"The keyboard lits the écran": the cinematographic poetry of Manuel Gusmão

Detalhes bibliográficos
Autor(a) principal: Lima, Marleide Anchieta de
Data de Publicação: 2012
Tipo de documento: Artigo
Idioma: por
Título da fonte: Abril (Niterói)
Texto Completo: https://periodicos.uff.br/revistaabril/article/view/29710
Resumo: The poetry of Manuel Gusmão invests intensively in interart relations. His works offervisual dialogue with painting, photography and, above all, experience the dynamics of the cinema. For this reason, our study aims to examine the construction imagery in poems of the author mentioned, but not limited to thematic scope, since it will investigate the implementation of cinematic techniques for composition and textual meanings that express such procedures in an attempt to say or maybe not to say, the object being viewed. With this pesrpective, we turn to the theoretical-critical of George Didi-Huberman, Jacques Aumont, Gilles Deleuze, and the prose of Herberto Helder in Photomaton & Vox.
id UFF-9_3d41bc35eeceeea13a693f04a8e13d15
oai_identifier_str oai:ojs.pkp.sfu.ca:article/29710
network_acronym_str UFF-9
network_name_str Abril (Niterói)
repository_id_str
spelling "The keyboard lits the écran": the cinematographic poetry of Manuel Gusmão"O teclado acende o écran": a poesia cinematográfica de Manuel GusmãoContemporary Portuguese poetryinterart relationsManuel Gusmãopoesia contemporânea portuguesarelação interartesManuel GusmãoThe poetry of Manuel Gusmão invests intensively in interart relations. His works offervisual dialogue with painting, photography and, above all, experience the dynamics of the cinema. For this reason, our study aims to examine the construction imagery in poems of the author mentioned, but not limited to thematic scope, since it will investigate the implementation of cinematic techniques for composition and textual meanings that express such procedures in an attempt to say or maybe not to say, the object being viewed. With this pesrpective, we turn to the theoretical-critical of George Didi-Huberman, Jacques Aumont, Gilles Deleuze, and the prose of Herberto Helder in Photomaton & Vox.A poética de Manuel Gusmão investe de forma intensa nas relações interartes. Suas obras propõem diálogos visuais com a pintura, a fotografia e, sobretudo, experimentam a dinamicidade do cinema. Por este motivo, nosso trabalho pretende analisar a construção imagética em alguns poemas do autor mencionado, mas sem se restringir ao âmbito temático, uma vez que investigaremos a transposição de técnicas cinematográficas para a composição textual e os sentidos que tais procedimentos expressam na tentativa de dizer, ou talvez de não dizer, o objeto visualizado. Com essa perspectiva, recorreremos às abordagens teórico-críticas de George Didi-Huberman, Jacques Aumont e Gilles Deleuze, além da prosa de Herberto Helder, em Photomaton & Vox.ABEC Brasil2012-11-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionPeer-reviewed ArticleArtigo avaliado por paresapplication/pdfhttps://periodicos.uff.br/revistaabril/article/view/2971010.22409/abriluff.v5i9.29710ABRIL – NEPA / UFF; Vol. 5 No. 9 (2012): Dialoguing with Poetry; 187-204Abril – NEPA / UFF; v. 5 n. 9 (2012): Poesia em Diálogo; 187-2041984-209010.22409/abriluff.v5i9reponame:Abril (Niterói)instname:Universidade Federal Fluminense (UFF)instacron:UFFporhttps://periodicos.uff.br/revistaabril/article/view/29710/17251Copyright (c) 2018 Abril – NEPA / UFFinfo:eu-repo/semantics/openAccessLima, Marleide Anchieta de2019-08-09T09:28:14Zoai:ojs.pkp.sfu.ca:article/29710Revistahttps://periodicos.uff.br/revistaabrilPUBhttps://periodicos.uff.br/revistaabril/oairevistaabril@vm.uff.br||nepa@vm.uff.br||uffnepa@gmail.com||idafalves@gmail.com1984-20901984-2090opendoar:2019-08-09T09:28:14Abril (Niterói) - Universidade Federal Fluminense (UFF)false
