Lygia Clark: the body of the genre boundaries in Roupa-corpo-roupa series

Detalhes bibliográficos
Autor(a) principal: Bortolon, Flavia Jakemiu Araujo
Data de Publicação: 2019
Tipo de documento: Artigo
Idioma: por
Título da fonte: ModaPalavra e-periódico
Texto Completo: https://www.revistas.udesc.br/index.php/modapalavra/article/view/13109
Resumo: The article aims to discuss the body's limits of issues as proposed by the Brazilian artist Lygia Clark, through its sensory works (1965/1969). To this end, a documentary research on art critics texts was held, newspapers and letters of the artist during the period of its production to more recent exhibitions. The body became part of the work, allowing the questioning of sensations that are imposed by instruments (sense objects) and areas where they operate. The work ofthese artists began to question not only what art is, but also where these pieces could be displayed. Reader of Merleau-Ponty philosopher, Clark proposed phenomenological, participatory experiences, which did not allow the passive spectator before the subject's movements and body. Thus, Lygia Clark stood before the limits, sensory and ethical body, the interaction between body and work through questioning or even reversal of gendered performances.
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spelling Lygia Clark: the body of the genre boundaries in Roupa-corpo-roupa seriesLygia Clark: Os limites do gênero do corpo na série Roupa-corpo-roupaLygia Clarkobras sensoriaisgênero.Lygia Clarcksensory worksgenderThe article aims to discuss the body's limits of issues as proposed by the Brazilian artist Lygia Clark, through its sensory works (1965/1969). To this end, a documentary research on art critics texts was held, newspapers and letters of the artist during the period of its production to more recent exhibitions. The body became part of the work, allowing the questioning of sensations that are imposed by instruments (sense objects) and areas where they operate. The work ofthese artists began to question not only what art is, but also where these pieces could be displayed. Reader of Merleau-Ponty philosopher, Clark proposed phenomenological, participatory experiences, which did not allow the passive spectator before the subject's movements and body. Thus, Lygia Clark stood before the limits, sensory and ethical body, the interaction between body and work through questioning or even reversal of gendered performances.O artigo pretende debater as questões dos limites do corpo conforme proposto pela artista plástica brasileira Lygia Clark, por meio de suas obras sensoriais (1965/1969). Para tal fim, foi realizada uma pesquisa documental em textos de críticos de arte, jornais e cartas da artista, durante o período de sua produção até exposições mais recentes. O corpo passou a fazer parte da obra, possibilitando o questionamento das sensações que são impostas por instrumentos (objetos sensoriais) e por espaços onde se inserem. A obra desses artistas passou a questionar não somente o que é arte, mas também o local onde essas peças podiam ser apresentadas. Leitora do filósofo Merleau-Ponty, Clark propunha experiências fenomenológicas, participativas, que não deixavam o espectador passivo perante os movimentos do objeto e do corpo. Assim, Lygia Clark posicionou-se diante dos limites, sensoriais e éticos do corpo, a interação entre corpo e obra por meio da problematização ou mesmo da inversão de performances generificadasUniversidade do Estado de Santa Catarina2019-03-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/modapalavra/article/view/1310910.5965/1982615x12242019091ModaPalavra e-periódico; Vol. 12 No. 24 (2019): Variata; 91-123ModaPalavra e-periódico; Vol. 12 Núm. 24 (2019): Variata; 91-123 Modapalavra e-periódico; v. 12 n. 24 (2019): Variata; 91-1231982-615X10.5965/1982615x12242019reponame:ModaPalavra e-periódicoinstname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/modapalavra/article/view/13109/9845Copyright (c) 2019 Flavia Jakemiu Araujo Bortolonhttp://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessBortolon, Flavia Jakemiu Araujo2023-04-13T14:43:10Zoai::article/13109Revistahttps://www.revistas.udesc.br/index.php/modapalavraPUBhttps://www.revistas.udesc.br/index.php/modapalavra/oai||modapalavra@gmail.com1982-615X1982-615Xopendoar:2023-04-13T14:43:10ModaPalavra e-periódico - Universidade do Estado de Santa Catarina (UDESC)false
dc.title.none.fl_str_mv Lygia Clark: the body of the genre boundaries in Roupa-corpo-roupa series
Lygia Clark: Os limites do gênero do corpo na série Roupa-corpo-roupa
title Lygia Clark: the body of the genre boundaries in Roupa-corpo-roupa series
spellingShingle Lygia Clark: the body of the genre boundaries in Roupa-corpo-roupa series
Bortolon, Flavia Jakemiu Araujo
Lygia Clark
obras sensoriais
gênero.
