Emily Brontë’s defense of women as writers in Wuthering heights.

Detalhes bibliográficos
Autor(a) principal: Silva, Andreza Ferreira
Data de Publicação: 2022
Outros Autores: andrezafs.2807@hotmail.com
Tipo de documento: Dissertação
Idioma: eng
Título da fonte: Biblioteca Digital de Teses e Dissertações da UERJ
Texto Completo: http://www.bdtd.uerj.br/handle/1/18929
Resumo: The present work demonstrates how Emily Brontë elaborated a defense and validated women as writers and as storytellers in Wuthering Heights. When the novel was published, in 1848, the Victorian Era had already transformed life in England and in the world permanently. Those times posed solid barriers to the women who wanted to create an original narrative, whether as a writer or master of their own life. One of the most significant influences of Victorianism in the life of women was the symbol of the angel in the house: a perfect pure and well-behaved lady who would embrace completely domestic life and abdicate other roles. As a challenge to this scenario, Wuthering Heights features four narrators who deviate from the commonplace of the female gender, and bravely appear as protagonists and authorities. Moreover, it happens inside a novel whose protagonist is a woman who challenged patriarchy and brought its fall inside the social circle she occupied. In this work, I conduct a close reading of the mechanisms Emily Brontë used to create female characters that escaped the norms and told a story in their own words. Additionally, I argue, based on the domestic ideology and criticism that Wuthering Heights received that her own position as a writer in the Victorian society also consisted of a defiance itself. In sum, it must be acknowledged that the masterpiece of Emily Brontë serves as an example of a literary work that has challenged gender standards for decades.
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spelling Gonçalves, Adriana de Souza Jordãohttp://lattes.cnpq.br/9857087519783207Monteiro, Maria Conceiçãohttp://lattes.cnpq.br/2950885542603465Candia, Michela Rosa dihttp://lattes.cnpq.br/9431988563575717http://lattes.cnpq.br/9445944683924906Silva, Andreza Ferreiraandrezafs.2807@hotmail.com2023-01-19T18:23:28Z2022-11-29SILVA, Andreza Ferreira. Emily Brontë’s defense of women as writers in “Wuthering heights”. 2022. 80 f. Dissertação (Mestrado em Letras) - Instituto de Letras, Universidade do Estado do Rio de Janeiro, Rio de Janeiro, 2022.http://www.bdtd.uerj.br/handle/1/18929The present work demonstrates how Emily Brontë elaborated a defense and validated women as writers and as storytellers in Wuthering Heights. When the novel was published, in 1848, the Victorian Era had already transformed life in England and in the world permanently. Those times posed solid barriers to the women who wanted to create an original narrative, whether as a writer or master of their own life. One of the most significant influences of Victorianism in the life of women was the symbol of the angel in the house: a perfect pure and well-behaved lady who would embrace completely domestic life and abdicate other roles. As a challenge to this scenario, Wuthering Heights features four narrators who deviate from the commonplace of the female gender, and bravely appear as protagonists and authorities. Moreover, it happens inside a novel whose protagonist is a woman who challenged patriarchy and brought its fall inside the social circle she occupied. In this work, I conduct a close reading of the mechanisms Emily Brontë used to create female characters that escaped the norms and told a story in their own words. Additionally, I argue, based on the domestic ideology and criticism that Wuthering Heights received that her own position as a writer in the Victorian society also consisted of a defiance itself. In sum, it must be acknowledged that the masterpiece of Emily Brontë serves as an example of a literary work that has challenged gender standards for decades.O presente trabalho pretende demonstrar como Emily Brontë elaborou uma defesa das mulheres como escritoras e validou a escrita como parte da sua identidade em O Morro dos Ventos Uivantes. Quando o romance foi publicado, em 1848, a Era Vitoriana já havia transformado a vida na Inglaterra e no mundo permanentemente. Tal Era impôs sólidas barreiras às mulheres que desejavam criar uma narrativa original, quer como escritoras ou como autoridades em suas próprias vidas. Uma das