and the possible alienation from its original object. Is it possible that such an interesting notion as the understanding of curation as co-creation (or co-produc- tion) turns to be the speech of a curatorial practice used as an instrument of its own agenda? Can curatorial work, by crossing its desirable limits, to become corrosive to the art? Structures that are necessarily born from dialogic practices, in an effort of self-sufficiency, would tend to control aesthetic poetic projects, or worse, would tend to the production of their own future objects of analysis?
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spelling Speeches to the mirror: limits and violations of the institutional monologueDiscursos para o espelho: limites e transgressões do monólogo institucionalcuradria praticas curatorias arte contemporâneadiscursos institucionaislimites curatorshipcuratorial practicescontemporary artinstitutional speecheslimitsAn essay on the limits of contempo- rary curatorial practice, about control and speech strategies on the contemporary art circuits, and the possible alienation from its original object. Is it possible that such an interesting notion as the understanding of curation as co-creation (or co-produc- tion) turns to be the speech of a curatorial practice used as an instrument of its own agenda? Can curatorial work, by crossing its desirable limits, to become corrosive to the art? Structures that are necessarily born from dialogic practices, in an effort of self-sufficiency, would tend to control aesthetic poetic projects, or worse, would tend to the production of their own future objects of analysis?Um ensaio sobre os limites da prática curatorial contemporânea, suas estratégias de controle e discurso e sua possível alienação em relação a seu objeto original. É possível que uma noção tão interessante como a compreensão da curadoria como cocriação (ou coprodução) passe a ser o discurso da prática instrumentalizada de uma curadoria com agenda própria? Pode a curadoria, atravessando seus limites desejáveis, se tornar corrosiva para a arte? Estruturas que obrigatoriamente nascem de práticas dialógicas, em um esforço de autossuficiência, tenderiam ao controle de discursos estéticos, ou pior, à produção própria de seus objetos futuros de análise?  Universidade do Estado de Santa Catarina2014-07-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/palindromo/article/view/217523460611201413010.5965/2175234606112014130Palíndromo; Vol. 6 No. 11 (2014): Palíndromo nº11; 130 - 144Palíndromo; v. 6 n. 11 (2014): Palíndromo nº11; 130 - 1442175-23461984-9532reponame:Palíndromo (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/palindromo/article/view/2175234606112014130/3687Copyright (c) 2014 Maurício Penteado Trentinhttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessTrentin, Maurício Penteado2023-03-24T14:37:35Zoai:ojs.revistas.udesc.br:article/4706Revistahttps://www.revistas.udesc.br/index.php/palindromoPUBhttps://www.revistas.udesc.br/index.php/palindromo/oaipalindromorevista@gmail.com || revistapalindromo@udesc.br2175-23461984-9532opendoar:2023-03-24T14:37:35Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)false
dc.title.none.fl_str_mv Speeches to the mirror: limits and violations of the institutional monologue
Discursos para o espelho: limites e transgressões do monólogo institucional
title Speeches to the mirror: limits and violations of the institutional monologue
spellingShingle Speeches to the mirror: limits and violations of the institutional monologue
Trentin, Maurício Penteado
curadria
praticas curatorias
arte contemporânea
discursos institucionais
limites
curatorship
curatorial practices
contemporary art
institutional speeches
limits
title_short Speeches to the mirror: limits and violations of the institutional monologue
title_full Speeches to the mirror: limits and violations of the institutional monologue
title_fullStr Speeches to the mirror: limits and violations of the institutional monologue
title_full_unstemmed Speeches to the mirror: limits and violations of the institutional monologue
title_sort Speeches to the mirror: limits and violations of the institutional monologue
author Trentin, Maurício Penteado
author_facet Trentin, Maurício Penteado
author_role author
dc.contributor.author.fl_str_mv Trentin, Maurício Penteado
dc.subject.por.fl_str_mv curadria
praticas curatorias
arte contemporânea
discursos institucionais
limites
curatorship
curatorial practices
contemporary art
institutional speeches
limits
topic curadria
praticas curatorias
arte contemporânea
discursos institucionais
limites
curatorship
curatorial practices
contemporary art
institutional speeches
limits
description An essay on the limits of contempo- rary curatorial practice, about control and speech strategies on the contemporary art circuits, and the possible alienation from its original object. Is it possible that such an interesting notion as the understanding of curation as co-creation (or co-produc- tion) turns to be the speech of a curatorial practice used as an instrument of its own agenda? Can curatorial work, by crossing its desirable limits, to become corrosive to the art? Structures that are necessarily born from dialogic practices, in an effort of self-sufficiency, would tend to control aesthetic poetic projects, or worse, would tend to the production of their own future objects of analysis?
publishDate 2014
dc.date.none.fl_str_mv 2014-07-31
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.udesc.br/index.php/palindromo/article/view/2175234606112014130
10.5965/2175234606112014130
url https://www.revistas.udesc.br/index.php/palindromo/article/view/2175234606112014130
identifier_str_mv 10.5965/2175234606112014130
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistas.udesc.br/index.php/palindromo/article/view/2175234606112014130/3687
dc.rights.driver.fl_str_mv Copyright (c) 2014 Maurício Penteado Trentin
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2014 Maurício Penteado Trentin
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
dc.source.none.fl_str_mv Palíndromo; Vol. 6 No. 11 (2014): Palíndromo nº11; 130 - 144
Palíndromo; v. 6 n. 11 (2014): Palíndromo nº11; 130 - 144
2175-2346
1984-9532
reponame:Palíndromo (Online)
instname:Universidade do Estado de Santa Catarina (UDESC)
instacron:UDESC
instname_str Universidade do Estado de Santa Catarina (UDESC)
instacron_str UDESC
institution UDESC
reponame_str Palíndromo (Online)
collection Palíndromo (Online)
repository.name.fl_str_mv Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)
repository.mail.fl_str_mv palindromorevista@gmail.com || revistapalindromo@udesc.br
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