Speeches to the mirror: limits and violations of the institutional monologue
Autor(a) principal: | |
---|---|
Data de Publicação: | 2014 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Palíndromo (Online) |
Texto Completo: | https://www.revistas.udesc.br/index.php/palindromo/article/view/2175234606112014130 |
Resumo: | An essay on the limits of contempo- rary curatorial practice, about control and speech strategies on the contemporary art circuits, and the possible alienation from its original object. Is it possible that such an interesting notion as the understanding of curation as co-creation (or co-produc- tion) turns to be the speech of a curatorial practice used as an instrument of its own agenda? Can curatorial work, by crossing its desirable limits, to become corrosive to the art? Structures that are necessarily born from dialogic practices, in an effort of self-sufficiency, would tend to control aesthetic poetic projects, or worse, would tend to the production of their own future objects of analysis? |
id |
UDESC-5_39d545e52bd9798e0c7350239222788a |
---|---|
oai_identifier_str |
oai:ojs.revistas.udesc.br:article/4706 |
network_acronym_str |
UDESC-5 |
network_name_str |
Palíndromo (Online) |
repository_id_str |
|
spelling |
Speeches to the mirror: limits and violations of the institutional monologueDiscursos para o espelho: limites e transgressões do monólogo institucionalcuradria praticas curatorias arte contemporâneadiscursos institucionaislimites curatorshipcuratorial practicescontemporary artinstitutional speecheslimitsAn essay on the limits of contempo- rary curatorial practice, about control and speech strategies on the contemporary art circuits, and the possible alienation from its original object. Is it possible that such an interesting notion as the understanding of curation as co-creation (or co-produc- tion) turns to be the speech of a curatorial practice used as an instrument of its own agenda? Can curatorial work, by crossing its desirable limits, to become corrosive to the art? Structures that are necessarily born from dialogic practices, in an effort of self-sufficiency, would tend to control aesthetic poetic projects, or worse, would tend to the production of their own future objects of analysis?Um ensaio sobre os limites da prática curatorial contemporânea, suas estratégias de controle e discurso e sua possível alienação em relação a seu objeto original. É possível que uma noção tão interessante como a compreensão da curadoria como cocriação (ou coprodução) passe a ser o discurso da prática instrumentalizada de uma curadoria com agenda própria? Pode a curadoria, atravessando seus limites desejáveis, se tornar corrosiva para a arte? Estruturas que obrigatoriamente nascem de práticas dialógicas, em um esforço de autossuficiência, tenderiam ao controle de discursos estéticos, ou pior, à produção própria de seus objetos futuros de análise? Universidade do Estado de Santa Catarina2014-07-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/palindromo/article/view/217523460611201413010.5965/2175234606112014130Palíndromo; Vol. 6 No. 11 (2014): Palíndromo nº11; 130 - 144Palíndromo; v. 6 n. 11 (2014): Palíndromo nº11; 130 - 1442175-23461984-9532reponame:Palíndromo (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/palindromo/article/view/2175234606112014130/3687Copyright (c) 2014 Maurício Penteado Trentinhttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessTrentin, Maurício Penteado2023-03-24T14:37:35Zoai:ojs.revistas.udesc.br:article/4706Revistahttps://www.revistas.udesc.br/index.php/palindromoPUBhttps://www.revistas.udesc.br/index.php/palindromo/oaipalindromorevista@gmail.com || revistapalindromo@udesc.br2175-23461984-9532opendoar:2023-03-24T14:37:35Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)false |
dc.title.none.fl_str_mv |
Speeches to the mirror: limits and violations of the institutional monologue Discursos para o espelho: limites e transgressões do monólogo institucional |
title |
Speeches to the mirror: limits and violations of the institutional monologue |
spellingShingle |
Speeches to the mirror: limits and violations of the institutional monologue Trentin, Maurício Penteado curadria praticas curatorias arte contemporânea discursos institucionais limites curatorship curatorial practices contemporary art institutional speeches limits |
title_short |
Speeches to the mirror: limits and violations of the institutional monologue |
title_full |
Speeches to the mirror: limits and violations of the institutional monologue |
title_fullStr |
Speeches to the mirror: limits and violations of the institutional monologue |
title_full_unstemmed |
Speeches to the mirror: limits and violations of the institutional monologue |
title_sort |
Speeches to the mirror: limits and violations of the institutional monologue |
author |
Trentin, Maurício Penteado |
author_facet |
Trentin, Maurício Penteado |
author_role |
author |
dc.contributor.author.fl_str_mv |
Trentin, Maurício Penteado |
dc.subject.por.fl_str_mv |
curadria praticas curatorias arte contemporânea discursos institucionais limites curatorship curatorial practices contemporary art institutional speeches limits |
topic |
curadria praticas curatorias arte contemporânea discursos institucionais limites curatorship curatorial practices contemporary art institutional speeches limits |
description |
An essay on the limits of contempo- rary curatorial practice, about control and speech strategies on the contemporary art circuits, and the possible alienation from its original object. Is it possible that such an interesting notion as the understanding of curation as co-creation (or co-produc- tion) turns to be the speech of a curatorial practice used as an instrument of its own agenda? Can curatorial work, by crossing its desirable limits, to become corrosive to the art? Structures that are necessarily born from dialogic practices, in an effort of self-sufficiency, would tend to control aesthetic poetic projects, or worse, would tend to the production of their own future objects of analysis? |
publishDate |
2014 |
dc.date.none.fl_str_mv |
2014-07-31 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.udesc.br/index.php/palindromo/article/view/2175234606112014130 10.5965/2175234606112014130 |
url |
https://www.revistas.udesc.br/index.php/palindromo/article/view/2175234606112014130 |
identifier_str_mv |
10.5965/2175234606112014130 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistas.udesc.br/index.php/palindromo/article/view/2175234606112014130/3687 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2014 Maurício Penteado Trentin http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2014 Maurício Penteado Trentin http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
dc.source.none.fl_str_mv |
Palíndromo; Vol. 6 No. 11 (2014): Palíndromo nº11; 130 - 144 Palíndromo; v. 6 n. 11 (2014): Palíndromo nº11; 130 - 144 2175-2346 1984-9532 reponame:Palíndromo (Online) instname:Universidade do Estado de Santa Catarina (UDESC) instacron:UDESC |
instname_str |
Universidade do Estado de Santa Catarina (UDESC) |
instacron_str |
UDESC |
institution |
UDESC |
reponame_str |
Palíndromo (Online) |
collection |
Palíndromo (Online) |
repository.name.fl_str_mv |
Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC) |
repository.mail.fl_str_mv |
palindromorevista@gmail.com || revistapalindromo@udesc.br |
_version_ |
1797041814625058816 |