dc.title.none.fl_str_mv "The keyboard lits the écran": the cinematographic poetry of Manuel Gusmão
"O teclado acende o écran": a poesia cinematográfica de Manuel Gusmão
title "The keyboard lits the écran": the cinematographic poetry of Manuel Gusmão
spellingShingle "The keyboard lits the écran": the cinematographic poetry of Manuel Gusmão
Lima, Marleide Anchieta de
Contemporary Portuguese poetry
interart relations
Manuel Gusmão
poesia contemporânea portuguesa
relação interartes
Manuel Gusmão
title_short "The keyboard lits the écran": the cinematographic poetry of Manuel Gusmão
title_full "The keyboard lits the écran": the cinematographic poetry of Manuel Gusmão
title_fullStr "The keyboard lits the écran": the cinematographic poetry of Manuel Gusmão
title_full_unstemmed "The keyboard lits the écran": the cinematographic poetry of Manuel Gusmão
title_sort "The keyboard lits the écran": the cinematographic poetry of Manuel Gusmão
author Lima, Marleide Anchieta de
author_facet Lima, Marleide Anchieta de
author_role author
dc.contributor.author.fl_str_mv Lima, Marleide Anchieta de
dc.subject.por.fl_str_mv Contemporary Portuguese poetry
interart relations
Manuel Gusmão
poesia contemporânea portuguesa
relação interartes
Manuel Gusmão
topic Contemporary Portuguese poetry
interart relations
Manuel Gusmão
poesia contemporânea portuguesa
relação interartes
Manuel Gusmão
description The poetry of Manuel Gusmão invests intensively in interart relations. His works offervisual dialogue with painting, photography and, above all, experience the dynamics of the cinema. For this reason, our study aims to examine the construction imagery in poems of the author mentioned, but not limited to thematic scope, since it will investigate the implementation of cinematic techniques for composition and textual meanings that express such procedures in an attempt to say or maybe not to say, the object being viewed. With this pesrpective, we turn to the theoretical-critical of George Didi-Huberman, Jacques Aumont, Gilles Deleuze, and the prose of Herberto Helder in Photomaton & Vox.
publishDate 2012
dc.date.none.fl_str_mv 2012-11-19
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Peer-reviewed Article
Artigo avaliado por pares
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.uff.br/revistaabril/article/view/29710
10.22409/abriluff.v5i9.29710
url https://periodicos.uff.br/revistaabril/article/view/29710
identifier_str_mv 10.22409/abriluff.v5i9.29710
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.uff.br/revistaabril/article/view/29710/17251
dc.rights.driver.fl_str_mv Copyright (c) 2018 Abril – NEPA / UFF
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2018 Abril – NEPA / UFF
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv ABEC Brasil
publisher.none.fl_str_mv ABEC Brasil
dc.source.none.fl_str_mv ABRIL – NEPA / UFF; Vol. 5 No. 9 (2012): Dialoguing with Poetry; 187-204
Abril – NEPA / UFF; v. 5 n. 9 (2012): Poesia em Diálogo; 187-204
1984-2090
10.22409/abriluff.v5i9
reponame:Abril (Niterói)
instname:Universidade Federal Fluminense (UFF)
instacron:UFF
instname_str Universidade Federal Fluminense (UFF)
instacron_str UFF
institution UFF
reponame_str Abril (Niterói)
collection Abril (Niterói)
repository.name.fl_str_mv Abril (Niterói) - Universidade Federal Fluminense (UFF)
repository.mail.fl_str_mv revistaabril@vm.uff.br||nepa@vm.uff.br||uffnepa@gmail.com||idafalves@gmail.com
_version_ 1799695307742642176