Lygia Clarck
sensory works
gender
title_short Lygia Clark: the body of the genre boundaries in Roupa-corpo-roupa series
title_full Lygia Clark: the body of the genre boundaries in Roupa-corpo-roupa series
title_fullStr Lygia Clark: the body of the genre boundaries in Roupa-corpo-roupa series
title_full_unstemmed Lygia Clark: the body of the genre boundaries in Roupa-corpo-roupa series
title_sort Lygia Clark: the body of the genre boundaries in Roupa-corpo-roupa series
author Bortolon, Flavia Jakemiu Araujo
author_facet Bortolon, Flavia Jakemiu Araujo
author_role author
dc.contributor.author.fl_str_mv Bortolon, Flavia Jakemiu Araujo
dc.subject.por.fl_str_mv Lygia Clark
obras sensoriais
gênero.
Lygia Clarck
sensory works
gender
topic Lygia Clark
obras sensoriais
gênero.
Lygia Clarck
sensory works
gender
description The article aims to discuss the body's limits of issues as proposed by the Brazilian artist Lygia Clark, through its sensory works (1965/1969). To this end, a documentary research on art critics texts was held, newspapers and letters of the artist during the period of its production to more recent exhibitions. The body became part of the work, allowing the questioning of sensations that are imposed by instruments (sense objects) and areas where they operate. The work ofthese artists began to question not only what art is, but also where these pieces could be displayed. Reader of Merleau-Ponty philosopher, Clark proposed phenomenological, participatory experiences, which did not allow the passive spectator before the subject's movements and body. Thus, Lygia Clark stood before the limits, sensory and ethical body, the interaction between body and work through questioning or even reversal of gendered performances.
publishDate 2019
dc.date.none.fl_str_mv 2019-03-31
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.udesc.br/index.php/modapalavra/article/view/13109
10.5965/1982615x12242019091
url https://www.revistas.udesc.br/index.php/modapalavra/article/view/13109
identifier_str_mv 10.5965/1982615x12242019091
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistas.udesc.br/index.php/modapalavra/article/view/13109/9845
dc.rights.driver.fl_str_mv Copyright (c) 2019 Flavia Jakemiu Araujo Bortolon
http://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2019 Flavia Jakemiu Araujo Bortolon
http://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
dc.source.none.fl_str_mv ModaPalavra e-periódico; Vol. 12 No. 24 (2019): Variata; 91-123
ModaPalavra e-periódico; Vol. 12 Núm. 24 (2019): Variata; 91-123
Modapalavra e-periódico; v. 12 n. 24 (2019): Variata; 91-123
1982-615X
10.5965/1982615x12242019
reponame:ModaPalavra e-periódico
instname:Universidade do Estado de Santa Catarina (UDESC)
instacron:UDESC
instname_str Universidade do Estado de Santa Catarina (UDESC)
instacron_str UDESC
institution UDESC
reponame_str ModaPalavra e-periódico
collection ModaPalavra e-periódico
repository.name.fl_str_mv ModaPalavra e-periódico - Universidade do Estado de Santa Catarina (UDESC)
repository.mail.fl_str_mv ||modapalavra@gmail.com
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