Literature and cinema: cinemarographic translation in a poem by Paula Tavares
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Abril (Niterói) |
Texto Completo: | https://periodicos.uff.br/revistaabril/article/view/53186 |
Resumo: | This article focuses on post-independence Angolan literature and its relationship with cinematographic artistic expressions. It is in Ana Paula Taraves’ poetry, full of innovation and tradition, that we will investigate the forms of (re)writing of semiotic artistic elements within the literary text. While seeking contact with ancestral inspirations, Paula Tavares builds a modern poetics, which uses literary aesthetics and, in the case of the poem analyzed here, cinematographic, to build meaning. Based on the Semiotics of Culture precepts, we understand that the artistic text has its own language, based on its own rules and demands, and it is through this perspective that the maintenance of the dialogue between cultures is proposed. For this, we use the ideas of Lotman (1978), Diniz (1999), Plaza (2003), Barbosa (2009) e Machado (2001; 2007). |
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Literature and cinema: cinemarographic translation in a poem by Paula TavaresLiteratura e cinema: a tradução cinematográfica num poema de Paula TavaressemioticstraditionangolapoetrycinemasemióticatradiçãoangolacinemapoesiaThis article focuses on post-independence Angolan literature and its relationship with cinematographic artistic expressions. It is in Ana Paula Taraves’ poetry, full of innovation and tradition, that we will investigate the forms of (re)writing of semiotic artistic elements within the literary text. While seeking contact with ancestral inspirations, Paula Tavares builds a modern poetics, which uses literary aesthetics and, in the case of the poem analyzed here, cinematographic, to build meaning. Based on the Semiotics of Culture precepts, we understand that the artistic text has its own language, based on its own rules and demands, and it is through this perspective that the maintenance of the dialogue between cultures is proposed. For this, we use the ideas of Lotman (1978), Diniz (1999), Plaza (2003), Barbosa (2009) e Machado (2001; 2007).O presente artigo focaliza a literatura angolana pós-independência e a sua relação com expressões artísticas cinematográficas. É na poesia de Paula Tavares, carregada de inovação e tradição, que investigaremos as formas de (re)escritura de elementos artísticos semióticos dentro do texto literário. Ao mesmo tempo em que busca o contato com o ancestral, Ana Paula Tavares utiliza de recursos poéticos e cinematográficos potencializando os sentidos no texto aqui analisado. Pelo viés da teoria semiótica, entendemos que o texto artístico possui linguagem própria, a partir de suas próprias regras e demandas, mas que interagem com outros sistemas culturais, e é através dessa perspectiva que a manutenção do diálogo entre culturas é proposta. Para isso, utilizamos as ideias de Lotman (1978), Diniz (1999), Plaza (2003), Barbosa (2009) e Machado (2001; 2007).ABEC Brasil2022-10-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionPeer-reviewed ArticleArtigo avaliado por paresapplication/pdfhttps://periodicos.uff.br/revistaabril/article/view/5318610.22409/abriluff.v14i29.53186ABRIL – NEPA / UFF; Vol. 14 No. 29 (2022): Literature and other arts; 31-42Abril – NEPA / UFF; v. 14 n. 29 (2022): Literatura e outras artes; 31-421984-209010.22409/abriluff.v14i29reponame:Abril (Niterói)instname:Universidade Federal Fluminense (UFF)instacron:UFFporhttps://periodicos.uff.br/revistaabril/article/view/53186/33100Copyright (c) 2022 Abril – NEPA / UFFhttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessda Silva Leite, Luana EstefanyCosta Maia de Vasconcelos, Raíra2022-11-01T11:24:06Zoai:ojs.pkp.sfu.ca:article/53186Revistahttps://periodicos.uff.br/revistaabrilPUBhttps://periodicos.uff.br/revistaabril/oairevistaabril@vm.uff.br||nepa@vm.uff.br||uffnepa@gmail.com||idafalves@gmail.com1984-20901984-2090opendoar:2022-11-01T11:24:06Abril (Niterói) - Universidade Federal Fluminense (UFF)false |
