Afrocentric epistemologies in the academy: challenges concerning a dance professor selection

Detalhes bibliográficos
Autor(a) principal: Falkembach, Maria
Data de Publicação: 2022
Outros Autores: Baptista Carle, Claudio, Leite Domenice, Eloisa
Tipo de documento: Artigo
Idioma: por
Título da fonte: Arte da Cena
Texto Completo: https://revistas.ufg.br/artce/article/view/70438
Resumo: This work presents an Ethnographic essay on the experience of a public competition for effective professor of Afro-Brazilian dances placed at a brazilian federal university. The text describes the singularity of the event, characterised by the epistemological clash between the Afro-centred knowledge and the Eurocentric academic tradition, presenting how the examination panel, constituted by the authors of this text, forged an anti-racist posture against a structurally racist system. The present essay takes perspectives from Performance Studies and Exuneutics to describe the candidates' performances and practices in Afro-Brazilian dances, whose principles profoundly collide with academic dances based on rationalist models of systematization and diffusion. Among these principles, it was identified that the connection with ancestry is one of the basic elements of the Afro-centred perspective. The text analyses the competition explicitly as a crossroads, where the panel constructed a conduct in which the roles of ethnographers and evaluators overlapped, while listening and defining criteria was woven in real time. The article concludes that this competition constituted an exemplary situation in which academic criteria needed to be readjusted to accommodate epistemodiversity.
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spelling Afrocentric epistemologies in the academy: challenges concerning a dance professor selectionEpistemologias afrocentradas na academia: desafios de um concurso para docente em dançaThis work presents an Ethnographic essay on the experience of a public competition for effective professor of Afro-Brazilian dances placed at a brazilian federal university. The text describes the singularity of the event, characterised by the epistemological clash between the Afro-centred knowledge and the Eurocentric academic tradition, presenting how the examination panel, constituted by the authors of this text, forged an anti-racist posture against a structurally racist system. The present essay takes perspectives from Performance Studies and Exuneutics to describe the candidates' performances and practices in Afro-Brazilian dances, whose principles profoundly collide with academic dances based on rationalist models of systematization and diffusion. Among these principles, it was identified that the connection with ancestry is one of the basic elements of the Afro-centred perspective. The text analyses the competition explicitly as a crossroads, where the panel constructed a conduct in which the roles of ethnographers and evaluators overlapped, while listening and defining criteria was woven in real time. The article concludes that this competition constituted an exemplary situation in which academic criteria needed to be readjusted to accommodate epistemodiversity.   Este trabalho apresenta um ensaio etnográfico sobre a experiência de um concurso público para docente efetivo em danças afro-brasileiras ocorrido em universidade federal do sul do Brasil. O texto busca narrar a singularidade do evento, que tornou evidente o choque epistemológico entre os saberes forjados em cultura afrocentrada e o conhecimento acadêmico eurocêntrico colonizador. Apresenta o modo como a banca de avaliação, constituída pelos(as) autores(as) do texto, construiu meios para manter uma postura anti-racista dentro de um sistema estruturalmente racista. O ensaio toma as perspectivas dos Estudos da Performance e da Exunêutica, para descrever as performances dos(as) candidatos(as) e as práticas em danças afro-brasileiras, cuja lógica destoa profundamente das danças acadêmicas, assentadas em modelos racionalistas de sistematização e difusão. Dentre esses princípios, identificou-se que a conexão com a ancestralidade é um dos elementos basilares da perspectiva afrocentrada. A escrita explicita o concurso como encruzilhada, na qual a banca construiu uma conduta em que os papeis de etnógrafos(as) e avaliadores(as) se sobrepunham, na medida em que o exercício de escuta e de definição de critérios se teciam. O artigo conclui que este concurso constituiu-se numa situação exemplar em que os critérios acadêmicos precisaram ser readequados para acolher a epistemodiversidade.Universidade Federal de