Afrocentric epistemologies in the academy: challenges concerning a dance professor selection
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Outros Autores: | , |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Arte da Cena |
Texto Completo: | https://revistas.ufg.br/artce/article/view/70438 |
Resumo: | This work presents an Ethnographic essay on the experience of a public competition for effective professor of Afro-Brazilian dances placed at a brazilian federal university. The text describes the singularity of the event, characterised by the epistemological clash between the Afro-centred knowledge and the Eurocentric academic tradition, presenting how the examination panel, constituted by the authors of this text, forged an anti-racist posture against a structurally racist system. The present essay takes perspectives from Performance Studies and Exuneutics to describe the candidates' performances and practices in Afro-Brazilian dances, whose principles profoundly collide with academic dances based on rationalist models of systematization and diffusion. Among these principles, it was identified that the connection with ancestry is one of the basic elements of the Afro-centred perspective. The text analyses the competition explicitly as a crossroads, where the panel constructed a conduct in which the roles of ethnographers and evaluators overlapped, while listening and defining criteria was woven in real time. The article concludes that this competition constituted an exemplary situation in which academic criteria needed to be readjusted to accommodate epistemodiversity. |
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Afrocentric epistemologies in the academy: challenges concerning a dance professor selectionEpistemologias afrocentradas na academia: desafios de um concurso para docente em dançaThis work presents an Ethnographic essay on the experience of a public competition for effective professor of Afro-Brazilian dances placed at a brazilian federal university. The text describes the singularity of the event, characterised by the epistemological clash between the Afro-centred knowledge and the Eurocentric academic tradition, presenting how the examination panel, constituted by the authors of this text, forged an anti-racist posture against a structurally racist system. The present essay takes perspectives from Performance Studies and Exuneutics to describe the candidates' performances and practices in Afro-Brazilian dances, whose principles profoundly collide with academic dances based on rationalist models of systematization and diffusion. Among these principles, it was identified that the connection with ancestry is one of the basic elements of the Afro-centred perspective. The text analyses the competition explicitly as a crossroads, where the panel constructed a conduct in which the roles of ethnographers and evaluators overlapped, while listening and defining criteria was woven in real time. The article concludes that this competition constituted an exemplary situation in which academic criteria needed to be readjusted to accommodate epistemodiversity. Este trabalho apresenta um ensaio etnográfico sobre a experiência de um concurso público para docente efetivo em danças afro-brasileiras ocorrido em universidade federal do sul do Brasil. O texto busca narrar a singularidade do evento, que tornou evidente o choque epistemológico entre os saberes forjados em cultura afrocentrada e o conhecimento acadêmico eurocêntrico colonizador. Apresenta o modo como a banca de avaliação, constituída pelos(as) autores(as) do texto, construiu meios para manter uma postura anti-racista dentro de um sistema estruturalmente racista. O ensaio toma as perspectivas dos Estudos da Performance e da Exunêutica, para descrever as performances dos(as) candidatos(as) e as práticas em danças afro-brasileiras, cuja lógica destoa profundamente das danças acadêmicas, assentadas em modelos racionalistas de sistematização e difusão. Dentre esses princípios, identificou-se que a conexão com a ancestralidade é um dos elementos basilares da perspectiva afrocentrada. A escrita explicita o concurso como encruzilhada, na qual a banca construiu uma conduta em que os papeis de etnógrafos(as) e avaliadores(as) se sobrepunham, na medida em que o exercício de escuta e de definição de critérios se teciam. O artigo conclui que este concurso constituiu-se numa situação exemplar em que os critérios acadêmicos precisaram ser readequados para acolher a epistemodiversidade.Universidade Federal de Goiás2022-03-25info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.ufg.br/artce/article/view/7043810.5216/ac.v7i2.70438Art on Stage Journal; Vol. 7 No. 2 (2021): Black(s) Performance(s); 313-352Arte da Cena (Art on Stage); v. 7 n. 2 (2021): Cena(s) Negra(s); 313-3522358-6060reponame:Arte da Cenainstname:Universidade Federal de Goiás (UFG)instacron:UFGporhttps://revistas.ufg.br/artce/article/view/70438/38145Copyright (c) 2021 Maria Falkembach, Claudio Baptista Carle, Eloisa Leite Domenicehttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessFalkembach, MariaBaptista Carle, ClaudioLeite Domenice, Eloisa2022-06-02T19:47:11Zoai:ojs.revistas.ufg.br:article/70438Revistahttps://www.revistas.ufg.br/artce/PUBhttps://www.revistas.ufg.br/artce/oaiartedacena@gmail.com||2358-60602358-6060opendoar:2022-06-02T19:47:11Arte da Cena - Universidade Federal de Goiás (UFG)false |
