"The keyboard lits the écran": the cinematographic poetry of Manuel Gusmão
Autor(a) principal: | |
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Data de Publicação: | 2012 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Abril (Niterói) |
Texto Completo: | https://periodicos.uff.br/revistaabril/article/view/29710 |
Resumo: | The poetry of Manuel Gusmão invests intensively in interart relations. His works offervisual dialogue with painting, photography and, above all, experience the dynamics of the cinema. For this reason, our study aims to examine the construction imagery in poems of the author mentioned, but not limited to thematic scope, since it will investigate the implementation of cinematic techniques for composition and textual meanings that express such procedures in an attempt to say or maybe not to say, the object being viewed. With this pesrpective, we turn to the theoretical-critical of George Didi-Huberman, Jacques Aumont, Gilles Deleuze, and the prose of Herberto Helder in Photomaton & Vox. |
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"The keyboard lits the écran": the cinematographic poetry of Manuel Gusmão"O teclado acende o écran": a poesia cinematográfica de Manuel GusmãoContemporary Portuguese poetryinterart relationsManuel Gusmãopoesia contemporânea portuguesarelação interartesManuel GusmãoThe poetry of Manuel Gusmão invests intensively in interart relations. His works offervisual dialogue with painting, photography and, above all, experience the dynamics of the cinema. For this reason, our study aims to examine the construction imagery in poems of the author mentioned, but not limited to thematic scope, since it will investigate the implementation of cinematic techniques for composition and textual meanings that express such procedures in an attempt to say or maybe not to say, the object being viewed. With this pesrpective, we turn to the theoretical-critical of George Didi-Huberman, Jacques Aumont, Gilles Deleuze, and the prose of Herberto Helder in Photomaton & Vox.A poética de Manuel Gusmão investe de forma intensa nas relações interartes. Suas obras propõem diálogos visuais com a pintura, a fotografia e, sobretudo, experimentam a dinamicidade do cinema. Por este motivo, nosso trabalho pretende analisar a construção imagética em alguns poemas do autor mencionado, mas sem se restringir ao âmbito temático, uma vez que investigaremos a transposição de técnicas cinematográficas para a composição textual e os sentidos que tais procedimentos expressam na tentativa de dizer, ou talvez de não dizer, o objeto visualizado. Com essa perspectiva, recorreremos às abordagens teórico-críticas de George Didi-Huberman, Jacques Aumont e Gilles Deleuze, além da prosa de Herberto Helder, em Photomaton & Vox.ABEC Brasil2012-11-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionPeer-reviewed ArticleArtigo avaliado por paresapplication/pdfhttps://periodicos.uff.br/revistaabril/article/view/2971010.22409/abriluff.v5i9.29710ABRIL – NEPA / UFF; Vol. 5 No. 9 (2012): Dialoguing with Poetry; 187-204Abril – NEPA / UFF; v. 5 n. 9 (2012): Poesia em Diálogo; 187-2041984-209010.22409/abriluff.v5i9reponame:Abril (Niterói)instname:Universidade Federal Fluminense (UFF)instacron:UFFporhttps://periodicos.uff.br/revistaabril/article/view/29710/17251Copyright (c) 2018 Abril – NEPA / UFFinfo:eu-repo/semantics/openAccessLima, Marleide Anchieta de2019-08-09T09:28:14Zoai:ojs.pkp.sfu.ca:article/29710Revistahttps://periodicos.uff.br/revistaabrilPUBhttps://periodicos.uff.br/revistaabril/oairevistaabril@vm.uff.br||nepa@vm.uff.br||uffnepa@gmail.com||idafalves@gmail.com1984-20901984-2090opendoar:2019-08-09T09:28:14Abril (Niterói) - Universidade Federal Fluminense (UFF)false |
dc.title.none.fl_str_mv |
"The keyboard lits the écran": the cinematographic poetry of Manuel Gusmão "O teclado acende o écran": a poesia cinematográfica de Manuel Gusmão |
title |
"The keyboard lits the écran": the cinematographic poetry of Manuel Gusmão |
spellingShingle |
"The keyboard lits the écran": the cinematographic poetry of Manuel Gusmão Lima, Marleide Anchieta de Contemporary Portuguese poetry interart relations Manuel Gusmão poesia contemporânea portuguesa relação interartes Manuel Gusmão |
title_short |
"The keyboard lits the écran": the cinematographic poetry of Manuel Gusmão |
title_full |
"The keyboard lits the écran": the cinematographic poetry of Manuel Gusmão |
title_fullStr |
"The keyboard lits the écran": the cinematographic poetry of Manuel Gusmão |
title_full_unstemmed |
"The keyboard lits the écran": the cinematographic poetry of Manuel Gusmão |
title_sort |
"The keyboard lits the écran": the cinematographic poetry of Manuel Gusmão |
author |
Lima, Marleide Anchieta de |
author_facet |
Lima, Marleide Anchieta de |
author_role |
author |
dc.contributor.author.fl_str_mv |
Lima, Marleide Anchieta de |
dc.subject.por.fl_str_mv |
Contemporary Portuguese poetry interart relations Manuel Gusmão poesia contemporânea portuguesa relação interartes Manuel Gusmão |
topic |
Contemporary Portuguese poetry interart relations Manuel Gusmão poesia contemporânea portuguesa relação interartes Manuel Gusmão |
description |
The poetry of Manuel Gusmão invests intensively in interart relations. His works offervisual dialogue with painting, photography and, above all, experience the dynamics of the cinema. For this reason, our study aims to examine the construction imagery in poems of the author mentioned, but not limited to thematic scope, since it will investigate the implementation of cinematic techniques for composition and textual meanings that express such procedures in an attempt to say or maybe not to say, the object being viewed. With this pesrpective, we turn to the theoretical-critical of George Didi-Huberman, Jacques Aumont, Gilles Deleuze, and the prose of Herberto Helder in Photomaton & Vox. |
publishDate |
2012 |
dc.date.none.fl_str_mv |
2012-11-19 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article Artigo avaliado por pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.uff.br/revistaabril/article/view/29710 10.22409/abriluff.v5i9.29710 |
url |
https://periodicos.uff.br/revistaabril/article/view/29710 |
identifier_str_mv |
10.22409/abriluff.v5i9.29710 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.uff.br/revistaabril/article/view/29710/17251 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2018 Abril – NEPA / UFF info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2018 Abril – NEPA / UFF |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
ABEC Brasil |
publisher.none.fl_str_mv |
ABEC Brasil |
dc.source.none.fl_str_mv |
ABRIL – NEPA / UFF; Vol. 5 No. 9 (2012): Dialoguing with Poetry; 187-204 Abril – NEPA / UFF; v. 5 n. 9 (2012): Poesia em Diálogo; 187-204 1984-2090 10.22409/abriluff.v5i9 reponame:Abril (Niterói) instname:Universidade Federal Fluminense (UFF) instacron:UFF |
instname_str |
Universidade Federal Fluminense (UFF) |
instacron_str |
UFF |
institution |
UFF |
reponame_str |
Abril (Niterói) |
collection |
Abril (Niterói) |
repository.name.fl_str_mv |
Abril (Niterói) - Universidade Federal Fluminense (UFF) |
repository.mail.fl_str_mv |
revistaabril@vm.uff.br||nepa@vm.uff.br||uffnepa@gmail.com||idafalves@gmail.com |
_version_ |
1799695307742642176 |