Staging the Act of Painting in Courbet: L’Atelier du Peintre

Detalhes bibliográficos
Autor(a) principal: Arbex, Márcia
Data de Publicação: 2023
Outros Autores: Lago, Izabela Baptista do
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista Letras Raras
Texto Completo: https://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/1203
Resumo: DOI: https://dx.doi.org/10.35572/rlr.v9i3.1827 This paper aims to discuss intermedial references in Courbet: L'Atelier du peintre [Courbet: The Painter's Studio], a work published by Marianne Nahon, under the light of intermedial studies. With text and illustrations by the artist Charles Matton, the book is configured as a complex intermedial object composed by all the three categories proposed by Irina Rajewsky: media combination, medial transposition and intermidial references, which happens to be the main focus of this study. The theoretical framework also relies on the studies of Walter Moser about the relations between arts and their medialities. Our goal is to identify these references – especially regarding painting and theater – in order to evaluate their role, through narrative descriptions, in the process of construction of literary tableaux vivants that centrally stage the act of painting.
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spelling Staging the Act of Painting in Courbet: L’Atelier du PeintreA encenação do ato de pintar em Courbet: L’Atelier du peintreGustave CourbetMarianne NahonPinturaTeatroQuadro vivoGustave CourbetMarianne NahonPictureTheaterTableau vivantDOI: https://dx.doi.org/10.35572/rlr.v9i3.1827 This paper aims to discuss intermedial references in Courbet: L'Atelier du peintre [Courbet: The Painter's Studio], a work published by Marianne Nahon, under the light of intermedial studies. With text and illustrations by the artist Charles Matton, the book is configured as a complex intermedial object composed by all the three categories proposed by Irina Rajewsky: media combination, medial transposition and intermidial references, which happens to be the main focus of this study. The theoretical framework also relies on the studies of Walter Moser about the relations between arts and their medialities. Our goal is to identify these references – especially regarding painting and theater – in order to evaluate their role, through narrative descriptions, in the process of construction of literary tableaux vivants that centrally stage the act of painting.DOI: https://dx.doi.org/10.35572/rlr.v9i3.1827 O presente artigo analisa, sob uma perspectiva dos estudos da intermidialidade, as referências intermidiáticas presentes em Courbet: L'Atelier du peintre [Courbet: O ateliê do pintor], trabalho realizado por Marianne Nahon. O livro, constituído de um texto e ilustrações do artista Charles Matton, configura-se como um objeto complexo que envolve tanto a transposição, quanto a combinação de mídias e as referências intermidiáticas, como definidas por Irina Rajewsky, e que serão o foco principal desta reflexão. O referencial teórico é também constituído pelos estudos de Walter Moser a respeito das relações entre as artes e a ênfase em sua midialidade. Nosso objetivo é identificar essas referências – em especial à pintura e ao teatro – e avaliar em que medida elas participam, por meio de descrições narrativizadas, do processo de formação de tableaux vivants, quadros vivos literários que colocam em cena o ato de pintar.Editora Universitaria da UFCG2023-09-26info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArtigo avaliado pelos paresapplication/pdfapplication/pdfhttps://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/1203Revista Letras Raras; Vol. 9 No. 3 (2020): Intermidialidade e referências intermidiáticas; Port. 58-71 / Eng. 58-72Revista Letras Raras; Vol. 9 Núm. 3 (2020): Intermidialidade e referências intermidiáticas; Port. 58-71 / Eng. 58-72Revista Letras Raras; Vol. 9 No 3 (2020): Intermidialidade e referências intermidiáticas; Port. 58-71 / Eng. 58-72Revista Letras Raras; v. 9 n. 3 (2020): Intermidialidade e referências intermidiáticas; Port. 58-71 / Eng. 58-722317-2347reponame:Revista Letras Rarasinstname:Universidade Federal de Campina Grande (UFCG)instacron:UFCGporhttps://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/1203/1059https://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/1203/1060© 2023 Revista Letras Rarashttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessArbex, Márcia Lago, Izabela Baptista do 2024-01-05T00:10:18Zoai:ojs2.revistas.editora.ufcg.edu.br:article/1203Revistahttps://revistas.editora.ufcg.edu.br/index.php/RLRPUBhttps://revistas.editora.ufcg.edu.br/index.php/RLR/oai||letrasrarasufcg@gmail.com2317-23472317-2347opendoar:2024-01-05T00:10:18Revista Letras Raras - Universidade Federal de Campina Grande (UFCG)false
