Literature and cinema: cinemarographic translation in a poem by Paula Tavares

• Autor(a) principal: da Silva Leite, Luana Estefany
• Data de Publicação: 2022
• Outros Autores: Costa Maia de Vasconcelos, Raíra
• Tipo de documento: Artigo
• Idioma: por
• Título da fonte: Abril (Niterói)
• Texto Completo: https://periodicos.uff.br/revistaabril/article/view/53186
• topic: semiotics; tradition; angola; poetry; cinema; semiótica; tradição; angola; cinema; poesia

This article focuses on post-independence Angolan literature and its relationship with cinematographic artistic expressions. It is in Ana Paula Taraves’ poetry, full of innovation and tradition, that we will investigate the forms of (re)writing of semiotic artistic elements within the literary text. While seeking contact with ancestral inspirations, Paula Tavares builds a modern poetics, which uses literary aesthetics and, in the case of the poem analyzed here, cinematographic, to build meaning. Based on the Semiotics of Culture precepts, we understand that the artistic text has its own language, based on its own rules and demands, and it is through this perspective that the maintenance of the dialogue between cultures is proposed. For this, we use the ideas of Lotman (1978), Diniz (1999), Plaza (2003), Barbosa (2009) e Machado (2001; 2007).