The Fame of the TV machine: stylistic analysis of the SBT channel TV show
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Data de Publicação: | 2017 |
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Tipo de documento: | Artigo |
Idioma: | por eng |
Título da fonte: | Contracampo |
Texto Completo: | https://periodicos.uff.br/contracampo/article/view/17605 |
Resumo: | Máquina da Fama (Fame Machine) is a reality TV show about the competition between artists performing cover versions and the transformation of guest artists onto music scene phenomena. By the end of 2015 the show was the second most seen by the audience and in the beginning of 2016 it beat Xuxa's TV show several times. The format is responsible for notable moments in TV channel SBT’s contemporary history. As Máquina da Fama has become a hit on Brazilian television, this research sought to understand how the expressive resources used by this narrative appeal to the sensibility of the viewer. To answer that question the paper analyzes one episode in which the hostess Patrícia Abravanel establishes dialogue with herself, as if they were distinct personalities, before performing Beyoncé. |
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The Fame of the TV machine: stylistic analysis of the SBT channel TV showA fama da máquina televisiva: análise estilística do programa do SBTAudiovisualTelevisãoNarrativas MidiáticasEstilísticaSBTMáquina da Fama (Fame Machine) is a reality TV show about the competition between artists performing cover versions and the transformation of guest artists onto music scene phenomena. By the end of 2015 the show was the second most seen by the audience and in the beginning of 2016 it beat Xuxa's TV show several times. The format is responsible for notable moments in TV channel SBT’s contemporary history. As Máquina da Fama has become a hit on Brazilian television, this research sought to understand how the expressive resources used by this narrative appeal to the sensibility of the viewer. To answer that question the paper analyzes one episode in which the hostess Patrícia Abravanel establishes dialogue with herself, as if they were distinct personalities, before performing Beyoncé.O Máquina da Fama é um programa de auditório que consiste na competição entre covers e na transformação de artistas convidados em fenômenos do cenário musical. Fechando o ano de 2015 na vice-liderança em audiência e iniciando 2016 com constantes vitórias sobre Xuxa, o formato é responsável por momentos marcantes na história contemporânea do SBT. Levando isso em consideração, questionou-se como os recursos expressivos utilizados por essa narrativa sugerem atingir a sensibilidade do telespectador. Para tentar responder a essa indagação, analisou-se um trecho do programa em que a apresentadora Patrícia Abravanel estabelece diálogo com ela própria, como se fossem personalidades distintas, antes de executar a tarefa de imitar a cantora Beyoncé.Programa de Pós-Graduação em Comunicação da Universidade Federal Fluminense2017-08-07info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArtigo avaliado pelos Paresapplication/pdfapplication/pdfhttps://periodicos.uff.br/contracampo/article/view/1760510.22409/contracampo.v36i2.987Contracampo; v. 36 n. 2 (2017): Temáticas Livres2238-25771414-748310.22409/contracampo.v36i2reponame:Contracampoinstname:Universidade Federal Fluminense (UFF)instacron:UFFporenghttps://periodicos.uff.br/contracampo/article/view/17605/A%20fama%20da%20m%C3%A1quina%20televisiva%3A%20an%C3%A1lise%20estil%C3%ADstica%20do%20programa%20do%20SBThttps://periodicos.uff.br/contracampo/article/view/17605/The%20Fame%20of%20the%20TV%20machine%3A%20stylistic%20analysis%20of%20the%20SBT%20channel%20TV%20showCopyright (c) 2017 Revista Contracampoinfo:eu-repo/semantics/openAccessHergesel, João PauloFerraraz, Rogério2018-11-26T18:21:56Zoai:ojs.pkp.sfu.ca:article/17605Revistahttps://periodicos.uff.br/contracampoPUBhttps://periodicos.uff.br/contracampo/oai||contracampo.uff@gmail.com2238-25771414-7483opendoar:2018-11-26T18:21:56Contracampo - Universidade Federal Fluminense (UFF)false |
