Lexical Choices Along the Creative Process of Doc Comparato
Autor(a) principal: | |
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Data de Publicação: | 2019 |
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Tipo de documento: | Artigo |
Idioma: | por eng |
Título da fonte: | Signum: Estudos da Linguagem |
Texto Completo: | https://ojs.uel.br/revistas/uel/index.php/signum/article/view/36108 |
Resumo: | Lexicographical words represent things – physical or abstracts – and are also plenty of expressive shapes, which are socially built. The grammatical use of words disseminates denotative meanings and metaphorical effects that engage emotions. The context in which words are placed creates a feedback cycle between the sign and the psychic images that it evokes. Through the analysis of the manuscripts of the Brazilian dramatist, Doc Comparato, we shall observe the movements of experimentation and lexical choice along the creative process of his writing of the script Jamais (Never) - also called Calabar or A tribute to the treason. We are going to verify the changes on the effects of meaning by comparing the reviews applied to the text, following the author’s search for the grammatical shape that gives life to the idea. In order to analyze the metamorphosis of the writing process we shall use the fundaments of Genetic Criticism and the Stylistic to evaluate the results reached by the author – considering that a dramaturgical text is made to be staged and, for being so, must predict the impact of the sounds of words and also the actions that follow them. |
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Lexical Choices Along the Creative Process of Doc ComparatoSeleção Lexical no Processo Criativo de Doc ComparatoCrítica GenéticaEstilísticaLexicoTeoria e Análise LingüísticaLexicographical words represent things – physical or abstracts – and are also plenty of expressive shapes, which are socially built. The grammatical use of words disseminates denotative meanings and metaphorical effects that engage emotions. The context in which words are placed creates a feedback cycle between the sign and the psychic images that it evokes. Through the analysis of the manuscripts of the Brazilian dramatist, Doc Comparato, we shall observe the movements of experimentation and lexical choice along the creative process of his writing of the script Jamais (Never) - also called Calabar or A tribute to the treason. We are going to verify the changes on the effects of meaning by comparing the reviews applied to the text, following the author’s search for the grammatical shape that gives life to the idea. In order to analyze the metamorphosis of the writing process we shall use the fundaments of Genetic Criticism and the Stylistic to evaluate the results reached by the author – considering that a dramaturgical text is made to be staged and, for being so, must predict the impact of the sounds of words and also the actions that follow them.Palavras lexicográficas significam coisas - materiais ou abstratas - e também são carregadas de contornos expressivos atribuídos socialmente. O emprego gramatical dos vocábulos veicula sentidos denotativos, mas também é capaz de alçar efeitos metafóricos, acionadores de emoções. O contexto em que as palavras se inserem gera um sistema de retroalimentação entre o signo e as imagens psíquicas que ele evoca. Por meio da análise de manuscritos do dramaturgo Doc Comparato, vamos observar o movimento de experimentação e seleção de palavras no processo de criação do roteiro da peça Jamais (também chamada de Calabar ou O elogio à traição). Verificaremos as alterações nos efeitos de sentido comparando os tratamentos dados ao texto, acompanhando a busca do autor pela forma gramatical que dará vida à ideia. Vamos aplicar os fundamentos da Crítica Genética, para analisar as metamorfoses no processo de escritura, e a Estilística, para avaliar os resultados alcançados pelo autor - considerando que o texto dramatúrgico é escrito para ser encenado e, assim, deve prever o impacto sonoro das palavras e também as ações que as acompanham. UEL2019-07-04info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfapplication/pdfhttps://ojs.uel.br/revistas/uel/index.php/signum/article/view/3610810.5433/2237-4876.2019v22n1p141Signum: Estudos da Linguagem; Vol. 22 No. 1 (2019): Language and meaning: textual, discursive and cognitive studies; 141-158Signum: Estudos da Linguagem; v. 22 n. 1 (2019): Linguagem e Sentido: estudos textuais, discursivos e cognitivos; 141-1582237-4876reponame:Signum: Estudos da Linguageminstname:Universidade Estadual de Londrina (UEL)instacron:UELporenghttps://ojs.uel.br/revistas/uel/index.php/signum/article/view/36108/25679https://ojs.uel.br/revistas/uel/index.php/signum/article/view/36108/25680Copyright (c) 2019 Signum: Estudos da Linguagemhttp://creativecommons.org/licenses/by-nc-nd/4.0info:eu-repo/semantics/openAccessOliveira, Livia Sprizão dePanichi, Edina Regina Pugas2022-11-16T18:14:48Zoai:ojs.pkp.sfu.ca:article/36108Revistahttps://www.uel.br/revistas/uel/index.php/signumPUBhttps://www.uel.br/revistas/uel/index.php/signum/oai||signum@uel.br2237-48761516-3083opendoar:2022-11-16T18:14:48Signum: Estudos da Linguagem - Universidade Estadual de Londrina (UEL)false |