maiores influências do Vitorianismo na vida das mulheres foi o símbolo do anjo do lar: uma dama perfeitamente pura e bem-comportada que abraça completamente a vida doméstica enquanto abdica de outros papeis. Como um desafio a esse cenário, as quatro narradoras de O Morro dos Ventos Uivantes desviam do padrão comportamental vitoriano do gênero feminino e corajosamente aparecem como protagonistas e autoridades. Ainda, tal transgressão aparece dentro de um romance cuja protagonista é uma mulher que desafiou o patriarcado e trouxe a queda deste dentro do círculo social que ocupava. Neste trabalho, eu conduzo uma leitura atenta e observo os recursos literários que Emily Brontë empregou para criar personagens mulheres que fugiam às normas e contaram suas histórias com suas próprias palavras. Adicionalmente, argumento, baseada na ideologia doméstica vitoriana e nas críticas que O Morro dos Ventos Uivantes recebeu, que a posição de Emily Brontë, como autora de uma obra tão transgressora, também consiste de um desafio à tradição. Logo, reconheço que a obra prima de Emily Brontë é um exemplo da literatura feita por mulheres que tem desafiado a tradição por quase dois séculos.Submitted by Eliane CEH/B (liliprata2000@gmail.com) on 2023-01-19T18:23:28Z No. of bitstreams: 1 Dissertação - Andreza Ferreira Silva - 2022 - Completa.pdf: 655220 bytes, checksum: 98af30398fe531327d67bf6ead508d26 (MD5)Made available in DSpace on 2023-01-19T18:23:28Z (GMT). No. of bitstreams: 1 Dissertação - Andreza Ferreira Silva - 2022 - Completa.pdf: 655220 bytes, checksum: 98af30398fe531327d67bf6ead508d26 (MD5) Previous issue date: 2022-11-29application/pdfengUniversidade do Estado do Rio de JaneiroPrograma de Pós-Graduação em LetrasUERJBrasilCentro de Educação e Humanidades::Instituto de LetrasWuthering heightsVictorian AgeNarrativeEmily BrontëO morro dos ventos uivantesEra VitorianaNarrativaBrontë, Emily, 1818-1848 – Crítica e interpretaçãoBrontë, Emily, 1818-1848. Wuthering heightsInglaterra – Usos e costumes – Séc. XIXMulheres na literatura – Séc. XIXBrontë, Emily, 1818-1848 – Personagens – MulheresLINGUISTICA, LETRAS E ARTES::LETRAS::LITERATURAS ESTRANGEIRAS MODERNASEmily Brontë’s defense of women as writers in Wuthering heights.Emily Brontë e sua defesa das mulheres como escritoras em “O morro dos ventos uivantes”.info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da UERJinstname:Universidade do Estado do Rio de Janeiro (UERJ)instacron:UERJORIGINALDissertação - Andreza Ferreira Silva - 2022 - Completa.pdfDissertação - Andreza Ferreira Silva - 2022 - Completa.pdfapplication/pdf655220http://www.bdtd.uerj.br/bitstream/1/18929/2/Disserta%C3%A7%C3%A3o+-+Andreza+Ferreira+Silva+-+2022+-+Completa.pdf98af30398fe531327d67bf6ead508d26MD52LICENSElicense.txtlicense.txttext/plain; charset=utf-82123http://www.bdtd.uerj.br/bitstream/1/18929/1/license.txte5502652da718045d7fcd832b79fca29MD511/189292024-02-27 16:15:50.043oai:www.bdtd.uerj.br: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Biblioteca Digital de Teses e Dissertaçõeshttp://www.bdtd.uerj.br/PUBhttps://www.bdtd.uerj.br:8443/oai/requestbdtd.suporte@uerj.bropendoar:29032024-02-27T19:15:50Biblioteca Digital de Teses e Dissertações da UERJ - Universidade do Estado do Rio de Janeiro (UERJ)false
dc.title.por.fl_str_mv Emily Brontë’s defense of women as writers in Wuthering heights.
dc.title.alternative.por.fl_str_mv Emily Brontë e sua defesa das mulheres como escritoras em “O morro dos ventos uivantes”.
title Emily Brontë’s defense of women as writers in Wuthering heights.
spellingShingle Emily Brontë’s defense of women as writers in Wuthering heights.
Silva, Andreza Ferreira
Wuthering heights
Victorian Age
Narrative
Emily Brontë
O morro dos ventos uivantes
Era Vitoriana
Narrativa
Brontë, Emily, 1818-1848 – Crítica e interpretação
Brontë, Emily, 1818-1848. Wuthering heights
Inglaterra – Usos e costumes – Séc. XIX
Mulheres na literatura – Séc. XIX
Brontë, Emily, 1818-1848 – Personagens – Mulheres
LINGUISTICA, LETRAS E ARTES::LETRAS::LITERATURAS ESTRANGEIRAS MODERNAS
title_short Emily Brontë’s defense of women as writers in Wuthering heights.
title_full Emily Brontë’s defense of women as writers in Wuthering heights.
title_fullStr Emily Brontë’s defense of women as writers in Wuthering heights.
title_full_unstemmed Emily Brontë’s defense of women as writers in Wuthering heights.
title_sort Emily Brontë’s defense of women as writers in Wuthering heights.
