Images that resist: in the intensive Aleksander Sokurov film

• Autor(a) principal: Sylvia Beatriz Bezerra Furtado
• Data de Publicação: 2010
• Tipo de documento: Tese
• Idioma: por
• Título da fonte: Biblioteca Digital de Teses e Dissertações da UFC
• Texto Completo: http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=11178
• topic: Audiovisual; Cinema; Sociologia; Filosofia; Audiovisual; Sociology; Philosophy; SOCIOLOGIA

The artistic phenomenon should be , first of all defined by the description of forces . In the forms , colors , sounds , materials , and in the special case of cinema mode these forces as part of automation mechanism images . In this sense Deleuze gives to the arts by assigning the role to detect the signs , capture them and make them sensitive . Such that we can no longer say about art as a place of production of meanings , but the trial of strength. It is, this field of think of art as material composition forces . Art does not reproduce forms imaginary , but captures materials , concrete strength. The potency of the art resides therefore in different assemblages with the materials that compose . Only then can understand why , in Deleuzian perspective, the film should be seen by the internal relationship images, the way they articulate their threads - plans , movements camera, the relationship between movement and time, etc. , and not by the relationship they establish with real or believable to the production of images. Not indices of realism or rapprochement between the visible world and the ways that we take the film , but at he is able to capture and compose sensitive world.