NIETZSCHE AND THE BIRTH OF THE OPERA FROM THE ALEXANDRINE SPIRIT

Detalhes bibliográficos
Autor(a) principal: Moraes, Rodrigo Juventino Bastos de
Data de Publicação: 2023
Tipo de documento: Artigo
Idioma: por
Título da fonte: Kriterion (Online)
Texto Completo: https://periodicos.ufmg.br/index.php/kriterion/article/view/38452
Resumo: The article intends to present the origin of the opera, in the thought of the young Nietzsche, parallel in the birth of the ancient Greek tragedy with whose comparison we intend to show how the formation of the first takes place under the insignia of an instinctual restriction. The idea is to present the origin of opera, as Nietzsche understood it from the reading of Zur Tonkunst by Ernst Lindner, as a critique of the western rationalization process that imprisoned the productive force of Nature as of the superposition of consciousness to the unconscious force of art. Even in the case of a dramatic genre that uses music, a form of expression that in theory expresses the very Idea of the world.
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spelling NIETZSCHE AND THE BIRTH OF THE OPERA FROM THE ALEXANDRINE SPIRITNIETZSCHE E O NASCIMENTO DA ÓPERA A PARTIR DO ESPÍRITO ALEXANDRINONietzscheLindnerÓperaTragédiaAlexandrinoNietzscheLindnerOperaTragedyAlexandrianThe article intends to present the origin of the opera, in the thought of the young Nietzsche, parallel in the birth of the ancient Greek tragedy with whose comparison we intend to show how the formation of the first takes place under the insignia of an instinctual restriction. The idea is to present the origin of opera, as Nietzsche understood it from the reading of Zur Tonkunst by Ernst Lindner, as a critique of the western rationalization process that imprisoned the productive force of Nature as of the superposition of consciousness to the unconscious force of art. Even in the case of a dramatic genre that uses music, a form of expression that in theory expresses the very Idea of the world.O artigo pretende apresentar a origem da ópera moderna, no pensamento do jovem Nietzsche, em paralelo ao nascimento da tragédia grega antiga com cuja comparação pretendemos mostrar como se dá a formação da primeira sob a insígnia de uma restrição pulsional. A ideia é apresentar a origem da ópera, como Nietzsche a entendia a partir da leitura de Zur Tonkunst de Ernst Lindner, como uma crítica ao processo de racionalização ocidental que aprisionou a força produtora da Natureza a partir da sobreposição da consciência à força inconsciente produtora da arte autêntica. Mesmo no caso de um gênero dramático que se utiliza da música, a forma de expressão que em tese exprime a própria Ideia do mundo.Revista KriterionRevista KriterionKriterion: Revista de FilosofiaKriterion: Revista de FilosofiaRevista Kriterion2023-05-29info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufmg.br/index.php/kriterion/article/view/38452Revista Kriterion; Vol. 64 No. 154 (2023)Revista Kriterion; Vol. 64 Núm. 154 (2023)Kriterion: Revista de Filosofia; Vol. 64 No 154 (2023)Kriterion: Revista de Filosofia; V. 64 N. 154 (2023)Revista Kriterion; v. 64 n. 154 (2023)1981-53360100-512Xreponame:Kriterion (Online)instname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/kriterion/article/view/38452/37546Copyright (c) 2023 Revista Kriterionhttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccess Moraes, Rodrigo Juventino Bastos de2023-05-29T19:43:03Zoai:periodicos.ufmg.br:article/38452Revistahttps://periodicos.ufmg.br/index.php/kriterionPUBhttps://periodicos.ufmg.br/index.php/kriterion/oairevistakriterion@gmail.com1981-53360100-512Xopendoar:2024-01-24T12:41:31.284560Kriterion (Online) - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv NIETZSCHE AND THE BIRTH OF THE OPERA FROM THE ALEXANDRINE SPIRIT
NIETZSCHE E O NASCIMENTO DA ÓPERA A PARTIR DO ESPÍRITO ALEXANDRINO
title NIETZSCHE AND THE BIRTH OF THE OPERA FROM THE ALEXANDRINE SPIRIT
spellingShingle NIETZSCHE AND THE BIRTH OF THE OPERA FROM THE ALEXANDRINE SPIRIT
Moraes, Rodrigo Juventino Bastos de
Nietzsche
Lindner
Ópera
Tragédia
Alexandrino
Nietzsche
Lindner
Opera
Tragedy
Alexandrian
title_short NIETZSCHE AND THE BIRTH OF THE OPERA FROM THE ALEXANDRINE SPIRIT
title_full NIETZSCHE AND THE BIRTH OF THE OPERA FROM THE ALEXANDRINE SPIRIT
title_fullStr NIETZSCHE AND THE BIRTH OF THE OPERA FROM THE ALEXANDRINE SPIRIT
title_full_unstemmed NIETZSCHE AND THE BIRTH OF THE OPERA FROM THE ALEXANDRINE SPIRIT
title_sort NIETZSCHE AND THE BIRTH OF THE OPERA FROM THE ALEXANDRINE SPIRIT
author Moraes, Rodrigo Juventino Bastos de
author_facet Moraes, Rodrigo Juventino Bastos de
author_role author
dc.contributor.author.fl_str_mv Moraes, Rodrigo Juventino Bastos de
dc.subject.por.fl_str_mv Nietzsche
Lindner
Ópera
Tragédia
Alexandrino
Nietzsche
Lindner
Opera
Tragedy
Alexandrian
topic Nietzsche
Lindner
Ópera
Tragédia
Alexandrino
Nietzsche
Lindner
Opera
Tragedy
Alexandrian
description The article intends to present the origin of the opera, in the thought of the young Nietzsche, parallel in the birth of the ancient Greek tragedy with whose comparison we intend to show how the formation of the first takes place under the insignia of an instinctual restriction. The idea is to present the origin of opera, as Nietzsche understood it from the reading of Zur Tonkunst by Ernst Lindner, as a critique of the western rationalization process that imprisoned the productive force of Nature as of the superposition of consciousness to the unconscious force of art. Even in the case of a dramatic genre that uses music, a form of expression that in theory expresses the very Idea of the world.
publishDate 2023
dc.date.none.fl_str_mv 2023-05-29
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/kriterion/article/view/38452
url https://periodicos.ufmg.br/index.php/kriterion/article/view/38452
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/kriterion/article/view/38452/37546
dc.rights.driver.fl_str_mv Copyright (c) 2023 Revista Kriterion
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Revista Kriterion
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Revista Kriterion
Revista Kriterion
Kriterion: Revista de Filosofia
Kriterion: Revista de Filosofia
Revista Kriterion
publisher.none.fl_str_mv Revista Kriterion
Revista Kriterion
Kriterion: Revista de Filosofia
Kriterion: Revista de Filosofia
Revista Kriterion
dc.source.none.fl_str_mv Revista Kriterion; Vol. 64 No. 154 (2023)
Revista Kriterion; Vol. 64 Núm. 154 (2023)
Kriterion: Revista de Filosofia; Vol. 64 No 154 (2023)
Kriterion: Revista de Filosofia; V. 64 N. 154 (2023)
Revista Kriterion; v. 64 n. 154 (2023)
1981-5336
0100-512X
reponame:Kriterion (Online)
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Kriterion (Online)
collection Kriterion (Online)
repository.name.fl_str_mv Kriterion (Online) - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv revistakriterion@gmail.com
_version_ 1799711183421308928

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