author Silva, Andreza Ferreira
author_facet Silva, Andreza Ferreira
andrezafs.2807@hotmail.com
author_role author
author2 andrezafs.2807@hotmail.com
author2_role author
dc.contributor.advisor1.fl_str_mv Gonçalves, Adriana de Souza Jordão
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/9857087519783207
dc.contributor.referee1.fl_str_mv Monteiro, Maria Conceição
dc.contributor.referee1Lattes.fl_str_mv http://lattes.cnpq.br/2950885542603465
dc.contributor.referee2.fl_str_mv Candia, Michela Rosa di
dc.contributor.referee2Lattes.fl_str_mv http://lattes.cnpq.br/9431988563575717
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/9445944683924906
dc.contributor.author.fl_str_mv Silva, Andreza Ferreira
andrezafs.2807@hotmail.com
contributor_str_mv Gonçalves, Adriana de Souza Jordão
Monteiro, Maria Conceição
Candia, Michela Rosa di
dc.subject.eng.fl_str_mv Wuthering heights
Victorian Age
Narrative
topic Wuthering heights
Victorian Age
Narrative
Emily Brontë
O morro dos ventos uivantes
Era Vitoriana
Narrativa
Brontë, Emily, 1818-1848 – Crítica e interpretação
Brontë, Emily, 1818-1848. Wuthering heights
Inglaterra – Usos e costumes – Séc. XIX
Mulheres na literatura – Séc. XIX
Brontë, Emily, 1818-1848 – Personagens – Mulheres
LINGUISTICA, LETRAS E ARTES::LETRAS::LITERATURAS ESTRANGEIRAS MODERNAS
dc.subject.por.fl_str_mv Emily Brontë
O morro dos ventos uivantes
Era Vitoriana
Narrativa
Brontë, Emily, 1818-1848 – Crítica e interpretação
Brontë, Emily, 1818-1848. Wuthering heights
Inglaterra – Usos e costumes – Séc. XIX
Mulheres na literatura – Séc. XIX
Brontë, Emily, 1818-1848 – Personagens – Mulheres
dc.subject.cnpq.fl_str_mv LINGUISTICA, LETRAS E ARTES::LETRAS::LITERATURAS ESTRANGEIRAS MODERNAS
description The present work demonstrates how Emily Brontë elaborated a defense and validated women as writers and as storytellers in Wuthering Heights. When the novel was published, in 1848, the Victorian Era had already transformed life in England and in the world permanently. Those times posed solid barriers to the women who wanted to create an original narrative, whether as a writer or master of their own life. One of the most significant influences of Victorianism in the life of women was the symbol of the angel in the house: a perfect pure and well-behaved lady who would embrace completely domestic life and abdicate other roles. As a challenge to this scenario, Wuthering Heights features four narrators who deviate from the commonplace of the female gender, and bravely appear as protagonists and authorities. Moreover, it happens inside a novel whose protagonist is a woman who challenged patriarchy and brought its fall inside the social circle she occupied. In this work, I conduct a close reading of the mechanisms Emily Brontë used to create female characters that escaped the norms and told a story in their own words. Additionally, I argue, based on the domestic ideology and criticism that Wuthering Heights received that her own position as a writer in the Victorian society also consisted of a defiance itself. In sum, it must be acknowledged that the masterpiece of Emily Brontë serves as an example of a literary work that has challenged gender standards for decades.
publishDate 2022
dc.date.issued.fl_str_mv 2022-11-29
dc.date.accessioned.fl_str_mv 2023-01-19T18:23:28Z
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dc.identifier.citation.fl_str_mv SILVA, Andreza Ferreira. Emily Brontë’s defense of women as writers in “Wuthering heights”. 2022. 80 f. Dissertação (Mestrado em Letras) - Instituto de Letras, Universidade do Estado do Rio de Janeiro, Rio de Janeiro, 2022.
dc.identifier.uri.fl_str_mv http://www.bdtd.uerj.br/handle/1/18929
identifier_str_mv SILVA, Andreza Ferreira. Emily Brontë’s defense of women as writers in “Wuthering heights”. 2022. 80 f. Dissertação (Mestrado em Letras) - Instituto de Letras, Universidade do Estado do Rio de Janeiro, Rio de Janeiro, 2022.
url http://www.bdtd.uerj.br/handle/1/18929
dc.language.iso.fl_str_mv eng
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dc.publisher.none.fl_str_mv Universidade do Estado do Rio de Janeiro
dc.publisher.program.fl_str_mv Programa de Pós-Graduação em Letras
dc.publisher.initials.fl_str_mv UERJ
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dc.publisher.department.fl_str_mv Centro de Educação e Humanidades::Instituto de Letras
publisher.none.fl_str_mv Universidade do Estado do Rio de Janeiro
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