Criticism: An instrument of change in fashion
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Projética Revista Científica de Design |
Texto Completo: | https://ojs.uel.br/revistas/uel/index.php/projetica/article/view/41448 |
Resumo: | The present study has the objective of researching about the fashion critique, how the lack or the superficiality of it reflects in the construction of images and how the critic is able to create a spectator who is able to question, causing changes in the structure of fashion. To build this study, we use the qualitative research, searching through the authors Lars Svendsen, Marie-José Mondzain, Walter Benjamin, Theodor W. Adorno and Max Horkheimer to debate a path for fashion critique. |
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UEL-10 |
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Projética Revista Científica de Design |
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Criticism: An instrument of change in fashionCrítica: Um instrumento de mudança na modaCritiqueFashionArtPhotographyCríticaModaArteFotografiaThe present study has the objective of researching about the fashion critique, how the lack or the superficiality of it reflects in the construction of images and how the critic is able to create a spectator who is able to question, causing changes in the structure of fashion. To build this study, we use the qualitative research, searching through the authors Lars Svendsen, Marie-José Mondzain, Walter Benjamin, Theodor W. Adorno and Max Horkheimer to debate a path for fashion critique.O presente estudo tem como objetivo pesquisar sobre a crítica de moda, como a falta ou a superficialidade dela reflete na construção das imagens e como a crítica é capaz de criar um espectador apto a questionar, provocando mudanças na estrutura da moda. Para construir esse estudo, utilizamos a pesquisa qualitativa, buscando por meio dos autores Lars Svendsen, Marie-José Mondzain, Walter Benjamin, Theodor W. Adorno e Max Horkheimer debater um caminho para a crítica de moda.Universidade Estadual de Londrina2022-06-29info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado por Paresapplication/pdfhttps://ojs.uel.br/revistas/uel/index.php/projetica/article/view/4144810.5433/2236-2207.2022v13n1p183Projetica; v. 13 n. 1 (2022); 183-2102236-2207reponame:Projética Revista Científica de Designinstname:Universidade Estadual de Londrina (UEL)instacron:UELporhttps://ojs.uel.br/revistas/uel/index.php/projetica/article/view/41448/32198Copyright (c) 2022 Projeticainfo:eu-repo/semantics/openAccessSaturno, Maria Luiza AnastácioValentim, Anamélia Fontana2022-06-29T20:22:42Zoai:ojs.pkp.sfu.ca:article/41448Revistahttps://www.uel.br/revistas/uel/index.php/projetica/PUBhttps://www.uel.br/revistas/uel/index.php/projetica/oai||projetica@uel.br2236-22072236-2207opendoar:2022-06-29T20:22:42Projética Revista Científica de Design - Universidade Estadual de Londrina (UEL)false |
dc.title.none.fl_str_mv |
Criticism: An instrument of change in fashion Crítica: Um instrumento de mudança na moda |
title |
Criticism: An instrument of change in fashion |
spellingShingle |
Criticism: An instrument of change in fashion Saturno, Maria Luiza Anastácio Critique Fashion Art Photography Crítica Moda Arte Fotografia |
title_short |
Criticism: An instrument of change in fashion |
title_full |
Criticism: An instrument of change in fashion |
title_fullStr |
Criticism: An instrument of change in fashion |
title_full_unstemmed |
Criticism: An instrument of change in fashion |
title_sort |
Criticism: An instrument of change in fashion |
author |
Saturno, Maria Luiza Anastácio |
author_facet |
Saturno, Maria Luiza Anastácio Valentim, Anamélia Fontana |
author_role |
author |
author2 |
Valentim, Anamélia Fontana |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Saturno, Maria Luiza Anastácio Valentim, Anamélia Fontana |
dc.subject.por.fl_str_mv |
Critique Fashion Art Photography Crítica Moda Arte Fotografia |
topic |
Critique Fashion Art Photography Crítica Moda Arte Fotografia |
description |
The present study has the objective of researching about the fashion critique, how the lack or the superficiality of it reflects in the construction of images and how the critic is able to create a spectator who is able to question, causing changes in the structure of fashion. To build this study, we use the qualitative research, searching through the authors Lars Svendsen, Marie-José Mondzain, Walter Benjamin, Theodor W. Adorno and Max Horkheimer to debate a path for fashion critique. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-06-29 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Avaliado por Pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/projetica/article/view/41448 10.5433/2236-2207.2022v13n1p183 |
url |
https://ojs.uel.br/revistas/uel/index.php/projetica/article/view/41448 |
identifier_str_mv |
10.5433/2236-2207.2022v13n1p183 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/projetica/article/view/41448/32198 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Projetica info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Projetica |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Estadual de Londrina |
publisher.none.fl_str_mv |
Universidade Estadual de Londrina |
dc.source.none.fl_str_mv |
Projetica; v. 13 n. 1 (2022); 183-210 2236-2207 reponame:Projética Revista Científica de Design instname:Universidade Estadual de Londrina (UEL) instacron:UEL |
instname_str |
Universidade Estadual de Londrina (UEL) |
instacron_str |
UEL |
institution |
UEL |
reponame_str |
Projética Revista Científica de Design |
collection |
Projética Revista Científica de Design |
repository.name.fl_str_mv |
Projética Revista Científica de Design - Universidade Estadual de Londrina (UEL) |
repository.mail.fl_str_mv |
||projetica@uel.br |
_version_ |
1799315451878047744 |