dc.title.none.fl_str_mv |
Lexical Choices Along the Creative Process of Doc Comparato Seleção Lexical no Processo Criativo de Doc Comparato |
title |
Lexical Choices Along the Creative Process of Doc Comparato |
spellingShingle |
Lexical Choices Along the Creative Process of Doc Comparato Oliveira, Livia Sprizão de Crítica Genética Estilística Lexico Teoria e Análise Lingüística |
title_short |
Lexical Choices Along the Creative Process of Doc Comparato |
title_full |
Lexical Choices Along the Creative Process of Doc Comparato |
title_fullStr |
Lexical Choices Along the Creative Process of Doc Comparato |
title_full_unstemmed |
Lexical Choices Along the Creative Process of Doc Comparato |
title_sort |
Lexical Choices Along the Creative Process of Doc Comparato |
author |
Oliveira, Livia Sprizão de |
author_facet |
Oliveira, Livia Sprizão de Panichi, Edina Regina Pugas |
author_role |
author |
author2 |
Panichi, Edina Regina Pugas |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Oliveira, Livia Sprizão de Panichi, Edina Regina Pugas |
dc.subject.por.fl_str_mv |
Crítica Genética Estilística Lexico Teoria e Análise Lingüística |
topic |
Crítica Genética Estilística Lexico Teoria e Análise Lingüística |
description |
Lexicographical words represent things – physical or abstracts – and are also plenty of expressive shapes, which are socially built. The grammatical use of words disseminates denotative meanings and metaphorical effects that engage emotions. The context in which words are placed creates a feedback cycle between the sign and the psychic images that it evokes. Through the analysis of the manuscripts of the Brazilian dramatist, Doc Comparato, we shall observe the movements of experimentation and lexical choice along the creative process of his writing of the script Jamais (Never) - also called Calabar or A tribute to the treason. We are going to verify the changes on the effects of meaning by comparing the reviews applied to the text, following the author’s search for the grammatical shape that gives life to the idea. In order to analyze the metamorphosis of the writing process we shall use the fundaments of Genetic Criticism and the Stylistic to evaluate the results reached by the author – considering that a dramaturgical text is made to be staged and, for being so, must predict the impact of the sounds of words and also the actions that follow them. |
publishDate |
2019 |
dc.date.none.fl_str_mv |
2019-07-04 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Avaliado pelos pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/signum/article/view/36108 10.5433/2237-4876.2019v22n1p141 |
url |
https://ojs.uel.br/revistas/uel/index.php/signum/article/view/36108 |
identifier_str_mv |
10.5433/2237-4876.2019v22n1p141 |
dc.language.iso.fl_str_mv |
por eng |
language |
por eng |
dc.relation.none.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/signum/article/view/36108/25679 https://ojs.uel.br/revistas/uel/index.php/signum/article/view/36108/25680 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2019 Signum: Estudos da Linguagem http://creativecommons.org/licenses/by-nc-nd/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2019 Signum: Estudos da Linguagem http://creativecommons.org/licenses/by-nc-nd/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf application/pdf |
dc.publisher.none.fl_str_mv |
UEL |
publisher.none.fl_str_mv |
UEL |
dc.source.none.fl_str_mv |
Signum: Estudos da Linguagem; Vol. 22 No. 1 (2019): Language and meaning: textual, discursive and cognitive studies; 141-158 Signum: Estudos da Linguagem; v. 22 n. 1 (2019): Linguagem e Sentido: estudos textuais, discursivos e cognitivos; 141-158 2237-4876 reponame:Signum: Estudos da Linguagem instname:Universidade Estadual de Londrina (UEL) instacron:UEL |
instname_str |
Universidade Estadual de Londrina (UEL) |
instacron_str |
UEL |
institution |
UEL |
reponame_str |
Signum: Estudos da Linguagem |
collection |
Signum: Estudos da Linguagem |
repository.name.fl_str_mv |
Signum: Estudos da Linguagem - Universidade Estadual de Londrina (UEL) |
repository.mail.fl_str_mv |
||signum@uel.br |
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1799305963976523776 |