dc.title.none.fl_str_mv Staging the Act of Painting in Courbet: L’Atelier du Peintre
A encenação do ato de pintar em Courbet: L’Atelier du peintre
title Staging the Act of Painting in Courbet: L’Atelier du Peintre
spellingShingle Staging the Act of Painting in Courbet: L’Atelier du Peintre
Arbex, Márcia
Gustave Courbet
Marianne Nahon
Pintura
Teatro
Quadro vivo
Gustave Courbet
Marianne Nahon
Picture
Theater
Tableau vivant
title_short Staging the Act of Painting in Courbet: L’Atelier du Peintre
title_full Staging the Act of Painting in Courbet: L’Atelier du Peintre
title_fullStr Staging the Act of Painting in Courbet: L’Atelier du Peintre
title_full_unstemmed Staging the Act of Painting in Courbet: L’Atelier du Peintre
title_sort Staging the Act of Painting in Courbet: L’Atelier du Peintre
author Arbex, Márcia
author_facet Arbex, Márcia
Lago, Izabela Baptista do
author_role author
author2 Lago, Izabela Baptista do
author2_role author
dc.contributor.author.fl_str_mv Arbex, Márcia
Lago, Izabela Baptista do
dc.subject.por.fl_str_mv Gustave Courbet
Marianne Nahon
Pintura
Teatro
Quadro vivo
Gustave Courbet
Marianne Nahon
Picture
Theater
Tableau vivant
topic Gustave Courbet
Marianne Nahon
Pintura
Teatro
Quadro vivo
Gustave Courbet
Marianne Nahon
Picture
Theater
Tableau vivant
description DOI: https://dx.doi.org/10.35572/rlr.v9i3.1827 This paper aims to discuss intermedial references in Courbet: L'Atelier du peintre [Courbet: The Painter's Studio], a work published by Marianne Nahon, under the light of intermedial studies. With text and illustrations by the artist Charles Matton, the book is configured as a complex intermedial object composed by all the three categories proposed by Irina Rajewsky: media combination, medial transposition and intermidial references, which happens to be the main focus of this study. The theoretical framework also relies on the studies of Walter Moser about the relations between arts and their medialities. Our goal is to identify these references – especially regarding painting and theater – in order to evaluate their role, through narrative descriptions, in the process of construction of literary tableaux vivants that centrally stage the act of painting.
publishDate 2023
dc.date.none.fl_str_mv 2023-09-26
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Artigo avaliado pelos pares
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/1203
url https://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/1203
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/1203/1059
https://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/1203/1060
dc.rights.driver.fl_str_mv © 2023 Revista Letras Raras
https://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv © 2023 Revista Letras Raras
https://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv Editora Universitaria da UFCG
publisher.none.fl_str_mv Editora Universitaria da UFCG
dc.source.none.fl_str_mv Revista Letras Raras; Vol. 9 No. 3 (2020): Intermidialidade e referências intermidiáticas; Port. 58-71 / Eng. 58-72
Revista Letras Raras; Vol. 9 Núm. 3 (2020): Intermidialidade e referências intermidiáticas; Port. 58-71 / Eng. 58-72
Revista Letras Raras; Vol. 9 No 3 (2020): Intermidialidade e referências intermidiáticas; Port. 58-71 / Eng. 58-72
Revista Letras Raras; v. 9 n. 3 (2020): Intermidialidade e referências intermidiáticas; Port. 58-71 / Eng. 58-72
2317-2347
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institution UFCG
reponame_str Revista Letras Raras
collection Revista Letras Raras
repository.name.fl_str_mv Revista Letras Raras - Universidade Federal de Campina Grande (UFCG)
repository.mail.fl_str_mv ||letrasrarasufcg@gmail.com
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