Literatura indígena contemporânea: vozes dessilenciadas de Graça Graúna, Eliane Potiguara e Daniel Muduruku

• Autor(a) principal: Silva Filho, Joel Vieira da
• Data de Publicação: 2019
• Tipo de documento: Trabalho de conclusão de curso
• Idioma: por
• Título da fonte: Repositório Institucional da Universidade Federal de Alagoas (UFAL)
• Texto Completo: http://www.repositorio.ufal.br/handle/riufal/6388
• topic: Literatura brasileira; Literatura indígena; Graúna, Graça, 1948-; Potiguara, Eliane, 1950-; Muduruku, Daniel, 1964; Memória; Ancestralidade; CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::LINGUAS INDIGENAS

This research aims to study the literature produced by indigenous writers: Graça Graúna, Eliane Potiguara and Daniel Munduruku, whose corpus turns to the works of these three writers, Terra à vi$ta (1999), Identidade Indígena (2019) and O roubo do fogo (2005), respectively, and intends to perceive how the figure of the indigenous being is constructed in these texts. Thus, it also intend to analyze the way writers represent the indigenous subject as a result of memory and ancestry, and how Graça Graúna, Eliane Potiguara and Daniel Munduruku write based on the identity of their people, thus making their voices are desilient in the face of a colonialist construction that existed / exists in our society and in literature. The bibliographic research method proposed to discuss the existence of a canon in the Brazilian literature and the representations that this canon produced about the indigenous subject, as shown in three Indianist works, O Guarani (2012), Iracema (2010) and Ubirajara (2015), by the romantic writer José de Alencar, to understand the identity construction of the Indian during the colonization period and how this representation was based on the colonial and stereotyped discourse. By contrast, in the writings of indigenous writers, both in production and in memory, and in the often-performed ancestry, whether in the collective voice that I choose lyrically in the poetry of Graúna and Potiguara or in the characters of Munduruku. Thus, there was a counter-narrative used by indigenous literature and as a production by indigenous people and not by others. To do so, use as main theoretical reference: Bloom (1994), Bhabha (1998), Sommer (2004), Munduruku (2008), Thiél (2012), Graúna (2012, 2013, 2015), among others.