Goiás2022-03-25info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.ufg.br/artce/article/view/7043810.5216/ac.v7i2.70438Art on Stage Journal; Vol. 7 No. 2 (2021): Black(s) Performance(s); 313-352Arte da Cena (Art on Stage); v. 7 n. 2 (2021): Cena(s) Negra(s); 313-3522358-6060reponame:Arte da Cenainstname:Universidade Federal de Goiás (UFG)instacron:UFGporhttps://revistas.ufg.br/artce/article/view/70438/38145Copyright (c) 2021 Maria Falkembach, Claudio Baptista Carle, Eloisa Leite Domenicehttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessFalkembach, MariaBaptista Carle, ClaudioLeite Domenice, Eloisa2022-06-02T19:47:11Zoai:ojs.revistas.ufg.br:article/70438Revistahttps://www.revistas.ufg.br/artce/PUBhttps://www.revistas.ufg.br/artce/oaiartedacena@gmail.com||2358-60602358-6060opendoar:2022-06-02T19:47:11Arte da Cena - Universidade Federal de Goiás (UFG)false
dc.title.none.fl_str_mv Afrocentric epistemologies in the academy: challenges concerning a dance professor selection
Epistemologias afrocentradas na academia: desafios de um concurso para docente em dança
title Afrocentric epistemologies in the academy: challenges concerning a dance professor selection
spellingShingle Afrocentric epistemologies in the academy: challenges concerning a dance professor selection
Falkembach, Maria
title_short Afrocentric epistemologies in the academy: challenges concerning a dance professor selection
title_full Afrocentric epistemologies in the academy: challenges concerning a dance professor selection
title_fullStr Afrocentric epistemologies in the academy: challenges concerning a dance professor selection
title_full_unstemmed Afrocentric epistemologies in the academy: challenges concerning a dance professor selection
title_sort Afrocentric epistemologies in the academy: challenges concerning a dance professor selection
author Falkembach, Maria
author_facet Falkembach, Maria
Baptista Carle, Claudio
Leite Domenice, Eloisa
author_role author
author2 Baptista Carle, Claudio
Leite Domenice, Eloisa
author2_role author
author
dc.contributor.author.fl_str_mv Falkembach, Maria
Baptista Carle, Claudio
Leite Domenice, Eloisa
description This work presents an Ethnographic essay on the experience of a public competition for effective professor of Afro-Brazilian dances placed at a brazilian federal university. The text describes the singularity of the event, characterised by the epistemological clash between the Afro-centred knowledge and the Eurocentric academic tradition, presenting how the examination panel, constituted by the authors of this text, forged an anti-racist posture against a structurally racist system. The present essay takes perspectives from Performance Studies and Exuneutics to describe the candidates' performances and practices in Afro-Brazilian dances, whose principles profoundly collide with academic dances based on rationalist models of systematization and diffusion. Among these principles, it was identified that the connection with ancestry is one of the basic elements of the Afro-centred perspective. The text analyses the competition explicitly as a crossroads, where the panel constructed a conduct in which the roles of ethnographers and evaluators overlapped, while listening and defining criteria was woven in real time. The article concludes that this competition constituted an exemplary situation in which academic criteria needed to be readjusted to accommodate epistemodiversity.
publishDate 2022
dc.date.none.fl_str_mv 2022-03-25
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.ufg.br/artce/article/view/70438
10.5216/ac.v7i2.70438
url https://revistas.ufg.br/artce/article/view/70438
identifier_str_mv 10.5216/ac.v7i2.70438
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.ufg.br/artce/article/view/70438/38145
dc.rights.driver.fl_str_mv Copyright (c) 2021 Maria Falkembach, Claudio Baptista Carle, Eloisa Leite Domenice
https://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Maria Falkembach, Claudio Baptista Carle, Eloisa Leite Domenice
https://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Goiás
publisher.none.fl_str_mv Universidade Federal de Goiás
dc.source.none.fl_str_mv Art on Stage Journal; Vol. 7 No. 2 (2021): Black(s) Performance(s); 313-352
Arte da Cena (Art on Stage); v. 7 n. 2 (2021): Cena(s) Negra(s); 313-352
2358-6060
reponame:Arte da Cena
instname:Universidade Federal de Goiás (UFG)
instacron:UFG
instname_str Universidade Federal de Goiás (UFG)
instacron_str UFG
institution UFG
reponame_str Arte da Cena
collection Arte da Cena
repository.name.fl_str_mv Arte da Cena - Universidade Federal de Goiás (UFG)
repository.mail.fl_str_mv artedacena@gmail.com||
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