dc.title.none.fl_str_mv |
Afrocentric epistemologies in the academy: challenges concerning a dance professor selection Epistemologias afrocentradas na academia: desafios de um concurso para docente em dança |
title |
Afrocentric epistemologies in the academy: challenges concerning a dance professor selection |
spellingShingle |
Afrocentric epistemologies in the academy: challenges concerning a dance professor selection Falkembach, Maria |
title_short |
Afrocentric epistemologies in the academy: challenges concerning a dance professor selection |
title_full |
Afrocentric epistemologies in the academy: challenges concerning a dance professor selection |
title_fullStr |
Afrocentric epistemologies in the academy: challenges concerning a dance professor selection |
title_full_unstemmed |
Afrocentric epistemologies in the academy: challenges concerning a dance professor selection |
title_sort |
Afrocentric epistemologies in the academy: challenges concerning a dance professor selection |
author |
Falkembach, Maria |
author_facet |
Falkembach, Maria Baptista Carle, Claudio Leite Domenice, Eloisa |
author_role |
author |
author2 |
Baptista Carle, Claudio Leite Domenice, Eloisa |
author2_role |
author author |
dc.contributor.author.fl_str_mv |
Falkembach, Maria Baptista Carle, Claudio Leite Domenice, Eloisa |
description |
This work presents an Ethnographic essay on the experience of a public competition for effective professor of Afro-Brazilian dances placed at a brazilian federal university. The text describes the singularity of the event, characterised by the epistemological clash between the Afro-centred knowledge and the Eurocentric academic tradition, presenting how the examination panel, constituted by the authors of this text, forged an anti-racist posture against a structurally racist system. The present essay takes perspectives from Performance Studies and Exuneutics to describe the candidates' performances and practices in Afro-Brazilian dances, whose principles profoundly collide with academic dances based on rationalist models of systematization and diffusion. Among these principles, it was identified that the connection with ancestry is one of the basic elements of the Afro-centred perspective. The text analyses the competition explicitly as a crossroads, where the panel constructed a conduct in which the roles of ethnographers and evaluators overlapped, while listening and defining criteria was woven in real time. The article concludes that this competition constituted an exemplary situation in which academic criteria needed to be readjusted to accommodate epistemodiversity. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-03-25 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.ufg.br/artce/article/view/70438 10.5216/ac.v7i2.70438 |
url |
https://revistas.ufg.br/artce/article/view/70438 |
identifier_str_mv |
10.5216/ac.v7i2.70438 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.ufg.br/artce/article/view/70438/38145 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2021 Maria Falkembach, Claudio Baptista Carle, Eloisa Leite Domenice https://creativecommons.org/licenses/by-nc/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2021 Maria Falkembach, Claudio Baptista Carle, Eloisa Leite Domenice https://creativecommons.org/licenses/by-nc/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Goiás |
publisher.none.fl_str_mv |
Universidade Federal de Goiás |
dc.source.none.fl_str_mv |
Art on Stage Journal; Vol. 7 No. 2 (2021): Black(s) Performance(s); 313-352 Arte da Cena (Art on Stage); v. 7 n. 2 (2021): Cena(s) Negra(s); 313-352 2358-6060 reponame:Arte da Cena instname:Universidade Federal de Goiás (UFG) instacron:UFG |
instname_str |
Universidade Federal de Goiás (UFG) |
instacron_str |
UFG |
institution |
UFG |
reponame_str |
Arte da Cena |
collection |
Arte da Cena |
repository.name.fl_str_mv |
Arte da Cena - Universidade Federal de Goiás (UFG) |
repository.mail.fl_str_mv |
artedacena@gmail.com|| |
_version_ |
1797068725325660160 |