dc.title.none.fl_str_mv |
Literature and cinema: cinemarographic translation in a poem by Paula Tavares Literatura e cinema: a tradução cinematográfica num poema de Paula Tavares |
title |
Literature and cinema: cinemarographic translation in a poem by Paula Tavares |
spellingShingle |
Literature and cinema: cinemarographic translation in a poem by Paula Tavares da Silva Leite, Luana Estefany semiotics tradition angola poetry cinema semiótica tradição angola cinema poesia |
title_short |
Literature and cinema: cinemarographic translation in a poem by Paula Tavares |
title_full |
Literature and cinema: cinemarographic translation in a poem by Paula Tavares |
title_fullStr |
Literature and cinema: cinemarographic translation in a poem by Paula Tavares |
title_full_unstemmed |
Literature and cinema: cinemarographic translation in a poem by Paula Tavares |
title_sort |
Literature and cinema: cinemarographic translation in a poem by Paula Tavares |
author |
da Silva Leite, Luana Estefany |
author_facet |
da Silva Leite, Luana Estefany Costa Maia de Vasconcelos, Raíra |
author_role |
author |
author2 |
Costa Maia de Vasconcelos, Raíra |
author2_role |
author |
dc.contributor.author.fl_str_mv |
da Silva Leite, Luana Estefany Costa Maia de Vasconcelos, Raíra |
dc.subject.por.fl_str_mv |
semiotics tradition angola poetry cinema semiótica tradição angola cinema poesia |
topic |
semiotics tradition angola poetry cinema semiótica tradição angola cinema poesia |
description |
This article focuses on post-independence Angolan literature and its relationship with cinematographic artistic expressions. It is in Ana Paula Taraves’ poetry, full of innovation and tradition, that we will investigate the forms of (re)writing of semiotic artistic elements within the literary text. While seeking contact with ancestral inspirations, Paula Tavares builds a modern poetics, which uses literary aesthetics and, in the case of the poem analyzed here, cinematographic, to build meaning. Based on the Semiotics of Culture precepts, we understand that the artistic text has its own language, based on its own rules and demands, and it is through this perspective that the maintenance of the dialogue between cultures is proposed. For this, we use the ideas of Lotman (1978), Diniz (1999), Plaza (2003), Barbosa (2009) e Machado (2001; 2007). |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-10-31 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article Artigo avaliado por pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.uff.br/revistaabril/article/view/53186 10.22409/abriluff.v14i29.53186 |
url |
https://periodicos.uff.br/revistaabril/article/view/53186 |
identifier_str_mv |
10.22409/abriluff.v14i29.53186 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.uff.br/revistaabril/article/view/53186/33100 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Abril – NEPA / UFF https://creativecommons.org/licenses/by-nc/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Abril – NEPA / UFF https://creativecommons.org/licenses/by-nc/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
ABEC Brasil |
publisher.none.fl_str_mv |
ABEC Brasil |
dc.source.none.fl_str_mv |
ABRIL – NEPA / UFF; Vol. 14 No. 29 (2022): Literature and other arts; 31-42 Abril – NEPA / UFF; v. 14 n. 29 (2022): Literatura e outras artes; 31-42 1984-2090 10.22409/abriluff.v14i29 reponame:Abril (Niterói) instname:Universidade Federal Fluminense (UFF) instacron:UFF |
instname_str |
Universidade Federal Fluminense (UFF) |
instacron_str |
UFF |
institution |
UFF |
reponame_str |
Abril (Niterói) |
collection |
Abril (Niterói) |
repository.name.fl_str_mv |
Abril (Niterói) - Universidade Federal Fluminense (UFF) |
repository.mail.fl_str_mv |
revistaabril@vm.uff.br||nepa@vm.uff.br||uffnepa@gmail.com||idafalves@gmail.com |
_version_ |
1799695309668876288 |