dc.title.none.fl_str_mv |
The Fame of the TV machine: stylistic analysis of the SBT channel TV show A fama da máquina televisiva: análise estilística do programa do SBT |
title |
The Fame of the TV machine: stylistic analysis of the SBT channel TV show |
spellingShingle |
The Fame of the TV machine: stylistic analysis of the SBT channel TV show Hergesel, João Paulo Audiovisual Televisão Narrativas Midiáticas Estilística SBT |
title_short |
The Fame of the TV machine: stylistic analysis of the SBT channel TV show |
title_full |
The Fame of the TV machine: stylistic analysis of the SBT channel TV show |
title_fullStr |
The Fame of the TV machine: stylistic analysis of the SBT channel TV show |
title_full_unstemmed |
The Fame of the TV machine: stylistic analysis of the SBT channel TV show |
title_sort |
The Fame of the TV machine: stylistic analysis of the SBT channel TV show |
author |
Hergesel, João Paulo |
author_facet |
Hergesel, João Paulo Ferraraz, Rogério |
author_role |
author |
author2 |
Ferraraz, Rogério |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Hergesel, João Paulo Ferraraz, Rogério |
dc.subject.por.fl_str_mv |
Audiovisual Televisão Narrativas Midiáticas Estilística SBT |
topic |
Audiovisual Televisão Narrativas Midiáticas Estilística SBT |
description |
Máquina da Fama (Fame Machine) is a reality TV show about the competition between artists performing cover versions and the transformation of guest artists onto music scene phenomena. By the end of 2015 the show was the second most seen by the audience and in the beginning of 2016 it beat Xuxa's TV show several times. The format is responsible for notable moments in TV channel SBT’s contemporary history. As Máquina da Fama has become a hit on Brazilian television, this research sought to understand how the expressive resources used by this narrative appeal to the sensibility of the viewer. To answer that question the paper analyzes one episode in which the hostess Patrícia Abravanel establishes dialogue with herself, as if they were distinct personalities, before performing Beyoncé. |
publishDate |
2017 |
dc.date.none.fl_str_mv |
2017-08-07 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artigo avaliado pelos Pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.uff.br/contracampo/article/view/17605 10.22409/contracampo.v36i2.987 |
url |
https://periodicos.uff.br/contracampo/article/view/17605 |
identifier_str_mv |
10.22409/contracampo.v36i2.987 |
dc.language.iso.fl_str_mv |
por eng |
language |
por eng |
dc.relation.none.fl_str_mv |
https://periodicos.uff.br/contracampo/article/view/17605/A%20fama%20da%20m%C3%A1quina%20televisiva%3A%20an%C3%A1lise%20estil%C3%ADstica%20do%20programa%20do%20SBT https://periodicos.uff.br/contracampo/article/view/17605/The%20Fame%20of%20the%20TV%20machine%3A%20stylistic%20analysis%20of%20the%20SBT%20channel%20TV%20show |
dc.rights.driver.fl_str_mv |
Copyright (c) 2017 Revista Contracampo info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2017 Revista Contracampo |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf application/pdf |
dc.publisher.none.fl_str_mv |
Programa de Pós-Graduação em Comunicação da Universidade Federal Fluminense |
publisher.none.fl_str_mv |
Programa de Pós-Graduação em Comunicação da Universidade Federal Fluminense |
dc.source.none.fl_str_mv |
Contracampo; v. 36 n. 2 (2017): Temáticas Livres 2238-2577 1414-7483 10.22409/contracampo.v36i2 reponame:Contracampo instname:Universidade Federal Fluminense (UFF) instacron:UFF |
instname_str |
Universidade Federal Fluminense (UFF) |
instacron_str |
UFF |
institution |
UFF |
reponame_str |
Contracampo |
collection |
Contracampo |
repository.name.fl_str_mv |
Contracampo - Universidade Federal Fluminense (UFF) |
repository.mail.fl_str_mv |
||contracampo.uff@gmail.com |
_version_ |
1799705522177310720 |